THE BEATLES Yesterday And Today BUTCHER COVER 1966 HOLY GRAIL 1ST PRESS SCRANTON

$

950

Vinyl:  VG Play Graded. Sounds Very Good!  Capitol Rainbow Labels are Clean and Bright.  This is the RARE MONO 1966 Capitol 1ST PRESSING!  T-2553.  Pressed at Capitol's Scranton, PA Pressing Plant.  A "Compilation" of Quintessential Middle Period Beatles, at the very end of the Beatlemania period, released a couple months before their last public concert and before they retreated to the studio to create their Masterwork, Sgt. Pepper's Lonely Hearts Club Band.  The underbelly of this compilation, of course, is that the greedsters at Capitol had it in mind to get a "bonus" album out of The Beatles by patching together a bunch of songs they had ripped off of the Beatles' original Parlophone releases over the years, in order to present more product to the hungry American public (compare, for example Capitol's "Revolver" with Parlophone's "Revolver").  And of course unbeknownst to the Capitol bosses, they had played into a Faustian bargain whereupon The Beatles for their part (as one storyline plays it) decided to one up the greedsters with a visual representation of how they felt about their albums being ripped apart...See "Cover", below  :)
See Review Below!
In the Dead Wax:  Side 1: Stampers:   T1-2553-F1  IAM ((International Association of Machinists, Pressed at Capitol's Scranton, PA Pressing Plant))
Side 2: Stampers:  T2-2553-G6  IAM ((International Association of Machinists, Pressed at Capitol's Scranton, PA Pressing Plant))        Cover: VG+ (see photos)  Cover retains much of its luster and color matte beauty.  Textured cover.  An exceptionally well done peel of this Third State Butcher Cover. Some paper tears--see photos.  There is no ring nor shelf wear on the front.  There is some ring and shelf wear on the back cover.   Front and back of cover artwork and text are rich, clear and bright. Seams and spine are all intact with a crack in the slick running along the length of most of the seams.  The band name, title of the album and catalog number are all readable on the spine, with some wear and some chipping.  No writing.  The back cover has the number 3, verifying that the cover matches the disc. That is, this is a Mono record, pressed at Capitol's Scranton, PA Pressing Plant.  
Includes the (correct) Capitol inner sleeve which has a full split in the bottom and partial splits on the sides. 
Includes a copy of the original letter from Ron Tepper, dated June 14, 1966, attempting to explain to the DJ's they had sent Promo copies of "Yesterday"...And Today to why they were asking for these copies (with the Butcher Cover) to be returned to Capitol Records (C.O.D.! -- No doubt!)  I love the denigrating use of the term 'pop art' thrown in there, in quotations--how déclassé!!! :O
See my other listings for other Beatles & Related items.  I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed.  Let me know what you're looking for.  You can also click on "Save This Seller" and you'll be among the first to be notified when I  post new listings.

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).

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All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.    

AllMusic Review by Bruce Eder  [-]

Yesterday...and Today was the last Beatles album to be created exclusively for the American market without the group's direct consent, and its tumultuous history seemed to bring the issue of those albums to a head, both for the group and Capitol Records. Owing to business and market differences between England and America, the label had reconfigured every one of the group's long-players in America up to that point, and also generated a few LPs out of singles, B-sides, and EP tracks that had no U.K. equivalent on 12" vinyl -- the Beatles had tolerated it all quietly in the early days, content to go along amid the whirlwind of success they were riding, even in the face of such abominations as the original U.S. Help! album. By 1966, however, they were on a firmer footing, and well past being wide-eyed teenagers from the north of England; they'd also begun to express themselves creatively in media beyond music, and take themselves a bit more seriously, and having a bit more fun as well -- by the spring of 1966, after all, they were neck-deep into the making of the Revolver album. When confronted with what should have been a routine matter, the proposed 11-song U.S.-only Yesterday...and Today, assembling a bunch of single sides and leftover U.K. LP tracks, they delivered the notorious "butcher cover," depicting the quartet in butcher smocks, handling cuts of meat and pieces of dismembered baby dolls -- it was all their comment on how strangely albums like this one seemed to chop up pieces of their history and repertory. Somehow, Capitol Records' executives went along with gag and approved the initial design, and a print run of the album was ordered up, anticipating the usual six-figure release-date demand for a "new" Beatles LP. Then the negative reactions started coming in from record chain buyers and disc jockeys, and Capitol was soon faced with a crisis -- everybody seemed to find the cover tasteless and even grotesque, and it was possible some department store chains would refuse to stock the album. A new, tamer photo replaced the original cover, and untold thousands of copies of the original "butcher cover" sleeves were pasted over with the new picture. In the end, between the junking of artwork and some jackets, and the overtime needed to salvage the inventory, Yesterday...and Todayended up as the only U.S. Beatles album to show a loss on Capitol's books. From that point forward, there would be better coordination between England and America to prevent such near-disasters. As for the album itself, Capitol assembled four songs that had been removed from the British version of Rubber Soul, the singles "Yesterday," "We Can Work It Out," and "Day Tripper," a pair of B-sides, and offered a "preview" of the upcoming Revolver album (released seven weeks later) in the form of "And Your Bird Can Sing" and "Doctor Robert" (neither one in its final mix). Amazingly, despite origins ranging across 18 months of the band's history, it all hung together very well, with the country-influenced "Act Naturally" and "What Goes On" -- both heavily featuring Ringo Starr -- adding some unexpected roots rock elements amid the cutting-edge, riff-driven glories of "Day Tripper" and others, and the latter contrasting beautifully with McCartney's romantic classic "Yesterday." Despite being thrown together in a blender, the album could stand next to almost any of the competition in the summer of 1966, though it became clear with the release of Revolver, two months later, that the band had left most of the sounds represented here far behind them.