THE BREEDERS Last Splash LP 4AD 1990 UK orig+inner CAD3014 PIXIES-THROWING MUSES
€
37
$
43
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Description
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THE BREEDERS
The Breeders started as a way for Pixies bassist Kim Deal and Throwing Muses guitarist Tanya Donelly to let out some suppressed creative energy, but thanks to the success of their second album Last Splash and its smash hit single "Cannonball," the band became one of the biggest -- and quirkiest -- acts of the early-'90s alternative rock revolution
"LAST SPLASH"
tracklisting
Side A: NEW YEAR - CANNONBALL - INVISIBLE MAN - NO ALOHA
ROI - DO YOU LOVE ME NOW' - FLIPSIDE
Side B: I JUST WANNA GET ALONG - MAD LUCAS - DIVINE HAMMER
S.G.S. - HAG - SAINTS - DRIVIN' ON - ROI (Reprise)
1993 LP 4AD RECORDS CAD 3014
MADE IN ENGLAND ORIGINAL PRESSING
SINGLE COVER + INNER SLEEVE
[Includes a full colour, glossy card inner sleeve of artwork, lyrics and credits.]
Barcode and Other Identifiers
Barcode: 5 014436 301407 >
LABEL: 4AD - GREEN (A) & ORANGE (B) LABELS w/ARTWORK - MULTICOLOR TEXT
Label Code: none
Catalog on cover: CAD 3014
Catalog on labels: CAD 3014
Matrix / Runout (Side A, Etched): CAD 3014 A1 MPO
Matrix / Runout (Side B, Etched): CAD 3014 B1 MPO
On labels: Made in England
(Side A only) Produced by Kim Deal and Mark Freegard
Published by Period Music except.........
? & © 1993 4AD
On Inner Sleeve: artwork, lyrics and credits
On Back Cover: tracklist
grading
RECORD EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
Thanks to good timing and some great singles, the Breeders' second album, Last Splash, turned them into the alternative rock stars that Kim Deal's former band, the Pixies, always seemed on the verge of becoming. When Last Splash is good, it's great: "Cannonball"'s instantly catchy collage of bouncy bass, rhythmic stops and starts, and singsong vocals became one of the definitive alt-pop singles of the '90s. Likewise, the sweetly sexy "Divine Hammer" and swaggering "Saints" are among the Breeders' finest moments, and deserved all of the airplay they received. Similarly, the charming twang of "Drivin' on 9," "I Just Wanna Get Along"'s spiky punk-pop, and the bittersweet "Invisible Man" added depth that recalled the eclectic turns the band took on Pod while maintaining the slick allure of Last Splash's hits. Still, its best moments -- and the Deal sisters' megawatt charm -- end up outweighing its inconsistencies to make it one of the alternative rock era's defining albums...(AllMusic)
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