THE DOORS JIM MORRISON an american prayer MINT ELEKTRA LP PSYCH POETRY insert

	£		19
	$		25

JIM MORRISON: an american prayer Original German pressing from 1978 on the Elektra label. Comes in a gatefold cover and the rare insert/booklet is included.

The gatefold sleeve is in NM condition and the record is in MINT condition. 

The Doors - An American Prayer (1978) Full Album - YouTube

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[isdntekvideo] From allmusic:
AllMusic Review by Vik Iyengar:
Moody and mesmerizing, An American Prayer is an interesting album of Jim Morrison reading his poetry over the Doors' music. An American Prayer was finished by the remaining members of the Doors after Morrison's death and finally released in 1978 (it was remastered and re-released in 1995 with bonus tracks). Those familiar with the lyrics of the Doors will not be surprised, but others may be put off because Morrison is unafraid to use crude imagery and talk unabashedly about taboo topics such as sex and religion. Although many dismiss his poetry as simplistic random musings, Morrison is a gifted lyricist with a vivid imagination. The album also demonstrates how the other musicians in the band create a mood that breathes life into Morrison's dark, twisted visions. The music excerpts of "Peace Frog" and "Wasp (Texas Radio and the Big Beat)" provide a welcome air of familiarity, and the definitive live version of "Roadhouse Blues" in the middle of the album provides a nice respite from the barrage of stories and metaphors. However, An American Prayer must be listened to in one sitting to be fully appreciated, preferably at nighttime when one is alone and can devote full attention to the listening experience. This album is not for everyone, but is a must-own for Doors completists and fans of Jim Morrison's poetry.

From Wikipedia:
An American Prayer is the ninth and final studio album by the Doors. In 1978, seven years after lead singer Jim Morrison died and five years after the remaining members of the band broke up, Ray Manzarek, Robby Krieger, and John Densmore reunited and recorded backing tracks over Morrison's poetry (originally recorded in 1969 and 1970). Other pieces of music and spoken word recorded by the Doors and Morrison were also used in the audio collage, such as dialogue from Morrison's film HWY: An American Pastoral and snippets from jam sessions.

Despite managing a RIAA platinum certification in the US, the album received mixed reviews and still divides critics. When the album was originally released, longtime Doors' producer Paul A. Rothchild labeled the album a "rape of Jim Morrison." Rothchild claimed that he had heard all of the reels of master tapes from both the 1969 and the 1970 poetry sessions, insisting that the three remaining Doors failed to realize Morrison's original intent for an audio presentation of the poetry. Prior to leaving for Paris, Morrison had approached composer Lalo Schifrin as a possible contributor for the music tracks meant to accompany the poetry, with no participation from any of the other Doors members. Additionally, he had developed some conception of the album cover art work by January 1971, and was in correspondence with artist T. E. Breitenbach to design this cover in the form of a triptych. However, John Haeny (who recorded the original session tapes with Morrison in 1970 and safeguarded them before the project was resurrected as An American Prayer) insisted that the album "was made by those people who were closest to Jim, both personally and artistically" and "everyone had the best intentions," stating: "Jim would be pleased. Jim would have understood our motivation and appreciated our dedication and heartfelt handling of his work."

The album also includes a composite live version of "Roadhouse Blues," splicing together performances at New York City's Felt Forum and Detroit's Cobo Hall, both captured during the Doors' 1970 Roadhouse Blues Tour. This version of the song later appeared on the In Concert compilation.

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