THE FUTURE SOUND OF LONDON ISDN LP 1st PRESS VELCO GATEFOLD 1994 VIRGIN V2755
  $   30

 


$ 30 Sold For
Oct 26, 2014 Sold Date
Oct 20, 2014 Start Date
$   29 Start price
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

THE FUTURE SOUND OF LONDON – ISDN – (LIMITED EDITION VELCRO GATEFOLD LP with a BLACK COVER)

ALBUM DETAILS

Condition:  EX (cover) Mint (vinyl)

Label: Virgin

Catalog Number: V 2755

Barcode: 7243 8 40066 1 7

Format: Vinyl, LP, Album

Released: 1994

PRODUCT DESCRITPTION

THIS IS THE RARE LIMITED EDITION VELCRO GATEFOLD BLACK COVER VINYL PRESSING OF THE FUTURE SOUND OF LONDON – ISDN. THIS VINYL IS ON THE VIRGIN RECORD LABEL PRESSED IN 1994.

 

ALBUM DESCRIPTION

While webcast concerts and performances swiftly became commonplace by the end of the 1990s, there had to be pioneers somewhere in earlier years, and FSOL was among them. Instead of touring for the Lifeforms album in 1994, they instead set up a series of appearances on a variety of radio stations, as well as concert dates involving broadcasting to specific venues. ISDN, named after the high-speed connection that made these ventures possible, compiles a variety of cuts from four different sessions, including one with Robert Fripp. All four were live performances, with only new material appearing on ISDN itself, making it a fine standalone collection of intrinsic value beyond its gee-whiz factor. While not a cohesive listen like Lifeforms by default -- the selections aren't organized in chronological fashion -- all are edited together to provide a reasonable enough simulation of a standalone performance. Stylistically the duo explore both the experimental reaches of Lifeforms' unsettling ambient approach and the rougher sounds which would come to dominate on Dead Cities. "The Far Out Son of Lung and the Ramblings of a Madman" makes for a great taste of the latter, with a steady, aggressive hip-hop loop mixed with muted jazz trumpet and cascading, unnerving synth swirls and sighs, not to mention sudden guitar stabs. Similarly aggro efforts appear, like the steady, booming breakbeat echo and intense synth bassline on "Slider." On the calmer but no less intriguing side, standouts include "Just a Fuckin' Idiot" and especially "Dirty Shadows," subtle and threatening in atmosphere, resembling a spooked-out In the Nursery track. Besides Fripp, there's one other guest on the album -- sort of: John Williams gets some of his acoustic bass work sampled for a core loop on "Smokin Japanese Babe," which predates the commercial explosion of trip-hop by mere months. - ALLMUSIC

TRACKLIST

A1

Just A Fuckin' Idiot

A2

The Far Out Son Of Lung And The Ramblings Of A Madman

A3

Appendage

A4

Slider

A5

Smokin' Japanese Babe

A6

You're Creeping Me Out

A7

Eyes Pop - Skin Explodes - Everybody Dead

A8

It's My Mind That Works

B1

Dirty Shadows

B2

Tired

B3

Egypt

B4

Are They Fightin' Us

B5

Hot Knives

B6

A Study Of Six Guitars

B7

An End Of Sorts

 

PREVIOUSLY OWNED AND/OR OPEN VINYL GRADING

MINT M: Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M-: this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++: minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+: record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause much surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G: A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off. In essence, the cover will looked virtually trashed, but some artwork will still be noticed. I do not deal in the sale of Records in this condition.

SHIPPING AND PAYMENT

DOMESTIC – Media mail rate - If you prefer another shipping method contact me before payment is made to the invoice, so we may agree on the details.  I always recommend shipping insured and certified. 

INTERNATIONAL - International shipping is available.  Canada buyers please contact me and I will get you a shipping quote.  All other countries I will require the item(s) be mailed registered.  This is the ONLY way to track it to your door economically.  So note: I have changed my international shipping charges.  It is $25.00USD for International First Class and $15.00USD to register it.  I will not waive the registration fee.  International First Class packages have been known to take 10 days to a little over a month so please be patient.  If you bid you agree to these shipping terms.

I only accept Paypal.

Please feel free to contact me with any questions regarding the item listed.

Good luck!


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