THE METERS-RARE DEEP GROOVE JOSIE LP IN SHRINK FROM 69

$

90

THE METERS-RARE DEEP GROOVE JOSIE LP IN SHRINK FROM 69!


A VG++ ORIGINAL LP ON JOSIE 4010

A DEEP GROOVE PRESSING FROM 1969 STILL IN SHRINK WRAP OVER COVER!

THEIR FIRST LP, A GREAT FUNK RECORDING PRODUCED BY ALLEN TOUSSAINT AND MARSHALL SEHORN

12 TRACKS INCLUDING CISSY STRUT, ART, SOPHISTICATED CISSY, STORMY, SIMPLE SONG, EASE BACK, 6V6 LA, SEHORNS FARM, CARDOVA, LIVE WIRE, HERE COMES THE METER MAN

SHRINK STILL TIGHT AND INTACT ALL AROUND. SOME LIGHT SPNDLE RUB MARKS AROUND HOLE. APPEARS PRISTINE OUT OF THE SLEEVE, SIDE TWO WITH A FEW LIGHT SURFACE SCUFF RUBS/LINES THAT HAVE TO BE LOOKED FOR UNDER BRIGHT LIGHT TO BE SEEN RADIATING OUT FROM THE DEADWAX.

FROM THE ALLMUSIC.COM WEBSITE:

Biography
by Stephen Thomas Erlewine
The Meters defined New Orleans funk, not only on their own recordings, but also as the backing band for numerous artists, including many produced by Allen Toussaint. Where the funk of Sly Stone and James Brown was wild, careening, and determinedly urban, the Meters were down-home and earthy. Nearly all of their own recordings were instrumentals, putting the emphasis on the organic and complex rhythms. The syncopated, layered percussion intertwined with the gritty grooves of the guitar and organ, creating a distinctive sound that earned a small, devoted cult during the '70s, including musicians like Paul McCartney and Robert Palmer, both of whom used the group as a backing band for recording. Despite their reputation as an extraordinary live band, the Meters never broke into the mainstream, but their sound provided the basis for much of the funk and hip-hop of the '80s and '90s. Throughout their career, the Meters were always led by Art Neville (keyboard, vocals), one of the leading figures of the New Orleans musical community. As a teenager in high school, he recorded the seminal "Mardi Gras Mambo" with his group, the Hawketts, for Chess Records. The exposure with the Hawketts led to solo contracts with Specialty and Instant, where he released a handful of singles that became regional hits in the early '60s. Around 1966, he formed Art Neville & the Sounds with his brothers Aaron and Charles (both vocals), guitarist Leo Nocentelli, drummer Joseph "Zigaboo" Modeliste, and bassist George Porter. The band grew out of informal jam sessions the musicians held in local New Orleans nightclubs. After spending a few months playing under the Sounds name, producer Allen Toussaint and Marshall Sehorn hired the group -- without the vocalists -- to be the house band for their label Sansu Enterprises.
As the house band for Sansu, the Meters played on records by Earl King, Lee Dorsey, Chris Kenner, and Betty Harris, as well as Toussaint himself. They also performed and recorded on their own, releasing danceable instrumental singles on Josie Records. "Sophisticated Cissy" and "Cissy Strut" became Top Ten R&B hits in the spring of 1969, followed by the number 11 hits "Look-Ka Py Py" and "Chicken Strut" a year later. The Meters stayed at Josie until 1972, and during that entire time they reached the R&B Top 50 consistently, usually placing within the Top 40. In 1972, the group moved to Reprise Records, yet they didn't sever their ties with Sansu, electing to keep Toussaint as their producer and Sehon as their manager. Ironically, the Meters didn't have nearly as many hit singles at Reprise, yet their profile remained remarkably high. If anything, the group became hipper, performing on records by Robert Palmer, Dr. John, LaBelle, King Biscuit Boy, and Paul McCartney. By the release of 1975's Fire on the Bayou, the Meters had a Top 40 hit with Rejuvenation's "Hey Pocky A-Way" (1974), and they had gained a significant following among rock audience and critics. Fire on the Bayou received significant praise, and the group opened for the Rolling Stones on the British band's 1975 and 1976 tours.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON!!!

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GRADING & POLICIES: All records are visually graded. Grading indicates state of vinyl (covers noted separately). If I've listened to an LP, note will be made about sound quality. The following is a general overview about grades, subject to any above notations: MINT indicates pristine vinyl without any marks on surface. MINT MINUS may contain a few very light surface marks from play or sleeve wear under light. If you are a real collector, you'll know that even a factory sealed LP occasionally has some light sleeve or rub marks. Anything in the VG category would contain more than two surface marks or have some other visible signs of ring or hole wear. Rarely do I offer something in the "G" state. If I do, it's usually a rare LP and priced accordingly. Values are assigned according to market availability and rarity, not a price guide.

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