THE RED GARLAND TRIO Groovy PRESTIGE W 50TH FROM 57 DEEP GROOVE MONO ??????

$

100

  THE RED GARLAND TRIO Groovy PRESTIGE W 50TH FROM 57





A VG/VG MINUS ORIGINAL LP ON PRESTIGE 7113

FROM 1957 A RARE MONO DEEP GROOVE PRESSING WITH WEST 50TH ADDRESS ON LABEL

PRODUCED BY BOB WEINSTOCK AND RECORDED BY RUDY VAN GELDER WITH RVG IMPRESSED IN THE DEAD WAX BOTH SIDES

WITH RED ON PIANO, PAUL CHAMBERS ON BASS AND ARTHUR TAYLOR ON DRUMS

6 TRACKS INCLUDE C-JAM BLUES, WILLOW WEEP FOR ME, GONE AGAIN, WHAT CAN I SAY DEAR?, WILL YOU STILL BE MINE?, HEY NOW

THE FRONT LACQUERED GLOSSY COVER WITH LIGHT RUB WEAR. BACK COVER STOCK WITH RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. EDGES WITH ROUGH SPOTS. TOP AND BOTTOM EDGES OF THE SPNE SIDE SPLIT ABOUT TWO INCHES EACH END. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH SOME ASSORTED LIGHT AND FINE SURFACE RUB AND PLAY MARKS UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE WITHOUT NOTICE OF THE COSMETIC ITEMS AND SOUNDING QUITE FINE HERE. MAY APPEAR VG MINUS BUT TEST PLAYED SURPRISINGLY WELL HERE. OH, PERHAPS A SMALL BIT OF SURFACE BACKGROUND NOISE VERY OCCASIONALLY BUT NOT A DISTRACTION.

RARELY SEEN LP WHICH NOW FETCHES 600 PLUS WHEN SEEING THE LIGHT OF DAY
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT MY GRADING SYSTEM AND IS IN ADDITION TO ANYTHING WRITTEN ABOVE AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE TEST PLAYED THE LP IT WILL BE NOTED. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM THE ALLMUSIC.COM WEBSITE:
review by Michael G. Nastos
Red Garland's third recording as a leader has him playing very well, somewhat energetic and more inclusive in his direction to span the mainstream jazz palate beyond the cool exterior he emanates. The title might be a bit deceptive, for this is not a project where soul-jazz or early boogaloo influences turned jazzmen into groovemeisters -- it's a swinging groove. With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions. Recorded in that most legendary year of jazz, 1957, Garland is coming into his own in a more confident way, buoyed by his association at the time with Miles Davis. Chambers is flawless in his support role, and on this recording deserves a close listen, especially for students of the acoustic upright. They immediately dig in on the opener "C Jam Blues," with Garland at his heartiest during his bridge solo, they agree in the affirmative during the entirety of the hard bop take of "Will You Still Be Mine?," and repeat but modify the melody à la "Cool Blues" in an adept display of artistry for "Hey Now." Of course Garland has to play a ballad or two, as on "Willow Weep for Me," luscious with chord sequences, and really reflects the influence of Erroll Garner in that chiming, two-handed sustenato style for Garner's "Gone Again." It is said that by the third recording, most musicians should have their style down pat and begin attempting to take the music to a higher level. You really hear that in this recording, which was a springboard to making Red Garland one of the most revered and respected jazz pianists of the modern era.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON! IF YOUR STEREO SYSTEM HAS BEEN CAREFULLY CHOSEN AND ASSEMBLED FOR IT'S AURAL QUALITIES AND YOU PERFORM BASIC MAINTENANCE LIKE CLEANING YOUR VINYL, CLEANING THE NEEDLE AFTER EACH PLAY, AND REPLACING THE CARTRIDGE WHEN NEEDED, YOUR LPS SHOULD SOUND QUITE GOOD.

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