THE ROLLING STONES. " AFTERMATH " DECCA UK 1966 LP. ORIG MONO.
£
50
$
66
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Description
The Rolling Stones ?– Aftermath Label: Decca ?– LK 4786, Decca ?– LK. 4786 Format: Vinyl, LP, Album, Mono Country: UK Released: Apr 1966 Genre: Rock, Blues Style: Pop Rock, Rhythm & Blues Tracklist A1 Mothers Little Helper 2:40 A2 Stupid Girl 2:52 A3 Lady Jane 3:06 A4 Under My Thumb 3:20 A5 Doncha Bother Me 2:35 A6 Goin' Home 11:35 B1 Flight 505 3:25 B2 High And Dry 2:52 B3 Out Of Time 5:15 B4 It's Not Easy 2:35 B5 I Am Waiting 3:10 B6 Take It Or Leave It 2:47 B7 Think 3:10 B8 What To Do 2:30 Companies, etc. Record Company – The Decca Record Company Limited Copyright (c) – The Decca Record Company Limited Published By – Mirage Music Made By – British Celanese Limited Recorded At – RCA Studios, Hollywood Lacquer Cut At – Decca Studios Credits Arranged By – The Rolling Stones Bass, Piano, Organ, Harpsichord, Marimba, Bells – Bill Wyman Design, Cover – Sandy Beach (3) Drums, Percussion, Marimba, Bells – Charlie Watts Engineer, Liner Notes – Dave Hassinger Guitar, Dulcimer, Sitar, Piano, Organ, Harpsichord – Brian Jones (5) Lacquer Cut By – A (26) (tracks: B1 to B8), B (3) (tracks: A1 to A6) Percussion, Piano, Organ, Harpsichord – Jack Nitzsche Photography By – Guy Webster, Jerrold Schatzberg* Piano, Organ, Harpsichord – Ian Stewart Producer – Andrew Loog Oldham Vocals, Guitar – Keith Richard* Vocals, Percussion – Mick Jagger Written-By – Mick Jagger And Keith Richard* Notes First cat.nr. on cover, second on label.
Original UK mono issue. First label featuring stacked, boxed rights listings.
Label Side 1 has boxed rights [BIEM][NCB] positioned horizontally and code XARL.7209 upside down without brackets, while label Side 2 has boxed rights [N.C.B.][B.I.E.M.] positioned vertically and code XARL.7210 upside down with brackets.
AllMusic Review by Richie Unterberger The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. Some of the material is fairly ho-hum, to be honest, as Mick Jagger and Keith Richards were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting."
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