THE ROLLING STONES The Rolling Stones No.2 LP DECCA 1965 UKorig+mono LK4661 RARE

$

40

U.S.A.  BUYERS

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For 3-5 albums [from 1kg to 2kg] of course with registered letter, the shipping cost is $ 40.50

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THE ROLLING STONES

 BILL WYMAN, MICK JAGGER, BRIAN JONES, CHARLIE WATTS, KEITH RICHARD

plus JACK NITZSCHE, IAN STEWART

The premier British rock band for over half a century, 

creators of the sound and style imitated by countless groups

"THE ROLLING STONES No.2"

This album goes by many names and there are a number of variations.

Most important difference is the "blind man" text in Loog Oldham's sleeve notes which was removed on later issues. 

Other common differences for UK issues are different printers for the sleeve, 

different locations for the Rights Society credits on the labels and various Tax Codes

Still later pressings have a ''boxed'' Decca logo on top of the label, these are considered second pressings.

1965     LP     DECCA RECORDS    MONO LK 4661

MADE IN ENGLAND    ORIGINAL COPY

This version: First mono pressing, red/silver grooved labels with large unboxed Decca logos; 

ear logo at 2 o'clock, upper label rim states "Made in England", 

boxed BIEM/NCB at right below cat. no., all writer's credits at left centre. 

"Blind man" text on rear cover (see images). 

Copies were sold either with flipback or non-flipback covers

LAMINATED (on front) SINGLE SLEEVE

Barcode and Other Identifiers

Barcode: none

LABEL:  DECCA - UN-BOXED RED LABEL - SILVER TEXT

Catalog on cover: MONO LK 4661   

Catalog on labels: LK.4661 (XARL.6619 / XARL.6620)

Matrix / Runout (Side A, Stamped): XARL-6619-1A

Matrix / Runout (Side B, Stamped): XARL-6620-1A

Other / Runout (on both sides, Stamped): KT    2B   G

On labels: top rim text reads "Made in England ? The Decca Record Co. Ltd."

 bottom rim text reads "All Rights........Prohibited"

DECCA (REGD)

LONG PLAYING ffrr

full frequency range recording

Recording First Published 1964

? 1965, *1964

K/T

Right Society / Publishing : 

(Side A): BIEM/NCB; M.C.P.S.; Robert Mellin, December Music, Chappell, Essex Music, Nanker Phelge, Mirage Music.

(Side B): BIEM/NCB; M.C.P.S.; Leeds Music, T.M. Music, Jewel Music, Greenwich Music, Nanker Phelge.

On back cover: Notes: Andrew Loog Oldham

Recorded at Chess, Chicago: RCA Hollywood and Regent Sound, London

The Decca Record Company Ltd., London

© 1964, The Decca Record Company Limited, London.

Printed in England by James Upton Ltd. Birmingham & London

Arranged by The Rolling Stones

Produced by Andrew Loog Oldham for Impact Sound

Laminated with "Clarifoil" made by British Celanese Limited

from my records collection

tracklisting

Side A: EVERYBODY NEEDS SOMEBODY TO LOVE - DOWN HOME GIRL

YOU CAN'T CATCH ME - TIME IS ON MY SIDE - WHAT A SHAME - GROWN UP WRONG

Side B: DOWN THE ROAD APIECE - UNDER THE BOARDWALK

I CAN'T BE SATISFIED - PAIN IN MY HEART - OFF THE HOOK - SUZIE-Q

  grading

RECORD VG but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

The group's second British album actually appeared after their second U.S. LP, mostly owing 

to the fact that the British rock & roll audience wasn't focused on the long-player as a medium 

(singles and EPs were the driving force of the business in England then). 

It uses the same David Bailey cover shot that had graced the U.S.-issued 12 X 5 album

 two and a half months earlier, but only four songs -- "Under the Boardwalk," "Suzie Q," 

"Grown Up Wrong," and "Time Is on My Side" -- overlap on the two albums. 

Rather, Rolling Stones No. 2 offered seven songs that weren't to make it out in America 

until four months later on The Rolling Stones Now!, and they're all solid numbers: 

"Off the Hook," "Everybody Needs Somebody to Love," "Down Home Girl," "You Can't Catch Me," 

"What a Shame," "Pain in My Heart," and "Down the Road Apiece," plus one of the group's 

best blues covers, their version of Muddy Waters' "I Can't Be Satisfied," which wasn't r

eleased in America until 1973 and features some killer slide playing by Brian Jones. 

The U.K. LP also had the advantage of only being released in mono, 

so there are no "rechanneled stereo" copies with which to concern oneself...(AllMusic)