THE ROLLING STONES-AFTERMATH-DECCA UNBOXED MONO LK.4786 1966
£
27
$
36
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Description
. THE ROLLING STONES-AFTERMATH TYPE SINGLE LP-MONO LABEL/PRESSING INFO
DECCA 1ST PRESS WITH UNBOXED RED LABELS AND MATRIX NUMBERS: XARL-7209-1B & XARL-7210-6A
CATALOGUE NUMBER LK.4786 YEAR OF RELEASE 1966 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-Robert Stace LAMINATED FRONT NON FLIPBACK-NOT SHADED INSERTS/EXTRAS LINED DECCA INNER GRADING/CONDITION DISC(s)NICE EXCELLENT+ ( REALLY NICE CLEAN RECORD pressed on a nice solid chunk of vinyl it is lovely and shiny with VERY LIGHT playwear and hardly any but VERY LIGHT handling marks-PLAYS WITH A GREAT MONO REPRODUCTION
LABELSEXCELLENT+( NICE CLEAN LABELS with NO writing rips or tears repairs stickers or remains A LITTLE LIGHT spindleusage, and VERY LIGHT playwear/handling wear,)
SLEEVEFront board.Inner gatefold EX NICE CLEAN UNWORN SLEEVE with NO writing rips tears user stickers or remains.The front laminate is bright and shiny with very light rubbing wear, a handful of light thumbnail creases, and a front only crease on the bottom right corner which has removed a bit of the laminate. Rear board EX Rear white board is clean with a bit of light ageing and handling,there are a couple of light marks over near the opening which look as though they could be ink bleed from the printing. Flipbacks N/A N/A Spine EX Spine is complete and uncrushed with no laminate loss, with 4 small laminate cracks only,one of which is on the 2nd L in ROLLING rest of the writing is clear. Top & bottom edge EX+ Top and bottom edges are in great condition with no laminate loss cracking and minimal storage wear Opening EX+ Opening has VERY LIGHT wear and VERY LIGHT usage Corners EX+ Corners have very light wear only INNER /EXTRAS
DECCA INNER SLEEVE: EXCELLENT (CLEAN with no writing rips tears repairs or edge splits.inner bag is unworn and firmly attached to main body of the sleeve,with just light ageing and wear.)
DETAILSThe Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular.
The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard.
Some of the material is fairly ho-hum, to be honest, as Mick Jagger and Keith Richards were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting."
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