THE SELDON POWELL SEXTET FEATURING JIMMY CLEVELAND Roost FROM 56-A CLASSIC DATE
$
53
$ 53
Sold For
Jan 14, 2014
Sold Date
Jan 7, 2014
Start Date
$ 50
Start price
2
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
THE SELDON POWELL SEXTET FEATURING JIMMY CLEVELAND Roost FROM 56-A CLASSIC DATE
A VG++ LP ON ROOST 2220
FROM 1956 IN MONO
WITH JIMMY CLEVELAND ON TROMBONE, FREDDIE GREEN ON GUITAR, OSIE & GUS JOHNSON ON DRUMS, HAC HANNA ON PIANO AND AARON BELL ON BASS
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Artist Biography by Ron Wynn
A veteran tenor saxophonist and flutist, Seldon Powell adjusted and honed his style over the years, being flexible enough to play anything from swing to hard bop and in between. He wasn't the greatest soloist, most ambitious composer, or most spectacular arranger; he was simply a good, consistent player who survived many changes and trends to remain active from the late '40s until the '90s. Powell was classically trained in New York, then worked briefly with Tab Smith in 1949 before joining Lucky Millinder and recording with him in 1950. Powell was in the military in 1950 and 1951, then became a studio musician in New York. He worked and recorded with Louis Bellson, Neal Hefti, Friedrich Gulda, Johnny Richards, and Billy Ver Planck in the mid- and late '50s. Powell also played with Sy Oliver and Erskine Hawkins, and studied at Juilliard. He traveled to Europe with Benny Goodman's band in 1958, and worked briefly with Woody Herman. Powell was a staff player for ABC television in the '60s, and also played and recorded with Buddy Rich, Bellson, Clark Terry, and Ahmed Abdul-Malik. He did a number of soul-jazz and pop dates in the late '60s and early '70s, among them a session with Groove Holmes and big-band dates backing Gato Barbieri and Dizzy Gillespie. Powell was principal soloist in Gerry Mulligan's 16-piece band at the JVC Jazz Festival in New York in 1987. He recorded as a leader for Roost and Epic.
THE FRONT LACQUERED GLOSSY COVER WITH VERY LIGHT RUB WEAR. BACK COVER STOCK WITH LIGHT RUB WEAR AND AGE DISCOLORATION. CORNERS WITHOUT DAMAGE. INKED RIAA NUMBER AT BACK TOP EDGE. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS. SIDE TWO WITH A LIGHT SURFACE RUB SCUFF LINE ACROSS THE LAST TWO TRACKS IN THE 5 POSITION. WE'VE TEST PLAYED THIS LP ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
PLEASE READ THE FINE PRINT CONDITIONS OF SALE BEFORE BIDDING & BUYING:
PRICE: VALUES ARE ASSIGNED ACCORDING TO MARKET AVAILABILITY, RARITY AND BY OUR EXPERIENCE IN THE BUSINESS FOR 25 YEARS AND NOT A PRICE GUIDE OR ANY OTHER STANDARD.
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HOW WE PACK: LPs are packed outside the sleeve jacket and placed inside a new plastic outer sleeve between 2 new cardboard packing squares inside a new cardboard LP mailer with fragile stickers outside to ensure the LP arrives just as it left. Packing materials cost us $3 per order before postage.
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AUCTION BIDDERS : PAYMENT IS EXPECTED WITHIN 24 HOURS OF SALE TIME 526 (GS 6.6.6 (526))
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