THE SUPREMES MEET SUPREMES (1st ALBUM) RARE ORIG '64 MOTOWN STEREO LP SHRINK NM

$

42

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       SUPREMES – MEET THE SUPREMES (THE GROUP'S RARE FIRST ALBUM)  – ORIGINAL 1964 MOTOWN RECORDS STEREO LP MS-606 (S606 ON THE COVER, MS-606 ON THE LABELS)

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE MOTOWN LABEL WITH MICHIGAN MAP

·       Back cover lists five tracks on side 2, including "The Boy That Got Away" (which does not appear on the record). The record labels have the correct track list, six tracks, including "Let Me Go The Right Way" and "Time Changes Things" (which are not listed on the back cover); this discrepancy is found on all original stereo pressings of this title.

·       SECOND VERSION OF THE COVER (THIS IS A ‘PORTRAIT’ COVER, NOT THE ‘STOOL’ COVER)  [NOTE: STEREO PRESSINGS OF THIS ALBUM ARE ONLY AVAILABLE IN THE 'PORTRAIT' COVERS AND WERE NEVER ISSUED IN THE 'STOOL' COVERS]

·       VERY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. STEREO PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD 'PROPER' STEREO COVER (AMERICAN STYLE) (THIS IS NOT A MONO COVER WITH A SMALL "STEREO" STICKER AFFIXED)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1F/-1G'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       This album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The romantic and sentimental "Your Heart Belongs to Me," written by Smokey Robinson, should have been the Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells. Diana Ross' sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs. Ross' vocals on "Who's Lovin' You" are intense and bluesy; Wilson leads the soulful "Baby Don't Go"; and Ballard leads the raucous "Buttered Popcorn," a tune more suited for the Contours. "I Want a Guy," their first recording, had been done by the Marvelettes -- the backing voices are buried, and Ross' voice sounds whiny and high-pitched. This song, along with the '50s-sounding "He's Seventeen," are the only bummers. Ballard shines again on "Let Me Go the Right Way," delivering a tough vocal on top of Ross and Wilson's enthusiastic vocals. "Time Changes Things," written by Brian Holland, Lamont Dozier, and Janie Bradford, was a forerunner to later efforts by Holland-Dozier-Holland. Blues lovers will relish the torching "Play a Sad Song." "Never Again" is straight '50s doo wop; if you didn't know, you would think it was the Chantels.

 (EXCERPT FROM AN ONLINE REVIEW BY ANDREW HAMILTON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)             The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS (WEAK) NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the top seam

-         Minor shelf wear noted on the opening side (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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