THE VELVET UNDERGROUND & NICO Same LP VERVE 1967re JAPAN+peelable banana+insert
£
35
$
46
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Description
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THE VELVET UNDERGROUND & NICO
JOHN CALE, STERLING MORRISON, LOU REED, MOE TUCKER, NICO
The quintessential bohemian New York band of the '60s that fused art, rock, and poetry
in a fashion that proved incalculably influential
"THE VELVET UNDERGROUND & NICO"
<reissue, originally published in 1967>
LP VERVE RECORDS MV-2060 STEREO
PRINTED IN JAPAN 1973 JAPANESE (RE)PRESSING
This MV2060 is the first Japanese issue
SINGLE SLEEVE PEELABLE BANANA NO TORSO
WITH LYRICS INSERT BUT WITHOUT OBI
HEAVY DUTY CARDBOARD COVER
Barcode and Other Identifiers
LABEL: VERVE - BLACK LABEL - SILVER TEXT & LOGO
Catalog on cover: (front, spine & rear) MV 2060
Catalog on labels: MV 2060 A / MV 2060 B
Matrix / Runout (Side A, Stamped): MV-2060A ED 2 A-1-8
Matrix / Runout (Side B, Stamped): MV-2060B A-1-5
On labels: STEREO ST33
Produced by Andy Warhol
(Side One only): *Produced by Tom Wilson
All Arrangements by The Velvet Underground
rim text reads ".......Manufactured By Polydor K.K., Japan"
On front cover: ST33 MV 2060 / STEREO
Peel Slowly And See
Andy Warhol
On back cover: THE VELVET UNDERGROUND & NICO
Produced by ANDY WARHOL
MANUFACTURED BY POLYDOR K.K., JAPAN KI 7309
from my records collection
tracklisting
Side A: SUNDAY MORNING - I'M WAITING FOR THE MAN
FEMME FATALE - VENUS IN FURS - RUN RUN RUN - ALL TOMORROW'S PARTIES
Side B: HEROIN - THERE SHE GOES AGAIN - I'LL BE YOUR MIRROR
THE BLACK ANGEL'S DEATH SONG - EUROPEAN SON
grading
RECORD NEAR MINT but (please, read above description)
SLEEVE STRONG EX but (please, see pictures and read above description)
One would be hard-pressed to name a rock album whose influence has been as broad and pervasive
as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack
six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement
owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band,
what's most surprising about this album is its diversity. Here, the Velvets dipped their toes
into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"),
stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror")
when they weren't busy creating sounds without pop precedent.
Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music")
always received the most press attention, but the music Reed, John Cale, Sterling Morrison,
and Maureen Tucker played was as radical as the words they accompanied.
Few rock albums are as important as The Velvet Underground & Nico,
and fewer still have lost so little of their power to surprise
and intrigue more than 40 years after first hitting the racks ...(All Music)
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