THE WAILERS - WALK THRU THE PEOPLE (original Bell label)

$

28

The Wailers

Walk Thru The People

VG+/VG+

US 1968

Bell Records - Bell 6016

John Greek (guitar, trumpet) and Woody Mortenson (standup bass) formed as a duo jazz band called The MG's in Tacoma, Washington. Adding Kent Morrill (piano) they became The MG Trio. The band evolved with Rich Dangel (guitar), Mark Marush (sax) and Mike Burk (drums). Woody departed the band, John Greek took over on (bass) and this lineup became The Nitecaps.
Rock 'n Roll was the name of the game and they played their first gig at The Snakepit, a men's club at McChord Air Force Base. Renaming as The Wailers, they put on their own Wailer's House Parties renting venues, Coca Cola machines and printing posters to advertise their shows.
An instrumental demo recording of a song called "Scotch on the Rocks" was recorded at Commercial Productions Inc. and Art Mineo, their manager, sent it to Clark Galehouse, owner of the Golden Crest Record label in New York City. He came out to Seattle to see the band and set up recording equipment at the Knights of Columbus Hall in Lakewood to put four songs on tape including 'Scotch'. But the title was suspect for teenagers. Kent's mother suggested the title should be "Tall Cool One".
The song climbed the charts peaking at #36 nationally. So, the band traveled to New York and recorded their first album at the Huntington Station Studio, owned by the Golden Crest label on Long Island. Two additional singles were released while they were there, but John Greek wanted to go back home and left the band. 
Rockin' Robin Roberts (vocals) and Buck Ormsby (bass) joined but they were all still in high school. Their parents wanted them to return to finish school, but they had a top hit and were scheduled for Dick Clark's American Bandstand in Philadelphia and the Alan Freed Show in Brooklyn. However, they heeded their parents' advice and left for home. 
They were in limbo and everything seemed to be a lost dream. They decided to form their own record label, unheard of at the time, and put together Etiquette Records. Their next single was a lost Jem, "Louie, Louie" written by Richard Barry. They went to Joe Boles Custom Recorders in Seattle and completed the song but they couldn't release it as by The Wailers, because they were still under contract to Golden Crest records.
The song was released on their new label as written and sung by Rockin' Robin Roberts. Clark Galehouse saw what was going on and released them amicably from the contract. "Louie, Louie" shot up to #1 locally and was re-released later in 1963 by The Kingsmen becoming a rock and pop standard throughout the years to this day.
Four albums were recorded on Etiquette with two others on different labels. The players changed during their tenure, but the band was responsible for not only inspiring the iconic "Louie, Louie" but also launched The Sonics career on their record label.
They fell apart in 1969. Never copywriting the band name, Bob Marley formed his Wailers in 1970. Occasional reunions occurred with original members, but they called themselves The Fabulous Wailers. Most of the original players have all since passed on.
Musically the early stuff is instrumental with occasional vocals. Their live LP includes female vocals by Gail Harris. Other albums include The Marshans, a female girl group included as live performers and session singers. The last two albums hit the psychedelic vein with echoes, studio special effects, vocal harmonies and some general weirdness.
This was their seventh LP. An original Bell label issue. The band members included original Ken Morrill (keyboards, vocals) with Denny Weaver (guitar), Ron Gardner (sax, lead vocals), Buck Ormsby (bass) and Dave Roland (drums, vocals).
Cover has some minor shelf, edge, corner and ring wear with a taped lower seam and a handwritten signature on the back. (not anyone from the band) Record has some minor sleeve and age marks with several light hairlines and a long LIGHT fingernail scratch on side two that makes a very light thump only noticeable towards the end of last song. Otherwise, the record plays pretty clean with maybe a tick or two while spinning. Generic inner sleeve.





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SHELF WEAR generally means that the cellophane was removed when the LP was new and it sat on a shelf or in a box without a plastic sleeve, before they were available, for several years, so there can be some rub blemishes, sticker residue if it was purchased used, tiny tears, slight seam splits and other defects.

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