THE WHO-QUADROPHENIA-TRACK DOUBLE LP 1ST PRESS 1973-ONE PLAY COPY
£
87
$
115
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Description
THE WHO-QUADROPHENIA TYPE DOUBLE LP-STEREO LABEL/PRESSING INFO
TRACK 1ST PRESS ON SQUARE CUT VINYL WITH MOULDED BLACK LABELS AND POLYDOR PRESSING DETAILS:
RECORD 1:2406110 A \/ 1 11 19 & 2406110 B\/2 11 4
RECORD 2:2406111 A \/ 1 11 4 & 2406111 B\/2 12 16
CATALOGUE NUMBER 2406-110 & 2406-111 (SET 2657 013) YEAR OF RELEASE 1973 COUNTRY OF RELEASE U.K. SLEEVE TYPE GATEFOLD-UNLAMINATED MATT FINISH WITH ATTACHED 44 PAGE HEAVY PAPER PICTURE/LYRIC BOOK INSERTS/EXTRAS ORIGINAL POLYDOR "PLASTIC BAGS CAN BE DANGEROUSE" LINED INNERS GRADING/CONDITION DISC(s)EXCELLENT++ (A REALLY NICE PAIR or original pressing discs with NO EVIDENCE of actually being played apart from the single tiny spindlemarks on either label,the surfaces are beautifully preserved with just the faintest of handling marks across all 4 playing surfaces a real ONE PLAY copy and it plays brilliantly throughought)
LABELSEXCELLENT++ (CLEAN ORIGINAL MATT LABELS with NO writing stickers,rips or tears and lovely silver lettering not dulled or rubbed through usage,and just ONE spindlemark per label)
SLEEVEFront board and Inner Gatefold EX+ CLEAN and unmarked with NO writing stickers or removal marks rips or tears.There is NO ringwear as such and just a little very light rubbing pressure mark and minimal creasing.INNER GATEFOLD AND BOOK:Boards ar clean and unmarked,book is firmly attached clean with no rips tears folded over corners with its original spales intact. Rear board EX+ AS front board,clean with NO user marking and just very light ageing and handling wear Flipbacks N/A N/A Spine EX+ Clean and uncrushed with clear lettering,there is a bit of light rubbing wear along some of the front edge and some colourloss at either end. Edges EX+ JUST light wear across all 4 top and bottom edges,with a bit of rubbing wear and colourloss. Opening EX+ BOTH openings have VERY LIGHT wear and MINIMAL usage Corners EX Spine ends have light wear with a bit of rounding,tops of the openings have light wear,bottom of the openings have slightly heavier wear and some exposed card. INNER /EXTRAS
EXCELLENT+ (CLEAN and unmarked with no rips tears edge splits with inners firmly attached to body of the sleeve and very light wear)
DETAILSPete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were re-examining the roots of their own birth in mod culture.
In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting personas at work within the Who itself. The concept might have ultimately been too obscure and confusing for a mass audience. But there's plenty of great music anyway, especially on "The Real Me," "The Punk Meets the Godfather," "I'm One," "Bell Boy," and "Love, Reign o'er Me." Some of Townshend's most direct, heartfelt writing is contained here, and production-wise it's a tour de force, with some of the most imaginative use of synthesizers on a rock record.
Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who's most powerful statements.
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