THELONIOUS MONK COLUMBIA & FANTASY RECORDS LIMITED EDITION 10LPS NO BARCODE+1969
$
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Description
THELONIOUS MONK COLUMBIA/SONY & FANTASY RECORDS LIMITED EDITION ANALOG 8 LP SET + THELONIOUS MONK PARIS 1969 DOUBLE LP SET BONUS
- THIS IS A ONE TIME ONLY OFFER AND ONCE SOLD GONE FOREVER
COLLECTORS NOTE: ALL TITLES ARE SO LONG OUT OF PRINT THAT THESE RECORDS DON'T EVEN HAVE A BARCODE ON THE JACKETS FOR A COLLECTORS PRISTINE JACKETS EXCEPT PARIS 1969
The nicest thing you can do for your stylus and your ears. The way music was meant to be heard.
E-BAY STORE. FOR YOUR INDIVIDUAL JAZZ SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN JAZ OR THELONIUOS INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR
You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
FANTASY RECORDS TITLES
PLAYS DUKE ELLINGTON - 1982 RIVERSIDE RECORDS RELEASE OJC-024 (RLP-201) ANALOG LP - - with this out of print edition unique marketing sticker with information about the artist and personnel involved in this masterpiece. Only available on this limited edition COLLECTORS 1980'S UNIQUE MARKETING STICKER pressing.
The very first 12-inch album in what was to be a most significant catalog also marked the Riverside debut of an artist of towering importance. Fittingly, it was a strikingly original concept: a then-unappreciated revolutionary interpreting the music of a recognized master composer. Once ahead of its time, Monk Plays Ellington now stands as an enduring jazz landmark.
Track Listings
1. It Don't Mean a Thing (If It Ain't Got That Swing)
2. Sophisticated Lady'
3. I Got It Bad (And That Ain't Good)
4. Black and Tan Fantasy"
5. Mood Indigo
6. I Let a Song Go Out of My Heart
7. Solitude
8. Caravan
Thelonious Monk with John Coltrane JAZZLAND RECORDS 0JC-039
With Coleman Hawkins, Ray Copeland/Trumpet - Gig Gryce/Alto Sax - Wilbur Ware/Bass - Art Blakey/Drums - Shadow Wilson/Drums.
When Monk and Coltrane spent six months (beginning in the summer of 1957) working together at New York's Five Spot Cafe, it was an historic event which certainly should have been exhaustively recorded. But nonmusical conflicts made that impossible, leaving as the only permanent reminders of the momentous encounter the three remarkable quartet selections that highlight this album.
Track listings:
Ruby, My Dear (6:17)
Trinkle, Tinkle (6:37)
Off Minor (5:10)
Nutty (6:35)
Epistrophy (3:07)
Functional (9:46)
All compositions by Thelonious Monk
COLUMBIA/SONY RECORDS TITLES
CRISS CROSS COLUMBIA SONY RECORDS CL-2038 MONO ISSUE - Cut in a series of sessions from late 1962 through early 1963, this album features Monk backed by his longtime sideman Charlie Rouse on tenor and rhythm men Frank Dunlop on drums and John Ore on bass. The material is basically standard Monk. Heard hear are such Monk standards as "Hackensack", "Rhythm-A-Ning", and a superior Monk solo on "Crepuscule With Nellie". Overall the performances are exciting and energetic, the title track "Criss-Cross" stands out. This is fairly typical Monk from his Columbia years. He has long since established his personal style, but he still has a fresh imagination and produces fantastic performances throughout. Charlie Rouse is in top form as well. He was Monk's main hornman from the late 50's through most of the 60's. His extended stay within the realms of Monk's compositions and accompaniment pays off in a singular musical understanding between the two. He was such a part of Monk's group sound that a few of these tracks would sound odd with another hornman playing them. This is very nearly a great Monk album, and is recommended to all fans, or those new to his music.
1. Hackensack 2. Tea for Two - Thelonious Monk, Caesar, Irving 3. Criss-Cross 4. Eronel 5. Rhythm-A-Ning 6. Don't Blame Me - Thelonious Monk, Fields, Dorothy 7. Think of One 8. Crepuscule With NellieMONK'S BLUES PC 9806 COLUMBIA/SONY STEREO ISSUE - Monk made idiosyncrasy a way of life and a way of music--all without artifice or cliché. He was unrepeatable and unforgettable. No one else sounds much like him, although I have a George Russell recording where Russell (more known as an arranger than a soloist) betrays some influence.
Monk is most known for his quartets, but this is a big band setting with multi-layered and swinging arrangements by Oliver Nelson. Yet Monk is still Monk: the use of space, always playing the melody, the long, inimitable arpeggios, the percussive sensibility, the serious playfulness and earnestness without being precious or pretentious.
Yes, Monk tended to play the same tunes repeatedly at this point in his career, but these renditions shine, nevertheless. Listen. Enjoy. Be thankful. Human are bestowed with the ability to manifest beauty.
Track Listings
1. Let's Cool One 2. Reflections 3. Little Rootie Tootie 4. Just a Glance at Love - Thelonious Monk, Macero, Teo 5. Brilliant Corners 6. Consecutive Seconds - Thelonious Monk, Macero, Teo 7. Monk's Point 8. Trinkle, Tinkle 9. Straight, No ChaserMONK COLUMBIA/SONY RECORDS CS-9091 STEREO ISSUE - The familiar "formula" that Monk utilized throughout most of his '60s tenure at Columbia was firmly in place on this, his fourth album for the label. But that recipe--originals sprinkled with covers, played by a quartet of familiar sidemen (veteran tenor sax accomplice Charlie Rouse, newer compatriots Ben Riley on drums, and bassist Larry Gales)--proves deceptively facile on the expanded reissue of this 1965 album. While Gershwin's elegant "Liza" and the standard "April in Paris" are perfect fodder for the pianist's harmonic and rhythmic tweaking, his playful take on the children's song "That Old Man" ably demonstrates how the musician could recast even the most foursquare composition in his own likeness. Even more revealing is Monk's solo exploration of the hoary "I Love You (Sweetheart of My Dreams)," a performance where his left hand seems to mine the stride foundations of his beloved J.P. Johnson, while his right flits restlessly in a different half-century. Rouse takes rewarding turns in the spotlight on "Just You, Just Me" and "Pannonica" (the latter normally a Monk solo excursion),
IT'S MONK TIME COLUMBIA RECORDS CS-8984 STEREO ISSUE - Recorded in 1964 and one of the best Monk albums available from the CBS period. Personnel consists of Thelonious Monk (piano), Charlie Rouse (tenor sax), Butch Warren (bass) and Ben Riley (drums). Contains a great 9'55 version of 'Lulu's Back In Town'
Track Listings
1. Lulu's Back in Town - Thelonious Monk, Warren, Harry 2. Memories of You - Thelonious Monk, Blake, Eubie 3. Stuffy Turkey 4. Brake's Sake 5. Nice Work if You Can Get It - Thelonious Monk, Gershwin, George 6. Shuffle BoilSTRAIGHT NO CHASER COLUMBIA/SONY RECORDS PC-9451 STEREO ISSUE - taken from the soundtrack of the fascinating film Straight, No Chaser
Track Listings 1. Locomotive 2. I Didn't Know About You - Take 4 3. Straight, No Chaser 4. Japanese Fold Song (Kojo No Tsuki) 5. Between The Devil And The Deep Blue Sea 6. We See
SOLO MONK COLUMBIA/SONY RECORDS STEREO CS 9149 ISSUE - The mystery and haunting angular beauty of Thelonious Monk's unadorned keyboard sides are the focus of Solo Monk. As if possessing the history of jazz in his hands, Monk's solo recordings and performances from every phase of his career remain pure.
Track Listings 1. Dinah 2. I Surrender, Dear 3. Sweet And Lovely 4. North Of The Sunset 5. Ruby, My Dear 6. I'm Confessin' (That I Love You) 7. I Hadn't Anyone Till You 8. Everything Happens To Me 9. Monk's Point 10. I Should Care 11. Ask Me Now 12. These Foolish Things (Remind Me Of You)
PLUS THIS BONUS FOR THE COLLECTOR - Thelonious Monk Paris 1969 180 GRAM LIMITED EDITION 2 LP SET
180g Vinyl Double LP Release Of Never-Before-Released Concert!
Blue Note Records has announced the release of Thelonious Monk Paris 1969, a fascinating and important late-career document of the legendary jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969.
The 1969 Paris concert captures the power and the undiminished beauty of Monk’s music, reminding us that even as his body aged his musical imagination knew no limits, writes Monk scholar Robin Kelley in his liner notes essay. However, Kelley also illuminates what a peculiar and challenging moment 1969 was for the 52-year-old pianist. Monk hadn’t achieved true success until the late-'50s with his legendary run at the Five Spot Café in New York City with John Coltrane. By the early-'60s Monk’s success had peaked when he signed with Columbia Records and was eventually featured on the cover of TIME Magazine in 1964.
However, by 1969, in addition to health issues, Monk’s success was beginning to wane with the emergence of rock and the resulting jazz fusion movement. His recording contract with Columbia had just come to end after an ill-advised attempt at marketing him to a younger rock audience. That disappointment was followed by the departure of drummer Ben Riley and bassist Larry Gales from his band which left Monk with two chairs to fill on short notice before his European tour.
Monk eventually found two young musicians bassist Nate Hygelund and drummer Paris Wright to fill out the Quartet with his longtime tenor saxophonist Charlie Rouse. Luckily the inexperienced rhythm section had some time to gel before hitting the stage in Paris with a lengthy engagement in London followed by stops in Germany and Italy. By the time they reached the Pleyel the band was in fine form, which made for a triumphant return for Monk to the very stage he had made his Parisian debut on in 1954 in front of a hostile audience who felt that Monk was too avant-garde. 15 years later the situation could not have been more different with an enthusiastic audience and the concert being broadcast on television.
In addition to rollicking Quartet versions of Monk classics such as I Mean You, Straight No Chaser, and Blue Monk, the set also includes three stunning solo piano performances on Don’t Blame Me, I Love You Sweetheart Of All My Dreams, and Crepuscule With Nellie. However, an undeniable highlight of the concert was when the veteran drummer Philly Joe Jones who was an expat living in Paris at the time comes from backstage to borrow the sticks from the 17-year-old Wright, providing a palpable spark on Monk’s Nutty.
Features:
180g Vinyl
Double LP
Limited time digital download of album IF DTILL AVAILABLE
Gatefold jacket
Musicians:
Thelonious Monk, piano
Charlie Rouse, tenor sax
Nate Hygelund, bass
Paris Wright, drums
Philly Joe Jones, drums
Selections:
LP 1 - Side A:
1. I Mean You
2. Ruby My Dear
LP 1 - Side B:
1. Straight, No Chaser
2. Bright Mississippi
3. Light Blue
LP 2 - Side C:
1. Epistrophy
2. Don't Blame Me
3. I Love You Sweetheart of All My Dreams
4. Crepuscule With Nellie
LP 2 - Side D:
1. Bright Mississippi (Reprise)
2. Nutty
3. Blue Monk
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