THROWING MUSES THE REAL RAMONA 12" VINYL LP RECORD ALBUM 4AD CAD 1002 1ST PRESS
  £   40
  $   53

 


£ 40 Sold For
Aug 30, 2024 Sold Date
Aug 26, 2024 Start Date
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  Great Britain Country Of Seller
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Description

THROWING MUSES

THE REAL RAMONA

12" STEREO VINYL LP RECORD ALBUM

FIRST UK PRESSING

GATEFOLD SLEEVE

COMPLETE WITH ORIGINAL PRINTED INNER SLEEVE

VINYL IN VERY GOOD+ CONDITION

COVER AND PRINTED INNER SLEEVE IN EXCELLENT CONDITION

4AD RECORDS

BARCODE: SEE ABOVE

CAT NO: CAD 1002

1991

THE RECORD WILL BE POSTED IN A PROTECTIVE PVC COVER IN A DEDICATED RECORD MAILER FOR SAFE TRANSIT

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

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INFORMATION BELOW KINDLY PROVIDED BY DISCOGS

FREE FAST UK ROYAL MAIL TRACKED POSTAGE

THANKS FOR LOOKING

The Real Ramona

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Label: 4AD – cad 1002 Format: Vinyl, LP, Album Country: UK Released: 18 Feb 1991 Genre: Rock Style: Alternative Rock, Indie Rock

Tracklist

Hide Credits A1 Counting Backwards 3:15 A2 Him Dancing 1:11 A3 Red Shoes Remix – Paul Kolderie*, Throwing Muses Remix – Paul Kolderie*, Throwing Muses 3:32 A4 Graffiti 2:37 A5 Golden Thing 2:25 A6 Ellen West 2:49 A7 Dylan 1:41 B8 Hook In Her Head 6:32 B9 Not Too Soon Remix – Csaba Petocz Remix – Csaba Petocz 3:10 B10 Honeychain 4:23 B11 Say Goodbye 3:54 B12 Two Step 4:34

Companies, etc.

  • Phonographic Copyright ℗ – 4AD
  • Copyright © – 4AD
  • Published By – Throwing Music
  • Published By – Tackle Box Music
  • Recorded At – Eldorado Recording Studios
  • Recorded At – Dust Bowl Studio
  • Mixed At – Can-Am Recorders
  • Remixed At – Carriage House Studios
  • Mastered At – The Mastering Lab
  • Pressed By – MPO

Credits

  • Bass Guitar – Fred Abong
  • Drums, Design – David Narcizo
  • Engineer – John Beverly Jones
  • Guitar, Vocals – Tanya Donelly
  • Management – Billy O'Connell, Geoff Trump
  • Mastered By – Doug Sax
  • Photography By [Band] – Andy Catlin*
  • Photography By [Front] – Jim Anderson (11)
  • Producer – Dennis Herring
  • Vocals, Guitar – Kristin Hersh
  • Written-By – Kristin Hersh (tracks: A1 to B8, B11), Tanya Donelly (tracks: B9, B10), Throwing Muses (tracks: B12)

Notes

Recorded at Eldorado Studios and Dust Bowl Studio, Los Angeles, CA. Recording started 13 May 1990.
Mixed at Can Am Recorders, Los Angeles, CA.
"Red Shoes" re-mixed at The Carriage House, Stamford, CT.
Mastered at the Mastering Lab, Los Angeles, CA.

All songs published by Throwing Music (BMI) except "Not Too Soon" and "Honeychain" published by Tackle Box Music (BMI).

℗ & © 1991 4ad
made in england

Track durations are not printed on the release.
Track positions listed as 1 to 12.

Includes a printed inner sleeve.

Barcode and Other Identifiers

  • Barcode: 5 014436 100215 >
  • Barcode (Scanned, EAN 13): 5014436100215
  • Matrix / Runout (A-side runout, hand-etched): MPO CAD 1002 A1
  • Matrix / Runout (B-side runout, hand-etched): MPO CAD 1002 B1
  • Rights Society: BM
RECORD COLLECTOR MAGAZINE GRADING GUIDE
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler




 


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