TIMOTHY LEARY & ASH RA TEMPEL " SEVEN UP " 1st GERMAN LAMINATED G/FOLD KK 58.001
  £   83
  $   110

 


£ 83 Sold For
May 1, 2016 Sold Date
Apr 21, 2016 Start Date
£   20 Start price
20   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - TIMOTHY LEARY & ASH RA TEMPEL 

Ash Ra Tempel was a German krautrock group active from 1970 to 1976. It was Manuel Göttsching's first prominent musical output. Ash Ra Temple featured revolving members with only Göttsching remaining constant. Eventually Göttsching retired the use of the Ash Ra Temple name after he became the sole reamaining member. His first solo album Inventions for Electric Guitar was the last album to bear the Ash Ra Temple name. It was subtitled "Ash Ra Temple VI" functioning as the sixth and final album. Göttsching later began using the name Ashra for his solo output as an homage to his former group. Ashra eventually evolved into a full band and continued along with Göttsching until 1998.

TITLE - " SEVEN UP "

LABEL -  DIE KOSMISCHEN KURIERE

RECORD NO. - KK 58.001

YEAR - 1973 - ORIGINAL GERMAN

SLEEVE - LAMINATED GATEFOLD - VG - knocks at edges.

VINYL - EX

TRACK LISTING........

Space (16:03) A.a Downtown A.b Power Drive A.c Right Hand Lover A.d Velvet Genes Time (21:15) B.a Timeship B.b Neuron B.c SHe

Companies, etc.

  • Made By – Metronome Records GmbH
  • Recorded At – Sinus Studio
  • Mixed At – Dierks Studios
  • Pressed By – Phonodisc GmbH
  • Lacquer Cut At – Phonodisc GmbH

Credits

  • Arranged By – Brian Barritt, Brian Barritt
  • Bass, Guitar, Synthesizer – Hartmut "Hawk" Enke*
  • Design [Cover] – Peter Geitner
  • Directed By – Timothy Leary*
  • Drums – Dieter Burmeister*, Tommie Engel*
  • Guitar, Synthesizer – Manuel Göttsching
  • Lyrics By – Brian Barritt, Timothy Leary*
  • Music By – Ash Ra Tempel
  • Organ, Synthesizer – Steve A
  • Painting [Cover Paintings] – Walter Wegmüller
  • Performer [No Role Specified] – Klaus D. Müller
  • Producer – Rolf-Ulrich Kaiser
  • Producer [Assistant] – Gille Lettmann
  • Recorded By – Dieter Dierks
  • Recorded By [Sinus-studio] – Kurt Zimmermann
  • Synthesizer, Other [Radio Downtown] – Dieter Dierks
  • Voice – Bettina Hohls, Brian Barritt, Timothy Leary*, Liz Elliott, Portia Nkomo
  • Voice, Flute – Micky Duwe

Notes

Recorded live at Sinus-Studio, Bern.
Mixed at Studio Dierks, Stommeln.

Catalogue number variations are: KK 58.001 on record labels, KK 58001 on cover.

Barcode and Other Identifiers

  • Matrix / Runout: 0664 258 = 2 S 1 58 001 A ? 1973 320
  • Matrix / Runout: 0664 258 = 2 S 2 58 001 B ? 1973 320
  • Rights Society: GEMA

SIX  LPs CAN BE  MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

PLEASE WAIT FOR COMBINED INVOICE

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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