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AllMusic Review by Jim Newsom  [-]

Is it jazz? Is it bluegrass? Is it early new age? At the time of Backwaters' release, Rounder Records was lumping it into a category called "new acoustic music." Call it whatever you choose, this is excellent music, impeccably played by a group of guys who are all virtuosos on their respective instruments. Even the most die-hard jazz cop would appreciate the playing, but one needn't be a critic to simply enjoy this collection. Tony Rice may be the finest acoustic guitar picker on the planet, and he also has written some beautiful pieces for this recording. Accompanied by Fred Carpenter and Richard Greene on violins, John Reischman on mandolin, with support from Todd Phillips on standup bass and brother Wyatt Rice on rhythm guitar, Rice takes his music to a whole new place. Every note sounds right, and each member of the ensemble plays with exceptional taste and class. Dave Grusin's "A Child Is Born" is absolutely gorgeous, and the quintet's bluegrass-paced take on "My Favourite Things" is an obvious, but reinvigorating, string-picker's nod to John Coltrane. "On Green Dolphin Street" is reminiscent of Stephane Grapelli and Django Reinhardt on their Hot Club of France recordings. After this release, Rice returned to more traditional-sounding folk and bluegrass music, but Backwaters is his masterpiece. So, what label can you place on this genre-defying music? How about Rice's own term, "spacegrass."

Tony Rice Unit, The ?– Backwaters

Tracklist

Credits

• Bass – Todd Phillips
• Lead Guitar – Tony Rice
• Mandolin – John Reischman
• Rhythm Guitar – Tony Rice, Wyatt Rice
• Violin – Fred Carpenter, Richard Greene

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.