T-REX feat. MARC BOLAN UNICORN MINT ORIG '69 WHITE LABEL PROMO LP w/RARE POSTER

$

114

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·       TYRANNOSAURUS REX (T-REX) featuring MARC BOLAN – UNICORN – ORIGINAL 1969 BLUE THUMB RECORDS STEREO LP BTS-7

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       ORIGINAL BLUE THUMB RECORDS LABEL WITH BLUE “THUMB”  IMPRINT, WHITE LABEL PROMO.

·       INCLUDES GORGEOUS ORIGINAL TOM WILKES "T-REX" POSTER, WHICH MAY OR MAY NOT HAVE BEEN A PROMO-ONLY FEATURE.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The third Tyrannosaurus Rex album, and their debut U.S. release, Unicorn was also the first to steadfastly state the game plan which Marc Bolan had been patiently formulating for two years -- the overnight transformation from underground icon to above ground superstar. Not only does it catch him experimenting with an electric guitar for the first time on record, it also sees Steve Peregrin Took exchange his bongos for a full drum kit, minor deviations to be sure, but significant ones regardless. And listen closely: you can hear the future. The opening "Chariots of Silk" sets the ball rolling, as slight and lovely as any of Bolan's early songs, but driven by a tumultuous drum roll, a pounding percussion which might be the sound of distant gunfire, but could as easily be a petulant four-year-old, stamping around an upstairs apartment. Either way, it must have been a rude awakening for the bliss-soaked hippy acid-heads who were the duo's most loyal audience at the time -- and, though the album settled down considerably thereafter, that initial sense of alarm never leaves. By the time one reaches the closing "Romany Soup," a nursery jingle duet for voice and whispered secrets, you feel like you've just left the wildest roller coaster on earth. If the peaks are astonishing, however, the troughs are merely comparative. "Pon A Hill" is certainly more remarkable for the backing chorus of absurd twitters than for a fairly standard Bolan melody. But "Cat Black," a song which had been around since before Bolan joined John's Children, comes on like a lost Spector classic, with apoplectic percussion and a positively soaring, wordless chorus. "She Was Born to Be My Unicorn," meanwhile, drifts by on piping Hammond and tympani, while "Warlord of the Royal Crocodiles" is no less resonant than such a title demands. Reprising his role on the duo's first album, DJ John Peel reappears to read a brief children's story, but that truly is the only real point of contact between Unicorn and its predecessors. Indeed, in a moment of pure prescient enthusiasm, Melody Maker's review tagged the once painstakingly eclectic acoustic duo "electrified teenybop" and, had things not gone horribly awry between Bolan and Took during their first U.S. tour that same year, all that T Rex was to achieve in the first years of the next decade might have instead fallen into place during the final years of the '60s. Because again, you can already hear the storm brewing.

 (EXCERPT FROM AN ONLINE REVIEW BY DAVE THOMPSON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album includes original Tom Wilkes poster in a fabulous condition.

(d)            White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 30:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a neat, round PROMO cutout hole in one of the corners

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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