The Beatles "Revolver" 2nd press PMC 7009, XEX 605/6-2
£
36
$
48
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Description
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We GUARANTEE this item to be in the condition as described above. If it is not as described, we offer a full refund of the sale price and sale postage.
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UK Record Collector Grading System:
MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.
GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.
The Beatles "Revolver"
Original 2nd UK Press, Mono, 1966 Parlophone Records: cat no. PMC 7009 Matrix: XEX 605-2, XEX 606-2, Tax Code Stamp HM, LR
A lovely copy which I presume is a second pressing as the matrix has 2 as the last number on both sides, also has Dr Robert on label and sleeve credits not Doctor Robert as with later pressings.
The last comparable condition copies sold on eBay for $160, £142, £10399p start.
This item is offered with a money back guarantee if not as described below.
Sleeve Condition: EXCELLENT.
The Garrod & Lofthouse Ltd laminate sleeve is in fantastic shape front & back, includes the original inner sleeve. Spines are mint, light corner/opening rubs, a minor bend on the bottom right corner, a tiny name tag in the "R" of Revolver on the back cover & some small areas of the laminate is lifting slightly.
Vinyl Condition, Visual: EXCELLENT.
A lovely shiny copy with only a few hairline surface marks that generally don't affect play.
Vinyl Condition, Audible: EXCELLENT.
Plays very well with some minor surface noise mostly only noticeable in between some tracks
Label Condition: EXCELLENT.
Has some light spindle marks, no ring wear, generally very clean.
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This record has been cleaned on the £1600 Loricraft PRC 4 Mk3 record cleaning machine (google `Garrard 501 Loricraft') using L'Art du Son cleaning fluid and placed in a Nagaoka antistatic inner sleeve. Only the best for our vinyl!
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We never describe our records as Near Mint unless they really are superb. Our Excellent grading is a very high standard.
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Our condition grading's are based on the UK 2010 Record Collector Rare Record Price Guide.
Review:
All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either — Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiralling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.
Tack listing:
Side 1
Side 2
1. Good Day Sunshine 2. And Your Bird Can Sing 3. For No One 4. Doctor Robert 5. I Want to Tell You 6. Got to Get You Into My Life 7. Tomorrow Never Knowsprice rating