The Beatles - With the Beatles: * RARE DECCA CONTRACT PRESS * EX CONDITION * UK
  £   273
  $   362

 


£ 273 Sold For
Mar 13, 2024 Sold Date
Mar 3, 2024 Start Date
15   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

The Beatles - With the Beatles: * RARE DECCA CONTRACT PRESS * EX CONDITION * UK RELEASE *

   

Brief Summary

  • Extremely rare Decca contract pressing.
  • Superb EX+ audio - listen below!
  • First variant 'misprint' sleeve in EX condition. 
  • Yellow & black Parlophone labels with all corrections. 
  • Original EMItex inner sleeve. 

More details, including a comprehensive condition report and a full audio recording, can be found in the description below.

Album Background

Released in November of 1963, With the Beatles is the second studio album by the English rock band, The Beatles. Similar to the format employed for Please Please Me, the album contains a mixture of Lennon-McCartney original compositions and covers of well-known rock’n’roll songs – the highlight being the bands up-tempo version of Chuck Berry’s “Roll over Beethoven”. It also features the first song penned by George Harrison, “Don’t Bother Me”. The cover art signified a step change from Please Please Me, however. Impressed by the artist’s work with John Coltrane, Brian Epstein commissioned photographer Robert Freeman to create the cover image. For the first time, the Beatles were actively involved in the design; using half-lit portraits taken by Astrid Kircher in Hamburg as inspiration.

 

This particular copy features an extremely rare Decca contract pressing disc, that can be identified by the groove approximately 5cm from the centre hole on both of the labels. Due to the extremely high demand for the With The Beatles LP in the run up to Christmas in 1963 (approximately 500,000 pre-orders), EMI asked Decca to help with the vinyl production. Although exact numbers are not known, today this is very seldom seen; especially in the superb EX condition of this particular copy.

Pressing & Variant Information

Catalogue number: PMC 1206

 

Matrix number: XEX 447 - 7N / XEX 448 - 7N


Mother & Stamper Codes: N/A

 

Vinyl Weight: 165g



Pressing Information:

 

It is difficult to state with certainty which pressing the record is. The 7N / 7N plates were the seventh produced by EMI. They were, however, the first and only plates used by Decca. Whether these were produced ahead of time or not is unknown.

 

Label Information:

 

The black labels with yellow Parlophone logo are the third EMI variant. They are, however, the first and only variant used by Decca. Several notable features identify this. They are:

  1. The grooved ridge 5cm from the centre hole;
  2. The correct title for T3S2, “You Really Got A Hold On Me”; and
  3. "Dominion. Belinda” publishers credit for T7S2, “Money”.

Sleeve Information:

 

The front-side laminated Garrod & Lofthouse sleeve is the first mono variant. Several notable features identify this variant. They are:

  1. The triple flip-backs seen to the reverse;
  2. The incorrect title for T3S2, “You Really Gotta Hold On Me”; and
  3. The mono catalogue number, PMC 1206, printed to the top right hand corner of the rear.

Inner Sleeve & Extras:

 

The album is complete with the original polythene lined, die-cut EMItex ‘protect your records’ inner sleeve.

Condition Report

Disc: EXCELLENT

Labels: EXCELLENT 

 

The labels are clean and retain rich, vibrant colours. A number of dull spindle trails can be seen around each unworn centre hole.

Visual: EXCELLENT - 

 

The vinyl retains the original superb deep gloss playing surfaces. In bright daylight, several light marks can be seen to both vinyl surfaces. Under the glare of a halogen desk lamp feint paper hairlines can be seen alongside an iridescent rainbow shine.

Sound Quality: EXCELLENT +

 

I have included complete audio recordings to enable you to judge the quality of the audio reproduction yourself. If you are having problems playing the clips please get in touch. 


Side 1:  

 

 

Side 2: 

 

 

As can be heard in the recordings, the audio is superb. Both lead-ins are quiet, as is the dead-wax between tracks. Extremely light static can be heard during T6S1, “Till There Was You” but nothing that distracts your ear. Other than this the audio is flawless with no audible pops or clicks. As is expected for the heavy-weight mono recording, the sound has a beautiful warmth that suits the music so perfectly. A great listen.  

Sleeve: EXCELLENT

 

IThe original sleeve looks simply fantastic. Both sides are clean and bright. The cover art maintains the original deep colouration. The rear is still a brilliant white with just one or two brown fleck stains. The flip-backs are without physical damage. The bottom flip-back does show mild staining in two small areas. The spine, top, bottom and opening edges are without wear. The corners are strong.

 

Inner Sleeve: EXCELLENT

 

The original inner sleeve is in superb condition showing only minor discolouration to the top edge. The absence of creasing, however, displays the careful ownership that this record has clearly had.

Additional InfoGrading StandardShipping & ReturnsGlossary of Terms

All discs are cleaned using dedicated ultra-sonic and vacuum cleaners. We use a novel four-step approach. More information on the process can be found here. 

 

Audio testing and recording is performed on a Technics SL-1200 G turntable fitted with a Nagaoka MP-500 stylus. 

 

After the audio test, each disc is placed within a brand-new mobile fidelity inner sleeve. The disc, sleeve, and any additional inserts are then placed inside a 4mm polypropylene outer sleeve.  

 

To protect the integrity of our listings, we ask that all individuals with less than 10 feedback get in touch prior to placing a bid. If this is not performed your bid will be cancelled. 

 

 

Vinyl record grading is, by it's very nature, extremely subjective. A globally accepted grading standard is yet to emerge. Because of this, differences between a sellers grade and a buyers expectation are still common. As collectors ourselves, we grew tired of receiving records that simply were not as described. How can a record be 'mint' if it has a skip and looks like my cat had a disco on it? Incredibly, some records are 'graded' without an audio test being performed. Consequently, purchasing vinyl records online can be extremely disappointing. 

 

We decided to do things differently. All of our listings include a detailed and objective condition report, a comprehensive selection of high-quality photographs, and a complete high-fidelity audio recording. In doing so, we hope to enable any potential buyer to make an informed evaluation of the condition of each item themself.  

 

That being said, we do pride ourselves in preparing and grading vinyl records to the highest possible standards. Here is our process:

  • Prior to grading both the vinyl and sleeve are cautiously but thoroughly cleaned.
  • All items of the album are inspected in both bright daylight and underneath a halogen desk lamp. Any defects are noted.
  • The vinyl is played through on our high-end system at volume. The entire record is listened to and recorded. Any defects are noted.
  • We evaluate each aspect of the album with respect to the grading table as set out below. 

 

Dissatisfied by ambiguity in well-established grading standards, we decided to create our own. Drawing inspiration from existing grading standards, constructive feedback from a global customer base, and the vast experience of friends and colleagues in the industry, we crafted a meticulous and comprehensive standard. For brevity, a shortened version is provided below. The full Blue Chip Vinyl Standard will be published and available on our soon to be finished website. Updates to follow. 

 

 

The Blue Chip Vinyl Standard

 

 

Mint:

 

The MINT (M) classification refers to an item that is perfect in every way. It is extremely rare that a used or unsealed vinyl record will meet the necessary criteria. In fact, many brand new items do not. 

 

The Disc:

The labels will be bright and clean. There will be no spindle marks and no wear to the centre hole. The centre of the label and the centre of the disc will be perfectly aligned. The vinyl surface will display an iridescent lustre. No surface marks are visible. The audio is clear and precise. The only surface noise present is the sound of the interaction with the stylus. 

 

The Sleeve:

The cover art will be vibrant. Any printed text will be clear and without smudging. There will be no staining. The corners, the spine, and all other edges will be without wear. The laminate has no creases, bubbles or ripples. Period original point-of-sale price and shop advertisement stickers are permitted.

 

The Inserts:

Any original additional inserts, such as an inner sleeve, lyric sheet, booklet or poster, are included and in perfect condition.

 

Excellent: 

 

An accurate description of an EXCELLENT (EX) vinyl record is: "from a distance it looks mint". Upon closer inspection, however, several minor flaws will be evident. Only a small percentage of used vinyl records fall into this classification. As such, an EX record will be considered a final upgrade for the majority of collectors. In fact, some even prefer purchasing items in excellent condition to mint as they still look and sound exceptional, but the visible signs of use add character and authenticity. 

 

The Disc:

The labels will be bright and clean with no writing or stickers present. A small number of spindle marks will be visible. Slight misalignment between the label and disc centres may be evident. The vinyl surface will retain the original lustre but light, non-feel-able marks will be present. Quiet surface noise will be audible during the lead-ins, dead wax and quieter sections, although it will never distract. There will be no lessening in the sound quality of the actual audio reproduction. 

 

The Sleeve:

Not all, but some of the following defects will be present: minor rubbing/discolouration to the cover art and printed text; small, light stains/handling marks; corner softening; minor rubbing/wear to the spine and edges; short laminate ripples. Unless otherwise flawless, neither writing nor seam splits are permissible. 

The Inserts:

Any original inserts, such as an inner sleeve, lyric sheet, booklet or poster are included and show only minor deterioration in condition.

 

Very Good:

 

A VERY GOOD (VG) vinyl record will display obvious signs of prior handling and use but is still visually presentable and very useable. 

 

The Disc:

The defects as set out above for an EX classification above will be more pronounced and/or more numerous. Several additional defects may be present. A neatly written or a non-original sticker may be present one or both labels. An increased number of surface marks will be visible including some which can be felt. Pops and clicks will be audible. One or two may repeat for a small number of revolutions. Groove wear distortion may be audible during the introduction or for a short section during the remainder of the recording. Skips and sticks are not permissible. 

 

The Sleeve:

The defects as set out above for an EX classification above will be more pronounced and/or more numerous. Several additional defects may be present: neat writing; a non-original sticker; minor creases, especially near corners; small areas of laminate lift; import/export cut-out holes. 

 

The Inserts:

The original inner sleeve will be present and will still be capable of holding a record securely. Discolouration, minor seam splits, creasing and writing may be present. If additional inserts were originally included, some, if not all, will not be present. 

 

It is extremely rare that all aspects of a vinyl record  will be accurately described by a single grading classification. To all for circumstances when an item does not, a plus or minus will be added to the grading classification. For example, if the majority of the audio plays EX but a small number of tracks are M, an EX+ will be used. If, instead, a small number of tracks play VG, an EX- classification will be used. 

 

 

We worked hard to find a shipping solution that is appropriate for the Blue Chip items that we sell. Nearly 500 records later we are yet to have any shipping related damage reported. All of our items are sent with full-value insurance and are packed and shipped within 24hrs of purchase.

 

To protect your record during transit we use high quality, double-walled corrugated cardboard vinyl mailers with each and every order. Additional cardboard stiffeners are used when appropriate and required. The disc, sleeve, and any inserts are all housed inside a high-density polypropylene outer sleeve. And yes, before you ask, the disc is housed outside of the sleeve. 

 

Royal Mail Special Delivery Guaranted By 1pm is our preferred shipping partner for all UK orders. No fee is charged for this service. 

 

eBay's Global Shipping Programme is utilised for all international orders. Through experience, I have found this to be the quickest, most reliable, and most comprehensive service. eBay manage all aspects; pricing, invoicing and fee collection. When more than one item is purchased, the shipping cost is combined and spread across each item individually. Shipping occurs as follows:

 

  1. We pack and ship the item from our location to eBay's global delivery partner, Geodis. To reflect our UK shipping policy, we do not charge for this service. 
  2. We upload a tracking reference number. Tracking updates can be viewed on the relevant order details page on eBay or alternatively on you can visit Royal Mail's website. 
  3. Geodis accept the item at their UK distribution centre. They manage all aspects of the shipment from here.
  4. A second tracking number will be provided by Geodis. Regular tracking updates will be provided on the relevant order details page. 

 

For buyers in the EU, North America and Australasia we are also able to offer direct shipping through a third party in certain cases. Please get in touch prior to bidding to discuss this. 

 

Please contact us if there is a problem with your purchase and we will work with you to find a resolution. 

 

 

There are several terms that we frequently use in our listings that may be unfamiliar to some. To help define these terms, we will first outline the way in which vintage vinyl records were produced.

  1. The original audio was recorded on tape.
  2. A lacquer engineer used this to produce a lacquer plate. This is also referred to as the father plate. 
  3. The lacquer plate was used to produce a mother plate.
  4. A mother plate was then used to produce a stamper plate.
  5. A stamper plate was subsequently used to press a record. 

 

The matrix number identifies which lacquer plate was used. It is usually a catalogue number followed by a number/letter combination

 

The mother code identifies which mother plate was used. It is usually a number

 

The stamper code identifies which stamper plate was used. It is usually a codified letter. Each record company uses a different code. For example, EMI used GRAMPHLTD where G=1, R=2 etc. 

 

All of this information can be usually be found on the central dead-wax of each disc. Sometimes additional information, such as a signature from the lacquer engineer, can be found here too. 

 

Through use, the stamper, mother, and lacquer plates all become worn. Consequently, the quality of the audio reproduction deteriorates. This is why first pressings with early mother & stamper codes are so highly prized by audiophile collectors. Although exacts figures are unknown, it is thought that each stamper produced ~1000 records, each mother ~100 stampers, and each lacquer ~15 mothers. 

 

We are sometimes questioned regarding our use of the terms 'pressing' and 'variant'. These terms are often used interchangeably which we believe is incorrect.

 

We use the term pressing to refer exclusively to the lacquer plate that was used to produce the disc. If the first lacquer plate was used, the disc is a first press. The second lacquer plate, a second press and so on.

 

We use the term variant to distinguish between differences in design introduced during the production process. 

 

A crossover pressing, or, equally, a crossover variant, refers to an item in which more than one pressing/variant are present on a single vinyl record. 

 

We make this distinction as it is not always the case that discs with first variant labels were produced before discs with second variant labels. We have seen countless examples where the mother and stamper codes confirm this. We believe, therefor, that it is misleading to conflate the terms as it always suggests that a disc with a first variant label was produced before the equivalent record with second variant label. 

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

We hope you will love your purchase, however if you need to return it, we have a 60 day return policy.

Got a question about this item? We'd love to help. Click here to get in touch.  

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