The Kinks Give The People What They Want 1981 UK BBC Press

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THE SECOND KINKS APPEARS SLIGHTLY DIFFERENT ON THE CHECKOUT TAB THAN THE IMAGE SHOWN, PLEASE EMAIL US FOR CLARIFICATION IF YOU DONT UNDERSTAND.

Artist: The Kinks

• Title: Give the People What They Want

• Label: Arista Records

• Catalog Number: SPART 1171

• Year: 1981 (UK release)

• Country: UK

• Format: 12” LP, Stereo

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Pressing Information

• Label Design: Grey Arista label with large stylized “A” logo, consistent with early 1980s UK pressings.

• Matrix / Deadwax:

• Side 1: SPART 1171-A

• Side 2: SPART 1171-B

(Exact stamper/mother codes not shown, but the style suggests an original or early UK pressing.)

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Special Provenance

• BBC Gramophone Library Copy:

• Multiple stickers:

• “BBC Gramophone Library” barcode

• “Please Return Promptly” notice with requisition log dated 18/4/91

• BBC Gramophone Library ink stamp on label

• This provenance adds historical and collector interest, especially for fans of broadcasting history and BBC memorabilia.

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Condition Analysis

• Sleeve:

• Original UK sleeve in good condition; visible BBC archival stickers and plastic protection indicate long-term library storage.

• Some signs of age but generally well-preserved.

• Vinyl Surface:

• Overall glossy with light marks visible under strong light.

• Photos show a notable raised pressing defect (natural indentation) on Side 2, Track 2 (“Yo-Yo”), but confirmed it plays perfectly with no skips.

• Small scattered surface marks and dust visible in photos; likely VG to VG+ playback.

Grading:

• Sleeve: VG+ (BBC stickers may appeal to some collectors)

• Vinyl: VG (visual) / VG+ (play)

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Rarity & Collectibility

• Original UK copies of this LP are common, but BBC archive provenance makes this highly collectible.

• Many collectors of The Kinks or BBC memorabilia will pay a premium for unique institutional copies, especially those with original BBC check-out slips and stamps intact.

Please understand that this is an official UK archival record from the British Broadcasting Corporation and the sleeve(s) may contain archival stickers from the BBC. Some of these stickers are 'on top' of the plastic with some 'underneath' (i.e. on the sleeve itself). Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve. Where sleeves are laminated stickers can be removed with the use of appropriate sticker removal fluids however it is unlikely that stickers can be removed from any sleeves that are not laminated. The sleeves as such in this collection are generally graded as VG with the records often VG+ to Ex+.

The BBC Gramophone Library: A Historic Institution in British Broadcasting

Overview

The BBC Gramophone Library was the centralized archive and distribution hub for music and spoken-word recordings used by the British Broadcasting Corporation (BBC) across its radio and television networks. Established in the 1930s and reaching its peak usage from the 1950s through the 1980s, the library served as a critical resource for programming, background music, and live broadcasts.

Primary Roles:

1. Music Programming & Licensing

• The BBC did not allow advertising, so it relied heavily on pre-licensed or internally approved music for airplay.

• The Gramophone Library held tens of thousands of LPs, singles, and 78s, carefully cataloged and labeled for legal and logistical reasons.

2. Record Circulation Across Studios

• Library copies were loaned out to BBC producers and engineers working on everything from Radio 1 pop shows to classical music programs and regional BBC radio stations across the UK.

• Many records bear checkout stickers and barcodes with issued/returned fields, tracking circulation between studios.

3. Archiving Broadcast-Ready Media

• The BBC required high-quality and clean copies for broadcasting, so many library records were early or first pressings sourced directly from record labels or distributors.

• Labels often provided the BBC with promo or advanced copies, which were then filed and made broadcast-ready.

4. Editing, Marking, and Custom Labeling

• Library staff often marked faults or added stickers (e.g., “STEREO”, “DO NOT USE SIDE B”, “OBSCENE LYRICS”) based on BBC content standards.

• Some records have cue sheets or fade/duration notes handwritten on inner sleeves for radio DJs and engineers.

5. Preservation & Disposal

• When formats shifted (vinyl to CD, then digital), the BBC began deaccessioning large portions of the library.

• Many records were sold, gifted to staff, or disposed of — though some were retained for archival and legal purposes.

Collecting Significance

Records from the BBC Gramophone Library are now highly sought after due to:

• Direct association with British radio history

• Unique, institutional provenance (often impossible to fake convincingly)

• Early pressings used during the golden age of BBC radio (1950s–1980s)

• The possibility that famous BBC DJs (e.g., John Peel, Annie Nightingale) handled or played the exact copies

Legacy

The BBC Gramophone Library remains a legendary archive in British media history, now largely digitized or merged into newer holdings. Physical copies like yours are time capsules, often tied to decades of public service broadcasting, music history, and cultural memory.