The Velvet Underground. ('and so on'). Very rare vinyl compilation 1982. Exc.
  £   17
  $   23

 


£ 17 Sold For
Jun 18, 2013 Sold Date
Jun 8, 2013 Start Date
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Description

 'The Velvet Underground. ('and so on').' Plastic Inevitable Records 1982 - Second -1.
White Label / psychedelic pattern.

Extremely rare vinyl compilation from 1982. Excellent cover (except for small remains of price sticker..) and vinyl has no scratches or marking.
*A lot of information about the tracks of this extraordinary collection can be read in this listings SCAN of the back cover.

This album was compiled and annotated by Philip Milstein, at the time Editor: 'What Goes On' magazine and President, Velvet Underground Appreciation Society.

Nine tracks from different periods between 1966 and 1972,including the Cale/Reed/Nico gig in Paris Bataclan; Broom St. New York 1966; MGM 'lost album', pre-'Loaded' period and 'Loop' from a flexi disc inside Aspen magazine, co-edited by Andy Warhol and David Dalton. Also a Radio Advert.

Pale Blue Eyes — this version is with completely different lyrics to the officially released recordings. Recorded October 2, 1968 at La Cave...
Radio Ad — an amusing promo for their 3rd album
Loop — controlled distortion and feedback looped in the minimalist tradition of Terry Riley et al.

Sources:  1: The Gymnasium, April 1967 / 2, 7: Ludlow street loft demos, 1967 / 3: La Cave, 4/10/68 / 4: demo, September 23, 1969 / 5: MGM VU-1 promo 45, 1969 / 6: Cale, Reed & Nico, Bataclan, 29/1/72 / 8: A&R studios, Febuary 13, 1968 / 9: Aspen magazine flexi, 1966.


"Guess I'm Falling In Love" is not the same version as the track from the Peel Slowly And See box set. "Pale Blue Eyes" is from La Cave, October 2, 1968 tape - it doesn't include the false start but has the famous alternate lyrics. "Stephanie Says" is different mix than official LP VU version.


From the liner notes:
In December 1966, Warhol and David Dalton designed Issue 3 of the multimedia Aspen.[14] Included in this issue of the "magazine", which retailed at $4 per copy and was packaged in a hinged box designed to look like Fab laundry detergent, were various leaflets and booklets, one of which was a commentary on rock and roll by Lou Reed, another an EPI promotional newspaper. Also enclosed was a 2-sided flexi disk, side one produced by Peter Walker, a musical associate of Timothy Leary, and side two titled "Loop", credited to the Velvet Underground but actually recorded by Cale alone. "Loop", a recording solely of pulsating audio feedback culminating in a locked groove, was "a precursor to [Reed's] Metal Machine Music", say Velvets archivists M.C. Kostek and Phil Milstein in the book The Velvet Underground Companion. "Loop" also predates much industrial music as well. More significantly, from a retail standpoint, "Loop" was the group's first commercially available recording as the Velvet Underground.



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