Tom Petty ?– Wildflowers & All The Rest, 2020 vinyl, 2LP, reissue, remastered
  $   65

 


$ 65 Sold For
Nov 30, 2020 Sold Date
Oct 28, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description


TracklistHide Credits

Wildflowers A1 Wildflowers Acoustic Guitar, Vocals [Vocal] – Tom PettyBass Guitar, Harpsichord – Mike CampbellDrums – Steve FerroneHarmonium, Piano – Benmont TenchOrchestrated By, Conductor [Conducted By] – Michael KamenPercussion – Lenny CastroPerformer [Must Have Played Something] – George Drakoulias 3:12 A2 You Don't Know How It Feels Acoustic Guitar, Electric Guitar [1st Solo], Soloist [1st Solo], Harmonica, Bass Guitar, Vocals – Tom PettyDrums – Steve FerroneElectric Guitar [2nd Solo], Soloist [2nd Solo] – Mike CampbellGrand Piano, Electric Piano – Benmont TenchHarmony Vocals – Howie Epstein, Tom*Percussion – Lenny Castro 4:49 A3 Time To Move On Bass Guitar, Slide Guitar – Mike CampbellDrums – Steve FerroneElectric Guitar, Vocals – Tom PettyOrchestrated By, Conductor [Conducted By] – Michael KamenPiano – Benmont Tench 3:15 A4 You Wreck Me Bass Guitar, Harmony Vocals [Harmony Vocal] – Howie EpsteinDrums – Steve FerroneElectric Guitar – Mike CampbellElectric Guitar, Lead Vocals [Lead Vocal] – Tom PettyPercussion – Phil Jones (3)Piano, Organ – Benmont Tench 3:23 B1 It's Good To Be King Bass Guitar, Electric Guitar – Mike CampbellDrums – Steve FerroneElectric Guitar, Vocals – Tom PettyHarmony Vocals – Howie Epstein, Tom*Orchestrated By, Conductor [Conducted By] – Michael KamenPercussion – Lenny CastroPiano – Benmont Tench 5:11 B2 Only A Broken Heart Bass Guitar – Mike CampbellDrums – Steve FerroneGuitar [Guitars], Vocals – Tom PettyPiano, Organ, Mellotron, Harmonium – Benmont Tench 4:31 B3 Honey Bee Backing Vocals [Backing Vocal] – Carl WilsonBacking Vocals [Backing Vocal], Bass Guitar – Howie EpsteinDrums – Steve FerroneElectric Guitar [Left Side] – Mike CampbellElectric Guitar [Right Side], Vocals [Vocal] – Tom PettyPercussion – Lenny CastroPiano – Benmont Tench 4:59 B4 Don't Fade On Me Acoustic Guitar – Mike CampbellAcoustic Guitar, Vocals [Vocal] – Tom Petty 3:32 C1 Hard On Me Acoustic Guitar, Vocals – Tom PettyBass Guitar – John PierceDrums – Steve FerroneElectric Guitar – Mike CampbellPercussion – Lenny CastroPiano, Organ – Benmont Tench 3:49 C2 Cabin Down Below Bass Guitar – Howie EpsteinDrums – Steve FerroneElectric Guitar – Mike CampbellElectric Guitar, Vocals [Vocal] – Tom PettyPercussion – Phil Jones (3)Piano – Benmont Tench 2:51 C3 To Find A Friend Acoustic Guitar [Acoustic Guitars], Vocals – Tom PettyDrums – Ringo StarrElectric Guitar, Sitar [Coral Sitar], Bass Guitar – Mike CampbellPercussion – Lenny CastroPiano [Tack Piano], Performer [Zenon] – Benmont Tench 3:24 C4 A Higher Place Acoustic Guitar [Acoustic Guitars], Harmonica, Vocals, Bass Guitar – Tom PettyDrums – Steve FerroneElectric Guitar – Mike CampbellPercussion – Lenny CastroPiano, Organ, Keyboards [Orchestron], Harmonium – Benmont Tench 3:56 D1 House In The Woods Bass Guitar, Electric Guitar [Electric Guitars] – Mike CampbellDrums – Steve FerroneElectric Guitar, Vocals – Tom PettyHarmony Vocals [Harmony Vocal] – Howie EpsteinPedal Steel Guitar – Marty RifkinPiano – Benmont TenchSaxophone – Brandon Fields, Gary Herbig, Jim Horn, Kim Hutchcroft 5:32 D2 Crawling Back To You Bass Guitar, Electric Guitar – Mike CampbellDrums – Steve FerroneElectric Guitar, Organ, Lead Vocals [Lead Vocal] – Tom PettyHarmony Vocals – Howie Epstein, Tom*Percussion – Lenny CastroPiano, Organ, Mellotron – Benmont Tench 5:06 D3 Wake Up Time Bass Guitar – Mike CampbellDrums – Steve FerroneOrchestrated By, Conductor [Conducted By] – Michael KamenPiano, Vocals [Vocal] – Tom Petty 5:19 All The Rest E1 Something Could Happen Drums – Stan LynchEngineer – Jim ScottEngineer [Assistant] – Steve HolroydGuitar – Mike CampbellHarmony Vocals [Harmony Vocal], Bass Guitar – Howie EpsteinLead Vocals [Lead Vocal], Guitar, Tambourine – Tom PettyMixed By – Ryan UlyatePiano [Tack Piano], Harmonium – Benmont TenchProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom Petty 4:34 E2 Leave Virginia Alone Drums – Steve FerroneEngineer – Jim ScottEngineer [Assistant] – Joe BarresiGuitar, Bass Guitar – Mike CampbellHarmony Vocals [Harmony Vocal] – Howie EpsteinLead Vocals [Lead Vocal], Guitar – Tom PettyMixed By – Ryan UlyatePiano, Harmonium – Benmont TenchProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom PettyTambourine – Lenny Castro 4:15 E3 Climb That Hill Blues Lead Vocals [Lead Vocal], Guitar – Tom PettyProducer [Produced By], Recorded By, Mixed By – Tom Petty 2:33 E4 Confusion Wheel Drums – Steve FerroneEngineer – Jim ScottEngineer [Assistant] – Jeff SheehanGuitar – Mike CampbellHarmonium – Benmont TenchHarmony Vocals [Harmony Vocal], Bass Guitar – Howie EpsteinLead Vocals [Lead Vocal], Guitar – Tom PettyMixed By – Ryan UlyateProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom Petty 4:20 E5 California Drums – Steve FerroneEngineer – Jim ScottEngineer [Assistant] – Joe BarresiGuitar, Piano, 6-String Bass [6-String Bass Guitar] – Mike CampbellLead Vocals, Harmony Vocals, Guitar, Harmonica, Bass Guitar – Tom PettyMixed By – Ryan UlyateProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom PettyTambourine – Phil Jones (3) 2:37 F1 Harry Green Lead Vocals, Harmony Vocals, Guitar, Harmonica – Tom PettyMixed By – Ryan UlyateProducer [Produced By], Recorded By – Ryan Ulyate, Tom Petty 3:53 F2 Hope You Never Bass Guitar – Howie EpsteinDrums – Steve FerroneEngineer – Jim ScottEngineer [Assistant] – Joe BarresiGuitar – Mike CampbellLead Vocals, Harmony Vocals, Guitar, Harpsichord – Tom PettyMixed By – Ryan UlyateOrgan – Benmont TenchPercussion – Phil Jones (3)Producer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom Petty 3:02 F3 Somewhere Under Heaven Engineer – Brian ScheubleGuitar [Guitars], Organ, Bass Guitar, Drums – Mike CampbellLead Vocals [Lead Vocal] – Tom PettyMixed By – Ryan UlyateProducer [Produced By] – Mike Campbell, Tom Petty 4:38 F4 Climb That Hill Drums – Steve FerroneEngineer – Clif Norrell, Jim Scott, Richard DoddGuitar, Bass Guitar – Mike CampbellHarmony Vocals – Howie EpsteinLead Vocals, Harmony Vocals, Guitar, Tambourine – Tom PettyMixed By – Ryan UlyatePiano, Electric Piano – Benmont TenchProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom Petty 3:33 F5 Hung Up And Overdue Backing Vocals – Carl WilsonBass Guitar – Howie EpsteinDrums – Ringo StarrEngineer – Jim ScottEngineer [Assistant] – Bob LoftusGuitar – Mike CampbellLead Vocals [Lead Vocal], Guitar – Tom PettyMixed By – Ryan UlyatePercussion – Lenny CastroPiano, Organ, Harpsichord, Mellotron – Benmont TenchProducer [Produced By] – Rick RubinProducer [Produced With] – Mike Campbell, Tom Petty 6:02

Companies, etc.

  • Record Company – Warner Records Inc.
  • Record Company – Warner Music Group
  • Copyright (c) – Tom Petty Legacy
  • Phonographic Copyright (p) – Tom Petty Legacy
  • Licensed To – Warner Records Inc.
  • Copyright (c) – Warner Records Inc.
  • Phonographic Copyright (p) – Warner Records Inc.
  • Copyright (c) – Gone Gator Music
  • Copyright (c) – Wixen Music Publishing, Inc.
  • Copyright (c) – Wild Gator Music
  • Recorded At – Sound City Studios
  • Recorded At – Ocean Way Recording
  • Overdubbed At – Shoreline Recorders, Malibu
  • Recorded At – Rumbo Recorders
  • Mixed At – Andora Studios
  • Mastered At – Bernie Grundman Mastering
  • Pressed By – Record Industry – 29901

Credits

  • Art Direction [For], Design [Package Design For] – SMOG Design, Inc.
  • Art Direction, Design [Package Design By] – Jeri Heiden, Nick Steinhardt
  • Compilation Producer [Compilation Produced By] – Ryan Ulyate
  • Consultant [Consultant On Anything Really Important] – George Drakoulias (tracks: A1 to D3)
  • Coordinator [Logistical Coordination], Crew [Equipment Manager] – Alan "Bugs" Weidel* (tracks: A1 to D3)
  • Cover [Original Cover Beadwork Created By] – Maria Sarno
  • Creative Director [Creative Direction For Wildflowers Project By] – Adria Petty
  • Curated By [Compilation Curated By] – Adria Petty, Annakim Violette, Benmont Tench, Dana Petty, Mike Campbell
  • Engineer – David Bianco (tracks: A1 to D3), Jim Scott (tracks: A1 to D3), Richard Dodd (tracks: A1 to D3)
  • Engineer [Assistant] – Jeff Sheehan (tracks: A1 to D3), Joe Barresi (tracks: A1 to D3), Steve Holroyd (tracks: A1 to D3)
  • Engineer [The Yard Dog Orchestra Engineered By] – Stephen McLaughlin
  • Illustration [Original Illustrations Created By] – Blaze Ben Brooks
  • Lacquer Cut By – CB*
  • Management [Digital Platforms And Merchandizing Formats Managed By] – Jay Barnings
  • Management [Digital Platforms And Merchandizing Formats Managed For] – Red Light Management
  • Management [Management For Tom Petty Legacy LLC, For] – Red Light Management
  • Management [Management For Tom Petty Legacy LLC] – Coran Capshaw, Will Botwin
  • Management [Tom Petty Personal Archive And Tom Petty Radio Managed By] – Adam Hohlt
  • Management [Tom Petty Personal Archive And Tom Petty Radio Managed For] – Red Light Management
  • Management [Video Commissioner For Warner Records] – Lydia Sarno
  • Mastered By [Compilation Mastered By] – Chris Bellman
  • Mixed By – Richard Dodd (tracks: A1 to D3)
  • Mixed By [Assistant] – Kenji Nasai (tracks: A1 to D3)
  • Orchestra – The Yard Dog Orchestra
  • Photography By [Wildflowers In-Studio Film Assets Created By] – Martyn Atkins
  • Photography By [Wildflowers-era Photography Supplied By] – Mark Seliger, Martyn Atkins, Robert Sebree
  • Producer [Produced By] – Rick Rubin (tracks: A1 to D3)
  • Producer [Produced With] – Mike Campbell (tracks: A1 to D3), Tom Petty (tracks: A1 to D3)
  • Project Manager [Project Management For Warner Records By] – Robin Hurley
  • Public Relations [Project Marketing For Warner Records By] – Ingrid Erickson, Jesse Ervin (2)
  • Research [Photo, Video And Spoken Audio Archivist] – Alison Tavel
  • Research [Physical Tom Petty Archive And Historical Accuracy Maintained By] – Alan "Bugs" Weidel*, Mary Klauzer
  • Songwriter [Songs Written By] – Mike Campbell (tracks: A4, B4, E3, F3, F4), Tom Petty

Notes

3 LPs in triple gatefold sleeve with 3 printed innersleeves with lyrics and art.
Hype sticker on shrink: "25 Songs originally recorded during the Wildflowers sessions..."

Tracks A1 to D3: Recorded in Los Angeles, CA, at Sound City Studios & Ocean Way Recording
Track E1: Previously unreleased song and recording - July 26, 1993 / Recorded at Ocean Way Recording
Track E2: Previously unreleased recording - January 26, 1993 / Recorded at Sound City Studios
Track E3: Previously unreleased song and recording - 1993 / Produced, recorded & mixed by Tom Petty at his home studio
Track E4: Previously unreleased song and recording - April 11, 1994 / Recorded at Sound City Studios
Track E5: Alternate version - original on "She's the One" - April 14, 1994 / Recorded at Sound City Studios
Track F1: Previously unreleased song and recording - 1994 / Recorded at home studio with overdubs (2014) at Shoreline Recorders
Track F2: Alternate version - original on "She's the One" - April 11, 1994 / Recorded at Sound City Studios
Track F3: September 30, 1992 - Released in 2015 in "Entourage" film / Recorded at Rumbo Recorders
Track F4: Alternate take - different than one on "She's the One" - November 30, 1993 / Recorded at Sound City Studios
Track F5: Alternate version - original on "She's the One" - June 3, 1993 / Recorded at Ocean Way Recording

Compilation mastered at Bernie Grundman Mastering.

Tracks A1, to A3, B1 to B3, C1 to E2, E4 to F2, F5: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc.
Track F3: © 1992 Gone Gator Music (ASCAP), administered by Wixen Music Publishing Inc./Wild Gator Music (GMR)
Tracks A4, B4, E3, F4: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc./Wild Gator Music (GMR)

On rear artwork:
Warner Records Inc., A Warner Music Group Company
©? 2020 Tom Petty Legacy under exclusive license to Warner Records Inc. ?2020 Warner Records Inc.
Made in the Netherlands

On labels:
©? 2020 Warner Records Inc., A Warner Music Group Company.
Made in the Netherlands
Shipping Multiple orders can be combined to reduce shipping costs. Contact me when you are finished purchasing and I will send a combined invoice with this consideration.

Vinyl Preparation and Handling

All vinyl records are safely cleaned using Spin Clean Record Washer and stored in anti-static sleeves before offering for sale. Original sleeves, inserts, etc. are never discarded and always included if they are present. Records are removed from jacket to reduce wear during shipping. Vinyl and sleeves are separated, and package is wrapped securely and shipped in 15x13x1 cardboard box designed for shipping LPs. Shipping USPS Media Mail from a non-smoking household.

How my Records are Graded  

Mint (M) Factory sealed or otherwise perfect condition.

Near Mint (NM/M-) A nearly perfect record. The vinyl will play perfectly, with no imperfections during playback. The sleeve will have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. 

Excellent (EX) A record that is almost Near Mint but may have a couple of light scuffs that do not affect play. The sleeve will almost be Near Mint but may have a very slight bend in the corner or show minor shelf wear and/or ring wear.

Very Good Plus (VG+) Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect listening experiences. Slight warps that do not affect the sound may be present. Sleeves will have some slight wear, lightly turned up corners, or a slight seam split and/or ring wear.

Very Good (VG) Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches that will affect the sound with pops or clicks. Sleeves will have more pronounced defects than VG+ and may be marred by writing or have tape or stickers (or their residue) attached.

Good (G) Surface noise will be evident upon playing but will not overpower the music. Groove wear will be noticeable, as with scratches that will affect the sound with pops or clicks. Sleeves will have more pronounced defects than VG and may be affected by seam splits, tears, surface tears, or more significant tape or stickers attached.



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