Tommy Bolin..Teaser, Private Eyes and Zephyr ...Rare
$
40
$ 40
Sold For
May 22, 2019
Sold Date
May 20, 2019
Start Date
$ 20
Start price
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
- From my personal record collection Tommy Bolin records! See pics for overall condition..I'm not a pro record grader but I can tell you these records were played only a few times cause i used to record them onto cassette for listening at home and in the car..Private eyes still has most of the shrinkwrap..other records have some ring wear as shown in pics but records play well..here's a bio Zephyr was a short lived Boulder, Colorado act blended blues-rock, hard rock and even a touch of jazz in their often lengthy jams. The band showcased a Joplinesque front woman Candy Givens, although they are now best known for being one of Tommy Bolin's earliest projects. Their debut album is a decent and interesting curiosity piece for Bolin fans with lots of energetic improvisational work by the band. Candy's vocals are something of an acquired taste with her tendency to wail and screech in a style much like Janis Joplin, but without the same level of finesse or restraint. Overall, it's a likable enough album containing a few highlights in "Sail On" and "Cross The River".
- After performing in a variety of bands since the late '60s, Bolin finally released his first solo album in 1975. Teaser is an impressive display of the guitarist's prowess and range, and is a natural progression from the previous Bolin-dominated James Gang albums Bang and Miami, and his work with drummer Billy Cobham. Teaser includes several period piece rock & roll tracks, the foremost among them being the opener "The Grind," with its strolling piano, taut basslines, and Bolin's guitar strutting the line between boogie and glam. In addition to his prowess as a guitarist, this track also showcases his considerable ability as a vocalist. On "Homeward Strut," the first of two instrumentals here, Bolin's guitar takes center stage, centering on funky jazz-rock fusion. Both his rhythm playing and his lead work (single-string and slide) are paint peelers. Bolin was always equally adept at subtleties, as the ballads "Dreamer" and the Latin-tinged "Savannah Woman" (with percussion from Phil Collins) attest. That said, the album might have been better served had they not been sequenced back to back. The latter features Bolin showcasing the influence of Wes Montgomery's late style, as well giving a passing nod to Peter Green, yet with utterly original phrasing. The title track returns the '70s boogie back to prominence, with its easy stroll countered by tasty fills and playful, sexy signing. "People, People" showcases the guitarist's love of reggae and his ability to seamlessly wed it to hard rock, Latin percussion (courtesy of Sammy Figueroa), and soul-jazz. Saxophonist David Sanborn and keyboardist Jan Hammer also play key roles in this standout. Those three also go head to head with Bolin on the scorching jazz-rock instrumental "Marching Powder," which also includes drummer Narada Michael Walden. The other instrumental here, "Homeward Strut," focuses on the harder-edged funky side of jazz-rock fusion. The set closes with two power ballads central to Bolin's legend, "Wild Dogs" and "Lotus." Each tune has sparse elements of country rock that give way to molten power chords, labyrinthine fills, and eventually, roaring hard rock, and in the latter, reggae makes its return for a climactic finish. In 36-and-a-half minutes, Teaser is as near a rock classic as exists. It survives as Bolin's signature work.
- After the breakup of Deep Purple in 1976, guitarist Tommy Bolin wasted little time beginning work on his second solo album, Private Eyes. While it was more of a conventional rock album than its predecessor, Teaser (which served primarily as a showcase for his guitar skills and contained several jazz/rock instrumentals), it was not as potent. The performances aren't as inspired as those on Teaser or even those on Bolin's lone album with Deep Purple, Come Taste the Band, although there a few highlights could be found. The nine-minute rocker "Post Toastee" merges a long jam section with lyrics concerning the dangers of drug addiction, while "Shake the Devil" is similar stylistically. But Bolin wasn't simply a hard-rocker; he was extremely talented with other kinds of music: the quiet, acoustic-based compositions "Hello, Again" and "Gypsy Soul," and the heartbroken ballad "Sweet Burgundy." With his solo career starting to take shape (after the album's release, he opened for some of rock's biggest names: Peter Frampton, Jeff Beck, Rush, ZZ Top, etc.), Bolin's life was tragically cut short at the end of the year due to a drug overdose in Miami, FL...
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