Tracy Chapman - 1988 LP Elektra UK Matte Sleeve EKT 44
£
17
$
23
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Description
Tracy Chapman ?– Tracy Chapman
Label: Elektra ?– 960 774-1, Elektra ?– EKT 44 Format: Vinyl, LP, Album, Matte SleeveCountry: UK & Europe Released: 1988 Genre: Rock Style: Folk Rock
TracklistHide Credits
A1 Talkin' Bout A Revolution Acoustic Guitar, Rhythm Guitar [Electric], Percussion – Tracy ChapmanBass – Larry KleinDrums, Percussion – Denny FongheiserGuitar, Organ [Hammond] – Jack Holder 2:38 A2 Fast Car Acoustic Guitar, Rhythm Guitar [Electric], Percussion – Tracy ChapmanBass – Larry KleinDrums – Denny FongheiserSteel Guitar – Ed Black 4:58 A3 Across The Lines Acoustic Guitar – Tracy ChapmanBass – Larry KleinDrums – Denny FongheiserPerformer [Hammer Dulcimer] – Jack Holder 3:22 A4 Behind The Wall 1:46 A5 Baby Can I Hold You Bass – Larry KleinKeyboards – Bob MarletteOrgan [Hammond], Sitar [Electric] – Jack HolderPercussion, Drums – Denny FongheiserRhythm Guitar – Tracy ChapmanViolin [Electric] – David LaFlamme 3:16 B1 Mountains O' Things Guitar – Tracy ChapmanKeyboards – Bob Marlette, Steve KaplanPercussion – Paulinho Da Costa 4:37 B2 She's Got Her Ticket Bass – Larry KleinDrums – Denny FongheiserGuitar – Jack Holder, Tracy ChapmanKeyboards – Steve KaplanOrgan [Hammond] – Jack HolderPercussion – Paulinho Da Costa 3:54 B3 Why? Acoustic Guitar – Tracy ChapmanBass – Larry KleinDrums, Percussion – Denny FongheiserOrgan [Hammond], Guitar – Jack HolderPercussion – Paulinho Da Costa 2:01 B4 For My Lover Acoustic Guitar – Tracy ChapmanBass – Larry KleinDobro – Jack HolderDrums – Denny FongheiserSteel Guitar – Ed BlackSynthesizer [Synth Harmonica] – Steve Kaplan 3:15 B5 If Not Now... Acoustic Guitar, Percussion – Tracy ChapmanBass – Larry KleinPercussion – Denny FongheiserPiano – Jack Holder 2:55 B6 For You Acoustic Guitar – Tracy Chapman 3:09Companies, etc.
- Made By – WEA Musik GmbH
- Phonographic Copyright (p) – WEA International Inc.
- Copyright (c) – WEA International Inc.
- Pressed By – Record Service GmbH
- Recorded At – Powertrax Studio
- Mixed At – Powertrax Studio
- Mastered At – Masterdisk
Credits
- Art Direction – Carol Bobolts
- Engineer, Mixed By – Kevin W. Smith*
- Management – Elliot Roberts
- Photography By – Matt Mahurin
- Producer – David Kershenbaum
- Vocals, Music By, Lyrics By – Tracy Chapman
Notes
This release comes in a matte sleeve, it is very similar to the other UK & Europe version of Tracy Chapman's album, but that other one comes in a glossy sleeve.On cover, back: "? © 1988 Elektra/Asylum Records for the United States and WEA International Inc. for the world outside of the United States. [...] // Manufactured in Germany. Pressé en Allemagne. Record Service GmbH, Alsdorf".
From dustbag: "Digitally recorded and mixed at POWERTRAX, Hollywood, CA".
Mastered at MASTERDISK, NY. Direct Metal Mastering (see runout groove).
Comes with lyrics/credits/photo on dustbag and a sheet with translations of the lyrics into Italian, French, Spanish and German.
On labels: "Published by (G.B. only) SBK Songs Ltd."
Barcode and Other Identifiers
- Barcode: 075596077415
- Matrix / Runout (Pressed Runout Variant 1 Side A): R/S Alsdorf 960774-1-AXX
- Matrix / Runout (Pressed Runout Variant 1 Side B): R/S Alsdorf 960774-1-BXX
- Matrix / Runout (Etched Runout Variant 1 Side A): MASTERDISK SP-GER ST-E-60771-A-DMM-2
- Matrix / Runout (Etched Runout Variant 1 Side B): MASTERDISK SP-GER ST-E-60771-B-DMM-2
- Matrix / Runout (Pressed Runout Variant 2 Side A): R/S Alsdorf 960774-1-A2 7
- Matrix / Runout (Pressed Runout Variant 2 Side B): R/S Alsdorf 960774-1-B2 12
- Matrix / Runout (Etched Runout Variant 2 Side A): MASTERDISK SP-GER IV ST-E-60774-A-DMM-2 SP 3-5 LT7
- Matrix / Runout (Etched Runout Variant 2 Side B): MASTERDISK SP-GER VI ST-E-60774-B-DMM-2 2-5 LT7
- Matrix / Runout (Pressed Runout Variant 3 Side A): R/S Alsdorf 960774-1A2XXX
- Matrix / Runout (Pressed Runout Variant 3 Side B): R/S Alsdorf 960774-1-B5X
- Matrix / Runout (Etched Runout Variant 3 Side A): MASTERDISK Z5 SP3-5 SP-GER ST-E-60774-A-DMM-2
- Matrix / Runout (Etched Runout Variant 3 Side B): MASTERDISK SP-GER 38 (mirrored) ST-E-60774-B-DMM-2
- Label Code: LC 0192
- Rights Society: GEMA/BIEM
- Other: UK: EKT 44
- Other (Distribution Code (France)): WE 381
- Other (Code Germany): ?
Records graded to Record Collector guidelines
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
Records sent in purpose made mailers. We're collectors who are serious about our stock and endeavour to get our records to you in the best condition possible.
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