U 2 'ZOOROPA' ISLAND RECORDS 1993 UK STEREO
£
40
$
53
£ 40
Sold For
Nov 19, 2015
Sold Date
Nov 12, 2015
Start Date
£ 30
Start price
5
Number Of Bids
Great Britain
Country Of Seller
eBay
Auctioned at
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Description
U2 ?– Zooropa
Country:UKReleased:06 Jul 1993 Genre:Electronic, RockStyle:Abstract, Pop Rock, Experimental
Tracklist
A1 Zooropa Engineer [Assistant] – Rob Kirwan, Willie MannionMixed By [Assistant] – Willie MannionRecorded By [Second Half Of Backing Track] – Joe O'HerlihySynthesizer – Brian Eno 6:30 A2 Babyface Engineer [Assistant] – Willie MannionLoops, Chimes – Des BroadberyMixed By [Assistant] – Rob Kirwan 4:00 A3 Numb Backing Vocals – Bono, Larry*Co-producer [Originally Recorded With] – Daniel LanoisEngineer [Assistant] – Rob Kirwan, Willie MannionMixed By [Assistant] – Mary McShaneSynthesizer [Additional], Sounds [Arcade] – Brian Eno 4:18 A4 Lemon Backing Vocals – The EdgeBacking Vocals, Arranged By [Strings], Strings – Brian EnoEngineer [Assistant] – Rob Kirwan, Willie MannionMixed By [Assistant] – Willie Mannion 6:56 A5 Stay (Faraway, So Close) Engineer [Assistant] – Rob Kirwan, Willie MannionMixed By [Assistant] – Rob Kirwan 4:58 B1 Daddy's Gonna Pay For Your Crashed Car Engineer [Assistant] – Willie MannionLoops – Des Broadbery, FloodMixed By [Assistant] – Rob Kirwan 5:19 B2 Some Days Are Better Than Others Engineer [Assistant] – Rob Kirwan, Willie MannionLoops – Des BroadberyLoops, Synthesizer – Brian EnoMixed By [Assistant] – Rob Kirwan 4:15 B3 The First Time Mixed By [Assistant] – Willie MannionPiano, Organ [Harmonium] – Brian Eno 3:45 B4 Dirty Day Engineer [Assistant] – Rob Kirwan, Willie MannionMixed By [Assistant] – Willie MannionSynthesizer [On ' Father To Son ' Section] – Brian Eno 5:24 B5 The Wanderer Backing Vocals – The EdgeLead Vocals [Starring] – Johnny CashLoops [Background] – FloodMixed By [Assistant], Engineer [Assistant] – Willie MannionSynthesizer [Additional] – Brian Eno 4:44Companies, etc.
- Phonographic Copyright (p) – PolyGram International Music B.V.
- Copyright (c) – PolyGram International Music B.V.
- Licensed To – Island Records Ltd.
- Mastered At – A&M Mastering Studios – Los Angeles, USA.
- Published By – Blue Mountain Music Ltd.
Credits
- Art Direction – Steve Averill
- Artwork [Baby Illustration] – Shaughn McGrath
- Artwork [Original Baby Illustration] – Charlie Whisker
- Bass Guitar – Adam Clayton
- Crew [Studio, Monitoring] – Joe O'Herlihy
- Crew [Studio], Technician [Bass Guitar] – Stuart Morgan
- Crew [Studio], Technician [Drum] – Sam O'Sullivan
- Crew [Studio], Technician [Guitar Technician (bono)] – Fraser McAlister
- Crew [Studio], Technician [Guitar Technician (edge)] – Dallas Schoo
- Crew [Studio], Technician [Programming, Keyboard & Guitar] – Des Broadbery
- Crew [Studio], Technician [Studio] – Colm "Rab" McAllister*
- Design [Album Cover] – Works Associates
- Design, Artwork By [Computer Treatments] – Brian Williams (11)
- Drums, Percussion, Backing Vocals – Larry Mullen Jnr*
- Edited By [Digital Editing By] – Stewart Whitmore
- Engineer – Flood (tracks: A1 to B2, B4, B5), Robbie Adams
- Guitar, Piano, Synthesizer, Vocals – The Edge
- Management – Paul McGuinness (2)
- Management [Principle Management Dublin] –
- Aislinn Meehan, Anne O'Leary, Barbara Galavan, Brigid Mooney, Candida Bottaci, Cecilia Coffey, Cillian Guidera, David Herbert (2), Eileen Long, Gerry Watters, Liz Devlin, Sandra Long
- Management [Principle Management New York, Director] –
- Keryn Kaplan
- Management [Principle Management New York] –
- Bess Dulany, Sheila Roche
- Mastered By – Arnie Acosta
- Mixed By –
- Flood (tracks: A1, A2, A4 to B1, B3, B5),
- Robbie Adams (tracks: A3, B2, B4, B5)
- Music By – U2
- Producer – Brian Eno, The Edge, Flood
- Production Manager [Album], Management [Principle Management Dublin, Director] – Anne-Louise Kelly
- Production Manager [Studio] – Suzanne Doyle
- Technician [Post Production Co-ordinator] – Cheryl Engels
- Vocals, Guitar – Bono
- Words By –
- Bono (tracks: A1, A2, A4 to B5),
- The Edge (tracks: A3, B4)
Notes
Recorded in The Factory, Windmill Lane Studios and Westland Studios, Dublin.Additional Recording Facilities: Audio Engineering, Dublin.
Recorded in Dublin, March - May 1993.
Post Production [at] Partial Productions Inc.
Mastering [at] A&M Mastering Studios, L.A.
Digital Editing [at] A&M Mastering Studios, L.A.
Original images taken from Zooropa '93 video footage.
All titles published by Blue Mountain Music (UK), Mother Music (IRL), Taiyo Music Inc. (Japan) and PolyGram International Music Publishing B.V. (ROW).
"Stay (Faraway, So Close!)" title courtesy of Road Music Wim Wenders Musikverlag/EMI Electrola GmbH
"Daddy's Gonna Pay For Your Crashed Car": Fanfare taken from the album "Lenin's Favourite Songs" (Mediola). Sample taken from the song "The City Sleeps" by MC 900 ft. Jesus appears courtesy of Nettwerk Productions.
? 1993 PolyGram International Music BV
Comes with a printed inner sleeve and an insert/lyrics sheet.
Catalog numbers:
U29 appears on the cover, on the inner sleeve, on the insert and on both labels,
518047-1 appears on the cover and on the insert,
518047-2 appears on the inner sleeve,
518 047-1 appears on both labels.
- Barcode (Scanned): 731451804717
- Barcode (Printed): 7 31451 80471 7
- Matrix / Runout (Side A): NINA S-A-3 U29 A-1 AA
- Matrix / Runout (Side B): NINA S-B-4 U29 B-2
- Rights Society: BIEM
- Rights Society: STEMRA
- Label Code: LC: 0407
- Other (Distribution Code): PY281
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT +
Vinyl:- EXCELLENT +
Labels:- EXCELLENT +
Inserts:-
Comes with a printed inner sleeve and an insert/lyrics sheet.
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
price rating
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