UNFOLDING HOW TO BLOW MIND INSANELY RARE ORIG'67 A/F STEREO PSYCH LP w/INSERT NM

$

100

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·       UNFOLDING – HOW TO BLOW YOUR MIND AND HAVE A FREAKOUT PARTY – INSANELY RARE ORIGINAL 1967 AUDIO-FIDELITY RECORDS STEREO LP AFSD-6184

·       ORIGINAL U.S. PRESSING

·       ORIGINAL SILVER AUDIO-FIDELITY STEREO LABEL WITH BLACK PRINT

·       INCLUDES  RARELY SEEN 'HOW TO BLOW YOUR MIND'  INSERT

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS A NOVEMBER 1967 (11/67) DATE STAMP HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX)

·       THE RECORD HAS 'AUDIOMATRIX'  STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Not bad at all. Not exactly brilliant either, but this recorded free-form "freak-out" from 1967 (originally released on New York City's Audio Fidelity label) is not only not terrible, but surprisingly pretty OK for stretches, especially considering the typical quality of these types of had-to-be-there period curios that purport to blow your mind with an aural approximation of an acid trip. This one actually manages to be something approaching far out, man, even at its most half-baked. Whether How to Blow Your Mind and Have a Freakout Party was, in fact, created as a "head" LP by practicing heads (a certain David Dalton is listed as the Unfolding's presiding mastermind -- no word in the liner notes if this is the same Dalton who was a pioneering rock scribe and founding editor of Rolling Stone), or as an exploitation of same by a faceless assemblage of session musicians is really anyone's guess. But either way, the album is decidedly not an unlistenable mess. That in itself qualifies as a kind of limited recommendation. Oh, this psychedelic party is more than a bit hit-and-miss, to be sure. For instance, opener "I've Got a Zebra -- She Can Fly" (dig that title) is five minutes of druggy guitar jamming with requisite (and not entirely uninteresting) panning effects and pitch fluctuations before the music simply cuts out mid-sentence as if a shiny bauble (or perhaps a pan of hash brownies) had just been waved in front of the Unfolding's glazed eyes. And the whole of the second "Meditations" side of the album is a melange of pseudo-philosophical babble, patchwork Eastern religious profundities (a good excuse for lots of sitars, flutes, and finger-chimes), New Age chanting, Pied Piper-type fairy tales, and bad poetry, all played straight, so to speak, and narrated in a steady baritone that is equal parts God and Vincent Price. Nary a melody within earshot, though. If that sounds like either a snore or a chore, maybe it will be for some listeners. But there is also a heart-on-sleeve earnestness to the undertaking, and the first-side sequence of "Play Your Game," "Girl from Nowhere," and "Love's Supreme Deal" cuts a suite of, yes, catchy pop-psych tunes through the chatter. It's hard to imagine that the original LP had (and, five decades removed from its original context, even harder to imagine the Gear Fab CD reissue will have) wide appeal, as these sorts of altered state-specific experiments require certain enhancements that cast particular spells for full appreciation, and approaching the music without them is like trying to watch a 3-D movie without the plastic glasses. But then it's always something of a trip to open a time capsule no matter what ends up being inside.

 (EXCERPT FROM AN ONLINE REVIEW BY STANTON SWIHART, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album comes with the original "How to blow your mind" 1-page insert

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1  (front side) and 2 (back side).

-         Cover shows some light yellowing on back side, apparently from aging.  (nothing significant)

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Cover has two corners slightly dinged (nothing significant)

-         Minor shelf wear noted on the top and bottom seams (nothing significant)

NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE  COVER

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