VERVE LP 2317 046: FRANK ZAPPA - Lumpy Gravy - 1968 UK OOP 1st Issue NM
$
50
$ 50
Sold For
Nov 14, 2015
Sold Date
Sep 22, 2015
Start Date
$ 60
Start price
1
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USA
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eBay
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Description
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Background -
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, songwriter, composer, and record and film producer. In a career spanning more than 30 years, Zappa composed rock, jazz, orchestral and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band the Mothers of Invention and as a solo artist. While in his teens, he acquired a taste for 20th-century classical composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern, along with 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands; he later switched to electric guitar.Zappa was a self-taught composer and performer, and his diverse musical influences led him to create music that was often difficult to categorize. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was rock, jazz or classical. His lyrics—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.
He was a highly productive and prolific artist and gained widespread critical acclaim. He had some commercial success, particularly in Europe, and worked as an independent artist for most of his career. He also remains a major influence on musicians and composers. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997. In 2004, Rolling Stone magazine ranked him at No. 71 on its list of the "100 Greatest Artists of All Time", and in 2011 at No. 22 on its list of the "100 Greatest Guitarists of All Time".
Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention.
It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was re-edited and reissued by MGM's Verve Records on May 13, 1968. It consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing.
Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Later it was re-edited by Zappa as part of a project called No Commercial Potential, which included three other albums: We're Only in It for the Money, Cruising with Ruben & the Jets and Uncle Meat. This is Official Release #3.
Following the release of Freak Out!, the debut album of the rock band the Mothers of Invention, Capitol Records A&R representative Nick Venet commissioned an album of orchestral music composed by the Mothers of Invention's leader, Frank Zappa, a self-taught composer. Venet invested $40,000 in the album. Because Zappa's contract with Verve and MGM Records did not allow for him to perform on albums recorded for any other label, he could not play any instrument on the proposed album, and instead served as the conductor of an orchestra consisting of session musicians hired for the recording. Zappa states that "my contract [with MGM] did not preclude me from doing that. I wasn't signed as a conductor."
Lumpy Gravy was conceived as a short oratorio, written in eleven days. John Cage served as a major influence on the album. Zappa named the group assembled for the sessions the "Abnuceals Emuukha Electric Symphony Orchestra".
Percussionist Emil Richards recalled that he did not know who Zappa was and did not take him seriously as the recording sessions began, believing that Zappa was merely the guitarist for a rock band. However, upon meeting Zappa, he handed the musicians the scores for the pieces, which were dense, complex and varied in time signatures. Richards' close friend, guitarist Tommy Tedesco, was another member of the recording sessions. Tedesco mocked Zappa, believing that Zappa did not know what he was doing. The bassoonist and bass clarinetist hired for the sessions refused to perform their parts, declaring them impossible to play. Zappa responded, "If I play your part, will you at least try it?" Zappa then played the notes for the musicians, who agreed to perform their assigned parts. By the end of the recording sessions, Richards and Tedesco became convinced of Zappa's talent, and became friends with the composer.
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LP made by VERVE Records, in the UK / ENGLAND / GREAT BRITAIN
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LP released in 1968
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LP is recorded in STEREO
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Record Catalog Number: 2317 046
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Record Labels are primarily BLACK with SILVER lettering, with the VERVE logo
Frank Zappa
LP Title -
Lumpy Gravy
Track Listing -1968 version, part one
1. "The Way I See It, Barry" - 0:06
2. "Duodenum" - 1:32
3. "Oh No" - 2:03
4. "Bit of Nostalgia" - 1:35
5. "It's from Kansas" - 0:30
6. "Bored Out 90 Over" - 0:31
7. "Almost Chinese" - 0:25
8. "Switching Girls" - 0:29
9. "Oh No Again" - 1:13
10. "At the Gas Station" - 2:41
11. "Another Pickup" - 0:54
12. "I Don't Know If I Can Go Through This Again" - 3:49
1968 version, part two
1. "Very Distraughtening" - 1:33
2. "White Ugliness" - 2:22
3. "Amen" - 1:33
4. "Just One More Time" - 0:58
5. "A Vicious Circle" - 1:12
6. "King Kong" - 0:43
7. "Drums Are Too Noisy" - 0:58
8. "Kangaroos" - 0:57
9. "Envelops the Bath Tub" - 3:42
10. "Take Your Clothes Off" - 1:53
Performers -
Arnold Belnick – strings
Harold Bemko – strings
Chuck Berghofer – bass
Jimmy Carl Black – chorus
Jimmy Bond – bass
Monica Boscia – chorus
Dennis Budimir – guitar
Frank Capp – drums
Donald Christlieb – woodwind
Gene Cipriano – woodwind
Vincent DeRosa – french horn
Joseph DiFiore – strings
Jesse Ehrlich – strings
Alan Estes – percussion, drums
Gene Estes – percussion
Louis "Louie the Turkey" Cuneo – chorus
Roy Estrada – bass, chorus
Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus
Victor Feldman – percussion, drums
Bunk Gardner – woodwind
James Getzoff – strings
Philip Goldberg – strings
John Guerin – drums
Bruce Hampton – chorus
Jimmy "Senyah" Haynes – guitar
Harry Hyams – strings
Jules Jacob – woodwind
Pete Jolly – piano, celeste, harpsichord
Harold Kelling - vocals
Ray Kelly – strings
Jerome Kessler – strings
Alexander Koltun – strings
Bernard Kundell – strings
William Kurasch – strings
Michael Lang – piano, celeste, harpsichord
Arthur Maebe – French horn
Leonard Malarsky – strings
Shelly Manne – drums
Lincoln Mayorga – piano, celeste, harpsichord
Ted Nash – woodwind
Richard Parissi – French horn
Glenn Phillips - vocals
Jerome Reisler – strings
Emil Richards – percussion
Tony Rizzi – guitar
John Rotella – percussion, woodwind
Joseph Saxon – strings
Ralph Schaeffer – strings
Leonard Selic – strings
Kenny Shroyer – trombone
Paul Smith – piano, celeste, harpsichord
Tommy Tedesco – guitar
Al Viola – guitar
Bob West – bass
Tibor Zelig – strings
Jimmy Zito – trumpet
CONDITION Details:
The GATE-FOLD LP jacket is in near mint minus condition! The jacket is tight and clean, with NO seam splits. The corners are solid, with just a bit of shelf wear the seams and corners. The colors on the jacket are sharp...just lovely (see pictures with this listing as they are of the actual item).
The LP is in near mint minus condition! We found that the vinyl looked superb on this vintage LP. There are no significant marks and the LP retains much of the original gloss and sheen - obviously well taken care of! There are NO serious spindle marks on the record labels either. Just beautiful UK made vinyl!A Short Note About LP GRADING -
- Mint = Only used for sealed items.
- Near Mint = Virtually flawless in every way.
- Near Mint Minus = Item has some minor imperfections, some audible.
- Excellent = Item obviously played and enjoyed with some noise.
- Very Good Plus = Many more imperfections which are noticeable and obtrusive.
For best results, always thoroughly clean your LPs before playing them.
LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).
Don't let this rarity slip by!!!price rating