VICTOR 78 RPM Record 21611 McKinney’s Cotton Pickers “Shim Me She-Wabble” / “Mil
  $   35

 


$ 35 Sold For
Aug 11, 2018 Sold Date
Aug 4, 2018 Start Date
$   3 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

VICTOR 78 RPM Record 21611 McKinney’s Cotton Pickers “Shim Me She-Wabble” / “Milenberg Joys” E+ Visible Condition, absolute beauty.  KILLER Jazz!

McKinney's Cotton Pickers were an African American jazz band, in Detroit, Michigan, United States, in 1926 by William McKinney, who expanded his Synco Septet to ten pieces. Cuba Austin took over for McKinney early on drums. Between 1927 and 1931, they were one of the most popular African-American bands. Many of their records for Victor were bestsellers.

In 1927, Fletcher Henderson's arranger and saxophone player Don Redman was invited to become the Cotton Pickers' musical director, and he assembled a band which rivalled Henderson's and Duke Ellington's.[citation needed] Aiding Redman with arrangements and rehearsals with the band was the talented trumpeter-arranger John Nesbitt. The line-up in 1928 was Cuba Austin (drums and vocals), Prince Robinson (clarinet, tenor saxophone), George Thomas (clarinet, alto saxophone, tenor saxophone, vocals; Redman (arranger, clarinet, alto saxophone, baritone saxophone, vocals, and leader), Dave Wilborn (banjo, vocals), Todd Rhodes (piano, celeste), Ralph Escudero (tuba), Nesbitt, Claude Jones (trombone), Milton Senior, Langston Curl (trumpet).

 

Other band members at one time or another included George Bias (vocals), Benny Carter (clarinet, alto saxophone), Doc Cheatham (trumpet), Bill Coti (vocals), Ed Cuffee (trombone), Lois Deppe (vocals), Jimmy Dudley (clarinet, tenor saxophone), Robert Inge (clarinet, (alto saxophone), Quentin Jackson (trombone), Moxey-Hilton Jefferson (clarinet, alto saxophone), James P. Johnson (piano), Buddy Lee (trumpet), Donald King (vocals), Frank Marvin (vocals), Theodore McCord (clarinet, tenor saxophone), Jim Napier (vocals), Milton Senior (trumpet), Rex Stewart (cornet), Billy Taylor (tuba). Towards the end of 1929, a number of soloists who were not regular members of the band sat in for a series of recordings. These included Sidney de Paris (trumpet), Leonard Davis (trumpet), Coleman Hawkins (clarinet, tenor saxophone), Fats Waller (piano, celeste), Joe "Fox" Smith (trumpet, cornet) and Kaiser Marshall (drums).

 

In 1931 Redman left to form his own band and was replaced by Benny Carter. The Cotton Pickers disbanded in 1934, unable to make money during the Depression. Manager of the band was Jean Goldkette (who arranged for the group to record "Birmingham Bertha" for him in July 1929, released on Victor under his own name).

The scratches on the left of every photo are my broken glass on scanner – not on item. Images of artists etc. are for information only and not included in auction, record & sleeve only. If possible we gladly combine shipping items to lessen postage and will hold for you if you are bidding on additional items.

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Insurance must be added for all items selling for $10 or more.

We will pack securely but are not responsible for shipping company damage if uninsured.

1 record - $4.70 Add $1 for each additional record (+ insurance if required). (USA ONLY) (Int?l use eBay calculator and I will adjust to get cheapest rate) 

More of all the types of records listed: Odd tunes, Political, Blues, Hot Jazz, Hillbilly, Odd labels, Doo-Wop, etc. More of all the types of records listed: Odd tunes, Political, Blues, Hot Jazz, Hillbilly, Odd labels, Doo-Wop, etc.

E++, Visibly nearly new with no visible signs of wear or damage.

E+, Looks and plays like new with only few signs of handling and play.

E Still very shiny, near new looking, with slight visible signs of wear and a few nearly inaudible scuffs and scratches

E- Still shiny but without the luster of a new record, few scuffs that have little or no effect on play, some light scratches.

E- - Mostly shiny but with even less of the luster of an E- record, more scuffs than E-that have little or no effect on play, light scratches with some light noise.

VG+,  Slightly above average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced.

VG, An average condition 78 - moderate wear throughout, but still very playable and enjoyable. Surface somewhat dull with noise and scratches audible but not intrusive.

VG-, Quite playable still, but with some distortion and may have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level.

VG- - Quite playable still, but with distortion and most have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches noticeable and may be loud at times.

G+  Quite worn and scratched, but music level is still higher than surface noise. Grey may be throughout but still serviceable. Music begins to sound muffled.

G Not so good. Wear and scratch damage extensive. Listening can become uncomfortable as music and surface noise probably blending. Lowest level music can be understood.

G-, Music barely audible over surface noise & listening is uncomfortable. Record is borderline unplayable.

 P Used only for high dollar space fillers like Black Patti, Okeh blues, etc. Music covered by surface noise, scratches, and needle digs, label may be trashed, & listening is almost if not definitely impossible. Record is basically unplayable. What you keep because you can?t bear to toss ? while you look for that E+ copy of Robert Johnson on Vocalion at the local flea markets for $1 (Good Luck!) 

See Description, A wildcard grade that can be used when standard grading does not apply or when a record (or item) has special attributes (or defects) that can affect how the item is assigned a grade.


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