WARNE MARSH "Ne Plus Ultra" LP NM/NM 1970 Revelation 12
$
25
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Description
Condition: To my non US customers. Do not ask me to falsify or alter customs forms values of your items. I will not do so.
AMG Review by Scott Yanow
This was tenor saxophonist Warne Marsh's first recording as a leader since 1960. Teamed up with complementary altoist Gary Foster (who was most influenced by Marsh's former musical partner Lee Konitz), bassist Dave Parlato and drummer John Tirabasso, Marsh runs through some of his favorite chord changes, including "Lennie's Pennies," "Subconscious-Lee" and "You Stepped Out of a Dream." In addition, there is a fairly free group improvisation (the 15-minute "Touch and Go") and a brief rendition of Bach's "Two-Part Inventions #13."
Warne Marsh ?– Ne Plus Ultra
Label: Revelation Records (3) ?– Revelation 12 Format: Vinyl, LP, AlbumCountry: US Released: 1970 Genre: Jazz Style: Free Jazz, Free Improvisation
Tracklist
A1 You Stepped Out Of A Dream 9:03 A2 Lennie's Pennies 4:21 A3 317 East 32nd Street 8:15 B1 Subconscious-Lee 7:15 B2 Touch And GoNotes
Recorded on 25 October 1969except Track 1: 14 September () 1969
all at Herrick Chapel Lounge, Occidental College, Los Angeles
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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