WOODY HERMAN THE FOURTH HERD MFSL LP SPESIAL LIMITED EDITION No1936 ANADISC
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Description
FOR UNITED STATES BUYERS (STANDARD POSTAGE REGISTERED WITH TRACKING NUMBER 26$)
FOR THE EUROPEAN UNION THE P&P (STANDARD POSTAGE REGISTERED WITH TRACKING NUMBER 23$
FOR OVERSEAS BUYERS (AUSTRALIA AND ASIA) STANDARD POSTAGE REGISTERED WITH TRACKING NUMBER 29$
WOODY HERMAN THE FOURTH HERD MFSL LP SPETIAL LIMITED EDITION No1936 ANADISC
Half Speed Mastering, pressed on the Anadisq 200 gram LP format
Limited Edition and Numbered
RECORDING FROM THE FIRST ORIGINAL ANALOGE MASTER TAPES OF 1978 IN USA !!
ANADISC-200GRAM-HALFSPEED-PRESSING
VERY RARE!!!
LONG OUT OF PRINT!!!
HEAVY QUALITY SLEEVES
IT'S A SPECIAL AUDIOPHILE!!!
PURE ANALOGUE RECORDING!!!
Special Static Free - Dust Free inner Sleeve
Heavy Duty Protective Packaging
TRACK LISTING:
1. Panatela
2. Lament For Linda
3. Misery Stay Away From My Door
4. In a Misty Mood
5. Catty Corner
6. Thirteenth Instant, The
7. Magpie, The
8. Blue For Indian Jim
9. Devil and the Stoker, The
10. Swing Machine
11. Summer Nights
12. Johnny on the Spot
Album Notes
1 LPs.THE FOURTH HERD was originally released in 1959; THE NEW WORLD OF WOODY HERMAN was originally released in 1963.THE FOURTH HERD:Personnel includes: Woody Herman (clarinet); Ernie Royal, Red Rodney (trumpet); Bob Brookmeyer, Jimmy Cleveland, Frank Rehak (trombones); Al Cohn, Zoot Sims (reeds); Nat Pierce, Milt Hinton, Don Lamond.THE NEW WORLD OF WOODY HERMAN:Personnel includes: Woody Herman (clarinet); Paul Gonsalves (tenor saxophone); Freddie Green (guitar).This lp is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis. The earlier session has solo spots for tenors Zoot Sims, Al Cohn and Don Lanphere, trumpeters Nat Adderley and Red Rodney, vibraphonist Eddie Costa and Herman on clarinet, a bit of alto and two vocals; Cohn and pianist Nat Pierce wrote most of the colorful and diverse arrangements. By the later session (which has charts by Pierce, Gene Roland, Phil Wilson and Bill Chase), Woody Herman once again was leading an exciting big band of his own. Trombonist Phil Wilson, Duke Ellington's tenor Paul Gonsalves (filling in for the temporarily absent Sal Nistico) and Herman are the solo stars and (as with the first date) the music swings hard and contains its share of surprises. ~ Scott Yanow
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