WX 125 GUNS N' ROSES 'APPETITE FOR DESTRUCTION' GEFFEN RECORDS 1987 UK/EU ISSUE
£
37
$
48
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Description
Guns N' Roses
Appetite For Destruction
Country:UK & Europe Released:1987 Genre:Rock Style:Hard Rock, Rock & Roll
The band's first album, Guns N' Roses - Appetite For Destruction was released in 1987. When Guns N' Roses - Appetite For Destruction was released on vinyl, rather than being broken into "Side 1" and "Side 2" like most full-length vinyl albums were, it was broken into "Side G" and "Side R". G dealt with themes like drugs and life in the big city, while R dealt with sex and relationships
Tracklist G1 Welcome To The Jungle Written-By – Guns N' Roses 4:31 G2 It's So Easy Written-By – Guns N' Roses, West Arkeen 3:21 G3 Nightrain Written-By – Guns N' Roses 4:26 G4 Out Ta Get Me Written-By – Guns N' Roses 4:20 G5 Mr. Brownstone Written-By – Guns N' Roses 3:46 G6 Paradise City Written-By – Guns N' Roses 6:46 R1 My Michelle Written-By – Guns N' Roses 3:39 R2 Think About You Written-By – Guns N' Roses 3:50 R3 Sweet Child O' Mine Written-By – Guns N' Roses 5:55 R4 You're Crazy Written-By – Guns N' Roses 3:25 R5 Anything Goes Written-By – Chris Weber, Guns N' Roses 3:25 R6 Rocket Queen Written-By – Guns N' Roses 6:13
Companies, etc.
- Manufactured By – Record Service GmbH
- Manufactured By – Warner Bros. Records Inc.
- Phonographic Copyright (p) – The David Geffen Company
- Copyright (c) – The David Geffen Company
- Made By – WEA Musik GmbH
- Recorded At – Rumbo Recorders
- Recorded At – Take One Studio
- Recorded At – Can-Am Recorders
- Mixed At – Mediasound
- Mastered At – Sterling Sound
- Published By – Guns N' Roses Music
- Pressed By – Record Service Alsdorf
- Record Company – Warner Communications
Credits
- A&R [A&R Coordination] – Teresa Ensenat, Tom Zutaut
- Arranged By – Guns N' Roses
- Art Direction, Design – Michael Hodgson
- Artwork [Tattoo Redrawn] – Andy Engell*
- Bass, Backing Vocals – Duff "Rose" McKagan*
- Design [Cross Tattoo Design] – Bill White Jr.
- Drums – Steven Adler
- Engineer [2nd Engineer] – Andy Udoff, Dave Reitzas*, Jeff Poe, Julian Stoll, Micajah Ryan, Victor "The Fuckin' Engineer" Deyglio*
- Lead Guitar, Rhythm Guitar, Acoustic Guitar – Slash
- Lead Vocals, Backing Vocals, Synthesizer [Synth], Percussion – W. Axl Rose*
- Management [Business Affairs] – Boulevard Management
- Management [Career Affairs] – Alan Niven, Stravinski Brothers
- Mastered By – George Marino
- Mixed By – Steve Thompson & Michael Barbiero
- Painting [Front Cover Painting] – Robert Williams
- Photography By [Back Cover, Inner Sleeve Photos] – Robert John
- Photography By [Inner Sleeve Photos] – Jack Lue, Leonard McCardie, Marc Canter
- Producer, Engineer – Mike Clink
- Rhythm Guitar, Lead Guitar, Percussion, Backing Vocals – Izzy Stradlin
Notes
© ? 1987 The David Geffen CompanyIncludes printed inner-sleeve.
Recorded at Rumbo Studios, Canoga Park, CA.
Take One Studio, Burbank, CA. Can Am Studio, Tarzana, CA.
Mixed at: Media Sound, NYC.
Album originally mastered at Sterling Sound, NYC.
The original artwork for this release (showing Robert Williams' painting of a girl being raped by robots) caused protest
and Geffen replaced it with a tattoo-styled, skulls-and-crossbones motif.
This release has the UK cat# on the back cover and spine
- Matrix / Runout (Side A): R/S Alsdorf 924148-1-A
- Matrix / Runout (Side B): R/S Alsdorf 924148-1-B x
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- LOOKS EX
Vinyl:- LOOKS VG+ / EX
Displays no major deterioration in sound quality despite showing
light surface marks, paper scuffs, hairlines and superficial marks
Labels:- LOOK EX+
Comes with original picture inner sleeve
with a small split along the bottom in the middle
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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