Woodstock: Music from the Original Soundtrack and More

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Original, Uncut, unedited Radio Promotional Of Woodstock: Music from the Original Soundtrack and More

This is a live album of selected performances from the 1969 Woodstock counterculture festival.

Side one

"I Had a Dream" – 2:38 (2:53)

Performed by John Sebastian.

"Going Up the Country" – 3:19 (5:53)

Performed by Canned Heat

"Freedom (Motherless Child)"  – 5:13 (5:26)

Performed by Richie Havens.

"Rock and Soul Music" – 2:09 (2:09)

Performed by Country Joe & the Fish.

"Coming into Los Angeles" – 2:05 (2:50)

Performed by Arlo Guthrie.

"At the Hop" – 2:13 (2:33)

Performed by Sha-Na-Na.

Side two

"The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag" – 3:02 (3:48)

Performed by Country Joe McDonald.

"Drug Store Truck Drivin' Man" – 2:08 (2:38)

Performed by Joan Baez & Jeffrey Shurtleff.

"Joe Hill" – 2:40 (5:34)

Performed by Joan Baez.

"Suite: Judy Blue Eyes"  – 8:04 (9:02)

Performed by Crosby, Stills & Nash.

"Sea of Madness" – 3:22 (4:20)

Performed by Crosby, Stills, Nash & Young. Recorded in June 1970 at the Fillmore East auditorium, New York City, New York.

Side three

"Wooden Ships"  – 5:26 (5:26)

Performed by Crosby, Stills, Nash & Young.

"We're Not Gonna Take It" – 4:39 (6:54)

Performed by The Who. (The song is listed on the sleeve as "We're Not Going to Take It" but the song played on the album is actually only the "See Me, Feel Me" portion.) The final 1:50 of the track is an emergency announcement and the statement to declare "it's a Free Concert from now".

"With a Little Help from My Friends" – 7:50 (10:06)

Performed by Joe Cocker. In the CD version, the first disc would close with this track, with a 1:30 long recording of the rainstorm.

Side four

"Soul Sacrifice" – 8:05 (13:52)

Performed by Santana. The first 3 minutes of the track is the "Crowd Rain Chant," a chant started by the crowd as an attempt to stop the rainstorm.

"I'm Going Home" – 9:20 (9:57)

Performed by Ten Years After.

Side five

"Volunteers" – 2:45 (3:31)

Performed by Jefferson Airplane. The final 34 seconds or so of the track is a speech by Max Yasgur, praising the crowd for coming to the festival.

"Medley" (Performed by Sly & the Family Stone) – 13:47 (15:29)

Dance to the Music – 2:11

Music Lover – 4:50

I Want to Take You Higher – 6:46

"Rainbows All Over Your Blues" – 2:05 (3:54)

Performed by John Sebastian.

Side six

"Love March" – 8:43 (8:59)

Performed by Butterfield Blues Band.

"Medley" (Performed by Jimi Hendrix.) – 12:51 (13:42)

Star Spangled Banner – 5:40

Purple Haze – 3:28

Instrumental Solo – 3:43

Guidelines for assessing the grading / condition of used records:

MINT M: Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M-: this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++: minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+: record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

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