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NPR RECORDS  7308.  IMPORT: WEST GERMANY.   RECORD AND COVER ARE A BEAUTIFUL MINT-.  Thank You to this website for the following info:

 

Biography

< td> Herbert "The Cruncher" Hooke 1949 < td> Herbert with its three older brothers 1951 Born in Wilhelmshaven, Germany, December 10th, 1948, Herbert Hooke spent a lively and happy childhood and youth, with his 4 older brothers and sisters and the many children from the neighbourhood, although money was tight by today's standards.

When his oldest brother bought himself an acoustic guitar, Herbert was only 12, and he had the guitar in his head, and soon in his hands!

At this time rock'n roll had already passed its peak in popularity but his older brothers and sisters had all the records they could get. Elvis, Fats Domino, Johnny and the Hurricanes, Chuck Berry, Eddie Cochran, Buddy Holly, to name but a few. They were his great idols and he learned to play their songs with the help of a book - "Lexicon for the Plectrum Guitar".

Three years later he met Klaus Brunner who was just as music-crazy as himself, and who already had a "Hofner" e - guitar. A short time later Harald Zeidtler (drums), Uwe Heimann (bass), and Wolfgang Goritzka (piano/organ) joined them and they formed their first band "The Sky Rockets".

< td> Herbert's Rock'n Roll-Show 1965 < td> The SkyRockets 1964 v.l.n.r.:
Uwe Heimann, Herbert Hooke, Klaus Brunner. < td> The SkyRockets 1965 v.l.n.r.: Harald Zeidtler, Wolgang Goritzka, Uwe Heimann, Herbert Hooke, Klaus Brunner, Gast Simon Schmidt At this time they were touring all over northern Germany with their rock'n roll repertoire. Herbert sang lead vocals on all of their songs and so, to rest his voice, they began to play some instrumentals too. To take care of this, they learnt tunes by Johnny and the Hurricanes, The Shadows, Duane Eddy and others.

In Germany, at this time, instrumental surf music was completely unheard of, with perhaps the exceptions of "Wipeout", "Pipeline", "Church Key", and "Walk Don't Run".

In the mid 60's the influence of the Liverpool Scene (or Merseybeat as it is often called), became stronger and stronger, and rock'n roll fell out of fashion. The band changed their repertoire and also their name to "Herbie and the Trembling Trees". But the beat music wasn't so much fun as rock'n roll had been and the band split in 1966.

In 1968 Herbert started studying at the University of Mainz and contact with the other band members gradually diminished.

After the completion of his studies in 1972, he met Klaus Brunner again. Klaus told him that he was planning to form a record company together with his friend Wolfgang Peters. They planned to release in Germany, long-playing records (LPs), featuring little known, or completely unheard of, rock'n roll recordings and artists. It was at this meeting that Klaus took the opportunity to play for Herbert, the record "Baja" (pronounced bah-hah) by a band called The Astronauts.

Then it happened!

This sound hit him like a bolt of lightening and so he began, a worldwide quest for more surf music.

Soon after its foundation, their record company NPR RECORDS, published the following LPs:

1. Archive Series Volume 1 (1973)
2. Archive Series Volume 2 (1973)
3. Archive Series Volume 3 (1974)
4. Archive Series Volume 4 (1974)
5. That´s Rock´n Roll Vol. 1 (1974)
6. Jim Pewter / The Early Years / 1959 - 1973 (1976)

(For more Information about these Albums see "Discography")

In 1976 Herbert's professional commitments took him to the Middle East and North Africa, and the music had to take a back seat once again. Here he remained for eight years, stuck mostly in the Libyan Desert. And for eight years the sound of the Astronauts played in his head, and he could do nothing about it.

Upon his return, he set up a recording studio and immediately started playing surf instrumentals; but he found that his recordings lacked that "good old surfing sound" that so characterised the records he knew and loved. After testing all the current guitar effects units and recording equipment, a sound engineer tipped him off about the old tube-driven, spring reverb unit by Fender Instruments. With this in mind he contacted John Blair (Jon and the Nightriders) and Paul Johnson (The Belairs), but they were unable to help.

Some months later he found an article and photo, describing a reverb unit (of the exact same make and model) housed in a music museum in Aachen. As luck would have it, one of Herbert's musician friends knew the owner of the museum and was able to secure the following deal:

The museum was looking for a Fender Jaguar Guitar. Now the same musician friend just happened to own a Fender Jaguar and Herbert owned a guitar combo amplifier, which the musician was looking for. Well - the musician got the amp, the museum got the guitar, and Herbert got the reverb unit; so everyone was happy!

The reverb unit was soon re-equipped with a different power transformer (220V/50Hz) to enable it to run on the German mains electricity supply.

The only thing missing now was a suitable name for this new recording act. Herbert checked through his surf music collection and found the Trashmen song called "King of the Surf" which contained the lyric "I'm riding that cruncher..". And so he chose the name "The Cruncher".
< td> The Cruncher 1988 v.l.n.r.:
Herbert Hooke, Harald Zeitler, Klaus Brunner
In 1987 the LP "Go Surfin' With The Cruncher" was released, in 1989 the LP "Jupiter 'C'" and in 1992 the CD "Surf Guitar"

 

 

 

 

 

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