ART FARMER SEPTET, LP, 1956, Mono, RVG, DG, Prestige 7031, NM/VG+, W. 50th St.
$
117
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Description
Condition:
Art Farmer Septet, The ?– The Art Farmer Septet
Label: Prestige ?– PRLP 7031 Format: Vinyl, LP, Album, Mono, Deep GrooveCountry: US Released: 1956 Genre: Jazz Style: Bop, Cool Jazz
TracklistHide Credits
A1 Mau Mau Written-By – Art Farmer, Quincy Jones 5:15 A2 Work Of Art Written-By – Art Farmer, Quincy Jones 5:46 A3 The Little Bandmaster Written-By – Art Farmer, Quincy Jones 4:06 B1 Up In Quincy's Room Written-By – Gigi Gryce 4:00 B2 Wildwood Written-By – Gigi Gryce 2:55 B3 Evening In Paris Written-By – Quincy Jones 2:41 B4 Elephant Walk Written-By – Quincy Jones 3:25 B5 Tiajuana Written-By – Gigi Gryce 4:52Credits
- Arranged By – Gigi Gryce, Quincy Jones
- Artwork – Don Martin (7)
- Bass – Monk Montgomery, Percy Heath
- Composed By – Gigi Gryce, Quincy Jones
- Drums – Arthur Taylor*, Sonny Johnson
- Piano – Horace Silver, Quincy Jones
- Recorded By – Doug Hawkins (tracks: A1 to B1), Rudy Van Gelder (tracks: B2 to B5)
- Saxophone – Charlie Rouse, Cliff Solomon*, Oscar Estell
- Supervised By – Bob Weinstock (tracks: B2 to B5), Ira Gitler (tracks: A1 to B1)
- Trombone – Jimmy Cleveland
- Trumpet – Art Farmer
Notes
Plays The Arrangements Of Gigi Gryce And Quincy Jones.Recorded July 2, 1953 and June 7, 1954
Black/yellow fireworks label, Deep groove, with "446 W. 50th ST., N.Y.C." label
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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