CHUCK BERRY ST.LOUIS/LIVERPOOL ORIG CHESS LP BLACK LBL

$

100

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·       CHUCK BERRY - FROM ST.LOUIS TO LIVERPOOL - ORIGINAL 1964 CHESS RECORDS MONO LP 1488

·       ORIGINAL U.S. PRESSING

·       MONSTROUSLY RARE ORIGINAL BLACK CHESS LABEL WITH SILVER PRINT – THE LAST CHUCK BERRY ALBUM EVER TO BE RELEASED ON THIS CLASSIC CHESS LABEL, AND PROBABLY THE LAST CHESS ALBUM EVER RELEASED ON THIS LABEL.

·       THIS RECORD PUSHES BY AT LEAST FIVE CATALOG NUMBERS THE LIFESPAN (HISTORY) OF THE BLACK CHESS LABEL: SO FAR, EXPERTS HAVE GENERALLY AGREED THAT THE BLACK CHESS LABEL WAS USED ONLY UP TO CHESS ALBUM # 1483 (RELEASED IN LATE 1963); THIS ALBUM WAS RELEASED IN EARLY 1964 AND FLATLY WIPES OUT THIS COMMON WISDOM  

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Chuck Berry's first post-prison album, and his first real album of 1960s material, not only picks up where his 1950s career left off, but is better than some of the LPs that he was generating when his career was interrupted. In addition to four then-recently charting singles -- led by "Little Marie," (his sequel to "Memphis"), these included "Promised Land," "No Particular Place to Go," and "You Never Can Tell," all configured musically as classic Berry rockers with direct yet highly sophisticated lyrics. It was all like the old days, with a top studio band (including Johnnie Johnson on piano for some tracks) in place, and even bassist Willie Dixon (making a last stand on upright bass) present. The new songs were interspersed with some perfectly chosen vintage songs, among them "Our Rendezvous," "Night Beat," (the latter a slow, bluesy instrumental that had first seen the light of day in 1958), and the classic "Merry Christmas Baby." It was all an auspicious comeback, selling well enough to keep audiences taking Berry seriously and, coupled with then-recent hits (including the extraordinary "Nadine"), helped keep Berry a hot enough property going into the mid-'60s that Mercury Records ended up successfully bidding for his services.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

We could not "feel" these abrasions with our fingertip, and we suspect that they are NOT audible.

(b)          The record comes in a poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 3:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-        A small water stain affects the area about 4 square inch wide in one corner (practically invisible; the cover has to be viewed under certain angle to see it)

-        Cover has a slight warp along the opening slot; this has absolutely no effect on the record.

-        The cover has a short, 2-inch long  razor-like line (cut) on the cover, as if someone attempted to cut away the shrink wrap with a razor, but inadvertently left the mark on the cover as well. The paper slick is intact and no part is missing, but the razor line is visible.

-        Cover has a small quality control (inspection) stamp on the back panel

-        Cover shows some light yellowing on back side, apparently from aging.

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has a few tiny wrinkles along the spine

-        Cover has two corners slightly worn / frayed / bent (nothing significant)

-        Cover has some fraying/wear along the top and bottom seams

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams (yet)

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer two postage rates for both Domestic and International Mail: Media Mail and Priority Mail for domestic, and First Class and Priority International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: you should select priority mail when making a payment, in order to prevent any lost, stolen, damaged or undelivered orders and to obtain tracking info, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof,  please note we are NOT responsible for uninsured items.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy .

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