CONVERSATION WITH THE BLUES DECCA LK 4664 MONO UK 1965 1ST ED - FIELD RECORDINGS

	£		22
	$		29

CONVERSATION WITH THE BLUES - VARIOUS ARTISTS / PAUL OLIVER DECCA LK 4664 MONO UK 1965 1ST EDITION A DOCUMENTARY OF FILED RECORDINGS
Condition (See Grading Detail Below); Vinyl; VG+ Cover; VG+  A1 Boogie Woogie Red– So Much Good Feeling Piano, Voice [Spoken] – Boogie Woogie Red Written-By – Harrison* A2 Willie Thomas*– A Little Different A3 James Butch Cage*, Willie Thomas*– Kill That Nigger Dead Written-By, Vocals, Fiddle – Cage* Written-By, Vocals, Guitar – Thomas* A4 Lil' Son Jackson– The Onliest Way Voice [Spoken] – Lil' Son Jackson A5a J.B. Lenoir– My Father's Style Lead Guitar – J.B. Lenoir Written-By – Lenoir* A5b J.B. Lenoir– So It Rocked On Voice [Spoken] – J.B. Lenoir A5c J.B. Lenoir– Move To Kansas City Vocals, Guitar – J.B. Lenoir Written-By – Jim Jackson (2) A6a Otis Spann– When She Come Back Voice [Spoken] – Otis Spann A6b Otis Spann– Poor Country Boy Vocals, Piano – Otis Spann Written-By – Spann*, Ford* A7 Lightnin' Hopkins– Ain't No Easy Thing Voice [Spoken] – Lightnin' Hopkins A8 Mance Lipscomb– Evil Heart Blues Vocals, Piano – Mance Lipscomb Written-By – Lipscomb* A9 Blind Arvella Grey*– A Roughneck Voice [Spoken] – Blind Arvella Grey* A10 Roosevelt Sykes– West Helena Blues Vocals, Guitar – Roosevelt Sykes Written-By – Bell*, Sykes* A11a Will Shade– Days Of Nineteen-Hundred Voice [Spoken] – Will Shade A11b Will Shade– Newport News Blues Vocals, Guitar – Will Shade Written-By – Shade* A12a Whistling Alex Moore*– Chock House Days Voice [Spoken] – Whistling Alex Moore* A12b Whistling Alex Moore*– Come And Get Me Vocals, Piano – Whistling Alex Moore* Written-By – Moore* A13 Brother John Sellers– Move Back For What? Voice [Spoken] – Brother John Sellers A14 J.B. Lenoir– I Been Down So Long Vocals, Guitar – J.B. Lenoir Written-By – Lenoir* B1 Jasper Love (2)– Santa Fé Blues Vocals, Piano – Jasper Love (2) Written-By – Jasper Love (2) B2 John Lee Hooker– Somewhere Down The Line Voice [Spoken] – John Lee Hooker B3 Robert Curtis Smith*– I Hope One Day My Luck Will Change Vocals, Guitar – Robert Curtis Smith* Written-By – R.C. Smith* B4a Otis Spann– Only Places They Can Go Voice [Spoken] – Otis Spann B4b Otis Spann– People Calls Me Lucky Vocals, Piano – Otis Spann Written-By – Spann* B5 Henry Townsend– What Have I Committed Voice [Spoken] – Henry Townsend B6 James Butch Cage*– 'Tween Midnight And Day Vocals, Guitar – James Butch Cage* Written-By – Cage* B7a Little Brother Montgomery– Walking Basses Voice [Spoken] – Little Brother Montgomery B7b Little Brother Montgomery– Dud Low Joe Piano – Little Brother Montgomery Written-By – Montgomery* B7c Little Brother Montgomery– It's A Barrelhouse Blues Voice [Spoken] – Little Brother Montgomery B7d Little Brother Montgomery– Vicksburg Blues Vocals, Piano – Little Brother Montgomery Written-By – Montgomery* B7e Little Brother Montgomery– They Beat Me To Chicago Voice [Spoken] – Little Brother Montgomery B8a Roosevelt Sykes– They All Called Him ''Pork Chops'' Voice [Spoken] – Roosevelt Sykes B8b Roosevelt Sykes– Forty-Four Blues Vocals, Piano – Roosevelt Sykes Written-By – Green*, Sykes* B9a Robert Junior Lockwood*– Doctor Clayton And Me Voice [Spoken] – Robert Junior Lockwood* B9b Robert Junior Lockwood*, Sunnyland Slim– Take A Little Walk With Me Piano – Sunnyland Slim Vocals, Electric Guitar – Robert Junior Lockwood* Written-By – Lockwood* B10 Edwin Buster Pickens*– To Have The Blues Within Voice [Spoken] – Edwin Buster Pickens* B11 Mance Lipscomb– Blues In The Bottle Vocals, Guitar, Written-By – Mance Lipscomb

Notes;

POSTAGE;

All sent in Professional Record Mailers with stiffeners. Records removed from original outer and inner Sleeves and placed in new Inner sleeve to help avoid splitting. New 400g Poly Outer provided.   

UK; Royal Mail UK Standard 2nd Class.

 £4.20 1st LP plus £1.50 for each additional LP.

GRADING SYSTEM;

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.  

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

Very Good Plus (VG+) 

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.  

Very Good (VG) 

Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.