Circus, debut, Transatlantic TRA 207 g/fold 1969 LP 1st

	£		56
	$		75

Circus, first LP

ORIGINAL COPY. FIRST UK PRESSING. Released 1969. Stereo. Transatlantic Records, catalogue number; TRA 207, Matrix numbers; STRA 207-A/B2.

Fully laminated Stereo original, cover is nearly EX, vinyl Mint.

This LP formed part of a superbly preserved collection. Bought new at the time of release, the former owner (a librarian, really) was fanatical about looking after his vinyl and this record was only occasionally played on a Linn deck. Please see the other LPs from this collection we are currently selling, all of which are Excellent to Mint.

This record is deleted and not available new on vinyl.

Record Collector Rare Record Price Guide value is £60

The last comparable condition copies sold on eBay for £69, £90 and £127.

99p start.

Overall Sleeve Condition : VERY GOOD++

Outer Gatefold cover: Laminated cover. The laminate sleeve is glossy, with bright, unfaded colours. Very light rubs to the laminate can be seen when viewed under a bright light at an angle. Some very light creases from spine and small marks along bottom rear edge from abortive sellotape repair. If not for this mark I would grade this cover as EXCELLENT.

Gatefold inner cover: Laminated inner cover, superb bar light rubs/sellotape marks along bottom edge..

Edges: No rubs, no scuffs, no seam splits.

Corners:  Very light rubs.

Opening Slit: No scuffs, no rubs, no tears.

Vinyl Condition, Visual:  MINT.

Superb, unused looking.

Vinyl Condition, Audible:  MINT.

Plays superbly. Well preserved and cared for, no decrease from the original sound quality. Kept in stunning condition by the previous owner. No skips, no jump, no sign of heavy play, no wear.

Label Condition :  MINT.

Purple/black on white Transatlantic.

 

Tracklist:

Norwegian wood

Pleasures Of a lifetime

St. Thomas

Goodnight John Morgan

Father of my daughter

11 B.S,

Monday monday

Don't make promises

 

 

AMG Review by Mike DeGagne

Circus produced a tightly woven jazz-rock sound, sometimes resembling Jethro Tull or Caravan, while comparisons to early King Crimson can also be assessed. Without the help of keyboards, Circus applied saxophone and flute to their impassioned but melodic brand of progressive music, with Chris Burrows' drum work coming to the forefront in nearly all of their tracks. The original Transatlantic recordings from 1969 were released in 2000 by the Castle label, combining to create Circus' debut album. With Mel Collins on sax, Circus' eight tracks are wonderfully inventive, merging the band's uplifting musical spirit with their innovative laid-back sound. Collins' sax gives their interpretation of "Norwegian Wood" a "juicy" sound, to say the least, with enough musical accessories to make it novel. "Pleasures" has Mel Collins' dad playing alto flute (which has a unique sound all its own) mixed in with some dreamy sax parts into rhythms that are both busy and delicate. Ian Jelfs' vocals aren't that becoming, proven on "Father of My Daughter" as he teams up with Collins for the singing duties, but it's Chris Burrows' Indian tabla that steals that show here. Burrows' best example of his percussive talents comes alive on "St. Thomas," partnering his drums perfectly with the woodwinds, while his conga's give "Don't Make Promises" its jazz-to-rock sway. Bass man Kirk Riddle is absolutely bewildering on Charles Mingus' "11 B.S.," displaying the band's love for improvisation while putting the electric guitar to good experimental use. Circus made a few more albums following this one, but it's here that the well-traveled Collins truly shines, capturing this relatively unknown band in their freshest stage.

 

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Please read the description and terms of sale carefully and contact me with any questions or further information you may need before you place a bid. Check the website http://www.ratrecordsuk.net Email me- ratrecords@btconnect.com or call me on UK landline 01852 500332, (from Europe, dial 0044 1852 500332, from the United States, dial 01144 1852 500332, from Japan, dial 01044 1852 500332) or UK mobile 07795 424575. I’m usually in the office between 10.00-17.00 GMT. Please see our other Progressive Rock/Folk/Jazz/Psych items currently offered. We will be uploading more items every Thursday evening. Thank you for looking. I wish you very good luck bidding. Regards, Tom Fisher.

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UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.