Country Joe & The Fish ? Electric Music for the Mind & Body ? RARE 1967 Orig. LP
$
30
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Welcome to Classic Cadillac Records! My goal is to provide each and every customer with the best possible buying experience, no matter the size of the order. Unlike most sellers, I advertise all my items clearly and in as much detail as possible, without shouting at you in all caps. I take multiple high quality pictures and never use stock photos, so you know exactly what you’re buying. I take great pride in my work and go the extra mile, which can clearly be seen in my listings compared to other sellers that put minimal effort into theirs. I visually grade all my records as accurately as possible and will never grade anything above Near Mint unless it’s still sealed. Please note that a visual grade can differ from a play grade, and am happy to spot check a record upon request. All orders are shipped within 1 business day (usually sooner) and packed with extra care to ensure fast, safe arrival. I combine shipping on multiple orders to save you money and gladly ship worldwide. Please look closely at all pictures, read all relevant details and ask any questions you may have before buying. I offer a full 30-day return policy on everything I sell, so buy with confidence! And most importantly, thanks for looking!
Electric Music for the Mind and Body Studio album by Country Joe and the Fish Released May 11, 1967 Recorded February 1967, Sierra Sound Laboratories
Berkeley, California
by Robert DeSouza Genre Psychedelic rock, acid rock, blues rock Length 43:30 Label Vanguard VSD-79244 Producer Samuel Charters Country Joe and the Fish chronology Electric Music for the Mind and Body
(1967) I-Feel-Like-I'm-Fixin'-to-Die
(1967)
Electric Music for the Mind and Body is Country Joe and the Fish's debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco.
Tracks from the LP, especially "Section 43", "Grace", and "Not So Sweet Martha Lorraine" were played on progressive FM rock stations like KSAN and KMPX in San Francisco, often back-to-back. A version of the song "Love" was performed at the 1969 Woodstock Festival.
Their full-length debut is their most joyous and cohesive statement and one of the most important and enduring documents of the psychedelic era, the band's swirl of distorted guitar and organ at its most inventive. In contrast to Jefferson Airplane, who were at their best working within conventional song structures, and the Grateful Dead, who hadn't quite yet figured out how to transpose their music to the recording studio, Country Joe & the Fish delivered a fully formed, uncompromising, and yet utterly accessible -- in fact, often delightfully witty -- body of psychedelic music the first time out. Ranging in mood from good-timey to downright apocalyptic, it embraced all of the facets of the band's music, which were startling in their diversity: soaring guitar and keyboard excursions ("Flying High," "Section 43," "Bass Strings," "The Masked Marauder"), the group's folk roots ("Sad and Lonely Times"), McDonald's personal ode to Grace Slick ("Grace"), and their in-your-face politics ("Superbird"). Hardly any band since the Beatles had ever come up with such a perfect and perfectly bold introduction to who and what they were, and the results -- given the prodigious talents and wide-ranging orientation of this group -- might've scared off most major record labels. Additionally, this is one of the best-performed records of its period, most of it so bracing and exciting that one gets some of the intensity of a live performance. The CD reissue also has the virtue of being one of the best analog-to-digital transfers ever issued on one of Vanguard Records' classic albums, with startlingly vivid stereo separation and a close, intimate sound.
-AllMusic Review by Bruce Eder
Recording
The album was recorded during the first week of February 1967 at Sierra Sound Laboratories, Berkeley, California, by Robert DeSouza, with production by Samuel Charters. It was released on May 11, 1967, on the Vanguard label. Due to deterioration of the original master tapes, the album was remixed in 1982 and this remix was used for the original CD release in 1990; in 2013 a new two-disc deluxe version appeared which included both the original mono and stereo mixes. The liner notes to the 2013 version state that an outtake from the sessions, "Thought Dream", was later included on the band's follow-up, I-Feel-Like-I'm-Fixin'-to-Die.
Reception
Professional ratings Review scores Source Rating AllMusicBruce Eder in a retrospective review for AllMusic felt that the album is "one of the most important and enduring documents of the psychedelic era". The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.
Track listing
All songs by Country Joe McDonald, except where noted
1. "Flying High" – 2:38
2. "Not So Sweet Martha Lorraine" – 4:21
3. "Death Sound Blues" – 4:23
- Labeled as "Death Sound" on the mono version of the album.
4. "Happiness Is a Porpoise Mouth" – 2:48
- Labeled as "Porpoise Mouth" on the mono version of the album.
5. "Section 43" – 7:23
6. "Superbird" – 2:04
7. "Sad and Lonely Times" – 2:23
8. "Love" (McDonald, Melton, Cohen, Barthol, Gunning, Hirsh) – 2:19
9. "Bass Strings" – 4:58
10. "The Masked Marauder" – 3:10
11. "Grace" – 7:03
price rating
