DAVID BOWIE PIN-UPS RARE ORIG '73 RCA TEST PRESSING BOWIE'S LAST WITH SPIDERS
$
238
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· DAVID BOWIE – PIN UPS – ORIGINAL 1973 RCA RECORDS STEREO LP APL-1-0291
· ORIGINAL U.S. PRESSING
· *** ULTRA-RARE ORIGINAL TEST PRESSING ***
· PLAIN, GENERIC WHITE RCA TEST PRESSING LABELS ONLY HAVE A/B SIDE DESIGNATION, MATRIX NUMBER, RCA CORPORATE LOGO AND ABSOLUTELY NO OTHER DETAILS (SMALL STICKER WITH MATRIX NUMBER NOTED ON ONE SIDE)
· INCLUDES TYPEWRITTEN DATA SHEET, WITH A TENTATIVE TRACK LISTING, PROPOSED TITLE, ARTIST- AND OTHER CREDITS
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· CLEAN, WEAR-FREE LABELS
· PLAIN WHITE COVER (ORIGINALLY, THE TEST PRESSING CAME ONLY IN ITS INNER SLEEVE; WE ADDED THE EXTERNAL, WHITE COVER FOR BUYER'S CONVENIENCE)
· THICK, HEAVY VINYL PRESSING (VERY RARE FOR THIS TITLE)
· PLEASE NOTE: THE MATRIX NUMBER IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1973 PRESSING OF THIS RECORD ; THIS IS NOT A TEST PRESSING FOR ONE OF THE LATER REISSUES
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this classic Bowie Glam masterpiece - his final with the late, great Mick Ronson and the Spiders from Mars. While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please don’t take our word that it does: unfortunately, we are not familiar with the entire album (we know only a few songs) and we regret we cannot provide any competent information on how different this TEST PRESSING may be from the official release. Please contact us if you have any questions. The generic white test pressing label is (almost) entirely blank and without any details whatsoever.
The album comes with the neatly typewritten album data sheet (which also serves as a revision log) which contains all the details of the test pressing, including artist name, producer name, song titles, timings, assigned catalog number, scheduled date of release, list of revisions made thus far, performer credits, etc. However the generic test pressing label is mostly blank.
PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER; THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. . TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.
***
Pin Ups fits into David Bowie's output roughly where Moondog Matinee (which, strangely enough, appeared the very same month) did into the Band's output, which is to say that it didn't seem to fit in at all. Just as a lot of fans of Levon Helm et al. couldn't figure where a bunch of rock & roll and R&B covers fit alongside their output of original songs, so Bowie's fans — after enjoying a string of fiercely original LPs going back to 1970's The Man Who Sold the World — weren't able to make too much out of Pin Ups' new recordings of a brace of '60s British hits. Ziggy Stardust and Aladdin Sane had established Bowie as perhaps the most fiercely original of all England's glam rockers (though Marc Bolan's fans would dispute that to their dying day), so an album of covers didn't make any sense and was especially confusing for American fans — apart from the Easybeats' "Friday on My Mind" and the Yardbirds' "Shapes of Things," little here was among the biggest hits of their respective artists' careers, and the Who's "I Can't Explain" and "Anyway Anyhow Anywhere" were the only ones whose original versions were easily available or played very often on the radio; everything else was as much a history lesson, for Pink Floyd fans whose knowledge of that band went back no further than Atom Heart Mother, or into Liverpool rock (the Merseys' "Sorrow"), as it was a tour through Bowie's taste in '60s music. The latter was a mixed bag stylistically, opening with the Pretty Things' high-energy Bo Diddley homage "Rosalyn" and segueing directly into a hard, surging rendition of Them's version of Bert Berns' "Here Comes the Night," filled with crunchy guitars; "I Wish You Would" and "Shapes of Things" were both showcases for Bowie's and Mick Ronson's guitars, and "See Emily Play" emphasized the punkish (as opposed to the psychedelic) side of the song. "Sorrow," which benefited from a new saxophone break, was actually a distinct improvement over the original, managing to be edgier and more elegant all at once, and could easily have been a single at the time, and Bowie's slow version of "I Can't Explain" was distinctly different from the Who's original — in other words, Pin Ups was an artistic statement, of sorts, with some thought behind it, rather than just a quick album of oldies covers to buy some time, as it was often dismissed as being. In the broader context of Bowie's career, Pin Ups was more than an anomaly — it marked the swan song for the Spiders From Mars and something of an interlude between the first and second phases of his international career; the next, beginning with Diamond Dogs, would be a break from his glam rock phase, going off in new directions. It's not a bad bridge between the two, and it has endured across the decades.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The album comes with its original typewritten track listing and credit sheet
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
COVER : This reference pressing comes without any custom jacket, and will be shipped in a plain, generic, white cardboard cover (NOT GRADED SEPARATELY, BUT IN BRAND NEW CONDITION)
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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