DONNY HATHAWAY EXTENSION OF A MAN RARE ORIG '73 ATCO LP MONARCH WEST COAST PRESS

$

25

WE CURRENTLY HAVE  NEARLY 400  LISTED ITEMS

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·       DONNY HATHAWAY – EXTENSION OF A MAN - ORIGINAL 1973 ATCO RECORDS LP SD-7029

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW ATCO LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS (LATE 60’s STYLE)

·       VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Ranging from inner-city soul to orchestral grandeur to a bluesy ballad to easy-listening pleasantries, Extension of a Man was Donny Hathaway's most ambitious LP, the justly titled capstone to his phenomenal career. Coming, however, from one of soul music's most widely talented figures, this wasn't exactly a surprise; both of his previous studio full-lengths, Everything Is Everything and Donny Hathaway, treated soul as merely a starting point to express his multitude of ideas concerning music and arrangement, song and performance. On Extension of a Man, the ambition began and peaked with the opener, a six-minute orchestral piece titled "I Love the Lord; He Heard My Cry, Pts. 1-2." Arranged and orchestrated for 45 musicians by Hathaway himself, it applied the buoyant optimism of Gershwin's Rhapsody in Blue to a religious context, and segued smoothly into the transcendent "Someday We'll All Be Free," one of Hathaway's most beloved songs. The next two pieces, "Flying Easy" and "Valdez in the Country," were also Hathaway originals, first recorded during the late '60s as part of Chess studio groups; the first is a piece of pop-soul fluff lifted up by his superb reading, the second a smooth jazz-fusion jam with Hathaway illustrating on electric piano his excellent improv capabilities. "Love, Love, Love" and "Come Little Children" were the charting singles, the former a sublime love song heavily influenced by Marvin Gaye's What's Going On. Unfortunately, these disparate pieces, brilliant as they are, don't coalesce into a single work as well as on his masterpiece Everything Is Everything, but Hathaway never stops impressing with his conceptions of arrangement and performance. Crippled by depression, he would never release another solo album during the last five years of his life, though among the projects he'd hoped to record was the four-part concerto Life, to be performed by the Boston Pops Symphony Orchestra with him in the conductor's chair, and the score of an epic biblical film.

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP  (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.

-         Cover has a minor 'bump' (dent) on the top  seam  (VISIBLE ON BACK SIDE ONLY)

-         Cover shows some light yellowing on both sides, apparently from aging  (nothing significant)

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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