EDDIE BOYD w/PETER GREEN+JOHN MAYALL DUST MY BROOM RARE ORIG '67 LONDON PROMO LP
  $   49

 


$ 49 Sold For
Dec 4, 2011 Sold Date
Nov 24, 2011 Start Date
$   25 Start price
11   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
save auction  

Description

    
<img src= http://pics

WE CURRENTLY HAVE   ALMOST 1100    LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

 

►Click here to see our ROCK auctions ►See our JAZZ auctions ►See our BLUES auctions ►See our COUNTRY auctions ►See our CLASSICAL auctions ► See our STILL SEALED ITEMS ►See our PROMO auctions ►See our SOUL auctions ►See our AUDIOPHILE auctions

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

·       EDDIE BOYD AND HIS BLUES BAND – EDDIE BOYD AND HIS BLUES BAND featuring PETER GREEN (AS WELL AS JOHN MAYALL AND TONY McPHEE)– ORIGINAL 1969 LONDON RECORDS STEREO LP PS-554

 

·       ORIGINAL U.S. PRESSING

 

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER ("DJ") CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

 

·       ORIGINAL DARK-BLUE LONDON STEREO LABEL WITH WITH “BOXED” (FRAMED) LONDON LOGO,  SILVER PRINT AND “STEREOPHONIC” BANNER ACROSS THE LABEL’S CENTER (MID-TO-LATE 60’s STYLE).

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       THICK CARDBOARD COVER, AMERICAN STYLE.

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

·       THE RECORD HAS 'BELL SOUND'  STAMPS IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

Few postwar blues standards have retained the universal appeal of Eddie Boyd's "Five Long Years." Cut in 1951, Boyd's masterpiece has attracted faithful covers by B.B. King, Muddy Waters, Jimmy Reed, Buddy Guy, and too many other bluesmen to recount here. But Boyd's discography is filled with evocative compositions, often full of after-hours ambience.

 

Like so many Chicago blues stalwarts, Boyd hailed from the fertile Mississippi Delta. The segregationist policies that had a stranglehold on much of the South didn't appeal to the youngster, so he migrated up to Memphis (where he began to play the piano, influenced by Roosevelt Sykes and Leroy Carr). In 1941, Boyd settled in Chicago, falling in with the "Bluebird beat" crowd that recorded for producer Lester Melrose. He backed harp legend Sonny Boy Williamson on his 1945 classic "Elevator Woman," also accompanying Bluebird stars Jazz Gillum, Tampa Red, and Jazz Gillum on wax. Melrose produced Boyd's own 1947 recording debut for RCA as well; the pianist stayed with Victor through 1949.

 

Boyd reportedly paid for the date that produced "Five Long Years" himself, peddling the track to JOB Records (where the stolid blues topped the R&B charts during 1952). Powerful DJ Al Benson signed Boyd to a contract with his Parrot imprint and promptly sold the pact to Chess, inaugurating a stormy few years with Chicago's top blues outlet. There he waxed "24 Hours" and "Third Degree," both huge R&B hits in 1953, and a host of other Chicago blues gems. But Boyd and Leonard Chess were often at loggerheads, so it was on to Narvel "Cadillac Baby" Eatmon's Bea & Baby imprint in 1959 for eight solid sides with Robert Jr. Lockwood on guitar, and a slew of lesser labels after that. A serious auto wreck in 1957 had stalled his career for a spell.

 

Sick of the discrimination he perceived toward African Americans in this country, Boyd became enamored of Europe during his tour with the 1965 American Folk Blues Festival, so he moved to Belgium. The recording opportunities long denied him in his native land were plentiful overseas; Boyd cut prolifically during the late '60s, including two LPs for producer Mike Vernon. In the early '70s, he settled in Helsinki, Finland, where he played often and lived comfortably until his death.

 

 (EXCERPT FROM AN ONLINE BIO BY BILL DAHL, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

 

For additional historical or discography information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

THIS IS A NO-RESERVE AUCTION!

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record comes in the original stock inner sleeve.

 

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)          US Mono copies of this album are NOT known to exist.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS ABOUT VERY GOOD+(+)

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

 

-        Back cover has some light yellowish stains, probably from exposure to humidity  (nothing significant).

 

-        Back cover has a large peel-off mark along the opening side (less than 4 square inch in size

 

-         Cover shows some light yellowing on both sides, apparently from aging.

 

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-         Cover has a few visible wrinkles along the spine

 

-         Cover has a visible "wrinkle"(crease)  in one of the corners.  (VISIBLE ON BACK SIDE ONLY)

 

-         Cover has three corners slightly worn / dinged / bent.

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps (except for the promo stamp)

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK HERE TO see HOW!

(please note recent changes in our policy)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

© 2001,2007 MDJ. All rights reserved.






price rating