GABOR SZABO SIMPATICO RARE ORIG '66 IMPULSE STEREO LP RVG BEAUTIFUL

$

35

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·       GABOR SZABO with GARY McFARLAND – SIMPATICO – ORIGINAL 1966 IMPULSE RECORDS STEREO LP AS-9122

·       ORIGINAL U.S. PRESSING

·       ORIGINAL ORANGE AND BLACK IMPULSE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Gary McFarland and Gabor Szabo

Recorded in Englewood Cliffs, New Jersey: May 18-20, 1966

Gabor Szabo (g,vcl); Sam Brown (g); Richard Davis (b); Joe Cocuzzo (d); Gary McFarland (vib,vcl); Tommy Lopez, Barry Rodgers (perc).

A strange album of breezy pop ephemera that’s just as bewildering as it is beguiling. In the first and last of their collaborations that pit both names at the top of the bill, Gary McFarland and Gabor Szabo make their first bid for an out and out fusion of jazz and pop rock.

The result is not exactly a success and any sign of victory in either genre is likely to put off fans of the other genre. Most listeners that would even bother to pick this up in the first place will be expecting to hear these two engage in jazz interactions, if not the light jazz present on Szabo and McFarland’s previous collaboration, GYPSY ’66, and there’s precious little of that outside of McFarland’s spectacular title track and parts of Szabo’s hypnotic “Spring Song”.

The focus here is on pop music, which finds the two leaders – for better or worse – singing. While their voices make for a peculiar yet not disagreeable blend, Szabo is clearly not the vocalist McFarland is. Together, they work best on the Beatles numbers (“The Word” and “Norwegian Wood”), chiefly due to McFarland’s amazing facility for suggesting a cross between a Beatle and a Beach Boy in his nearly monotonic delivery.

Szabo’s originals (“Yamaha Mama”, “You Will Pay”) aren’t too bad and seem to be the kind of thing he would continue exploring on his JAZZ RAGA album. Surprisingly, McFarland’s originals (“Hey, Here’s A Heart”, “Ups And Downs”, “She’s A Cruiser”) aren’t among his stronger work and, predictably, never caught on. There are also the seemingly unhip inclusions of “Nature Boy” and “Cool Water”, which probably wouldn’t have appealed to any pop rock fan who happened upon this set.

The album bombed at the time, receiving (few) poor reviews and garnering almost no sales to make it anything more than a cult classic, which indeed it has become. How? Even though this is one of McFarland’s earliest productions and there are some genuinely jarring and incongruous moments on hand in this all-too brief set, repeated listens yield positively remarkable rewards – especially in the too-few instances of Gabor Szabo’s piquant and pithy playing.

 (EXCERPT FROM AN ONLINE REVIEW BY DOUGLAS PAYNE, DOUGPAYNE.COM)

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        A water stain  (VISIBLE ONLY ON THE INSIDE)  affects the area about 1/2 inch wide along the opening side and top seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  Yellowing is also noted on the INSIDE gatefold

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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