JAMES BROWN Get On The Goodfoot 2 LP SET FROM 72-TITLE TRACK IS STUNNING WORK
$
90
$ 90
Sold For
Aug 26, 2015
Sold Date
Aug 3, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
JAMES BROWN Get On The Goodfoot 2 LP SET FROM 72-TITLE TRACK IS STUNNING WORK
A MINT MINUS 2 LP SET ON POLYDOR PD2-3004
FROM 1972 WITH MATTE GATEFOLD COVER
PRODUCED BY JAMES BROWN
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
In an era where Brown went on to make three studio doubles, Get on the Good Foot was the first. This 1972 album finds Brown having great chemistry with both his newer J.B.'s and the New York session players. The title track is particularly stunning. "Get on the Good Foot" was so off-the-cuff and nonpareil, he couldn't have replicated the formula even if he wanted to. "I Got a Bag of My Own," on the other hand, sounds forced and synthetic. Although Brown was known for his new product, this album has him recycling some of his King singles. Doing so-so remakes of "Cold Sweat" and "Ain't It a Groove" could be taken as an attempt for Brown to ease some of his old catalog to his new label. It was a nice try, but you should stick with the originals. Not surprisingly, Get on the Good Foot does have its share of throwaway cuts. "Recitation By Hank Ballard" is a spoken-word effort with Ballard extolling his buddy's virtues as well as giving unsolicited advice about the perils of showbiz. "Dirty Harri," a lukewarm instrumental, goes nowhere fast for all of its six-plus minutes…. Although Get on the Good Foot only managed to yield two hits, the album is one of his more varied and fun efforts.
MATTE GATEFOLD COVER STOCK IN NEAR FINE CONDITION SINCE IT WAS STORED IN A PLASTIC SLEEVE SINCE PURCHASE. BOTTOM CORNERS WITH SMALL CRUSH MARKS ON POINT. TOP RIGHT WITH SMALL CRUSH MARK. EDGES ARE CLEAN AND SHARP. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLES. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW.
THE VINYL BLANKS IN MOST UNUSUALLY FINE CONDITION
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 200 PLUS WHEN SEEING THE LIGHT OF DAY
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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