JOHN COLTRANE ASCENSION RARE ORIG EDIT1 IMPULSE MONO LP
  $   105

 


$ 105 Sold For
Jul 18, 2010 Sold Date
Jul 8, 2010 Start Date
$   25 Start price
10   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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WE CURRENTLY HAVE   MORE THAN 400   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

 

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·       JOHN COLTRANE with FREDDIE HUBBARD, ARCHIE SHEPP, ELVIN JONES, PHAROAH SANDERS, McCOY TYNER AND JIMMY GARRISON - ASCENSION - ORIGINAL 1965 IMPULSE RECORDS MONO LP A-95

 

·       ORIGINAL U.S. PRESSING

 

·       THIS IS A RARE  "EDITION 1"  VERSION OF THE ALBUM, , ALMOST IMMEDIATELLY PULLED FROM THE MARKET UPON RELEASE AND NEVER AGAIN RELEASED ON VINYL;  "EDITION 1"  IS COMPLETELY DIFFERENT VERSION OF THE ALBUM FROM THE MORE COMMON, SUBSEQUENT  "EDITION 2" VERSION (PLEASE NOTE: WE ARE NOT SURE IF THE EDITION 2 VERSION EVEN EXISTS IN MONO; WE SUSPECT THAT IT DOES)

 

·       The record has a Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

 

·       ORIGINAL ORANGE AND BLACK IMPULSE LABEL

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

 

·       ORIGINAL BACK COVER WITH A BRIEF QUOTE LeROI JONES a/k/a AMIRI BARAKA, THE POET LAUREATE OF THE STATE OF NEW JERSEY AND A FREE JAZZ RADIAL IN HIS OWN RIGHT.

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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The single most radical, revolutionary album in the history of Jazz; when this album came out, it caused an uproar and upheaval of galactic proportions, and after only a single playing, one can figure out why: simply put, this is a most astonishing one-way-ticket departure from all existing forms, tonal and atonal structures, conventions and dogmas known to Jazz. Think of this as Coltrane's taking traditional Jazz to the guillotine and waving its detached head thereafter. Forty years later, it is still too radical and revolutionary for some narrow minds. The Mountain of originality and creativity.

 

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Ascension is the single recording that placed John Coltrane firmly into the avant-garde. Whereas, prior to 1965, Coltrane could be heard playing in an avant vein with stretched-out solos, atonality, and a seemingly free design to the beat, Ascension throws most rules right out the window with complete freedom from the groove and strikingly abrasive sheets of horn interplay. Recorded with three tenors (Trane, Pharoah Sanders, Archie Shepp), two altos (Marion Brown, John Tchicai), two trumpet players (Freddie Hubbard, Dewey Johnson), two bassists (Art Davis, Jimmy Garrison), the lone McCoy Tyner on piano, and Elvin Jones on the drums, this large group is both relentless and soulful simultaneously. While there are segments where the ensemble plays discordant and abrasive skronks, these are usually segues into intriguing blues-based solos from each member. The comparison that is immediately realized is Ornette Coleman's Free Jazz of five years previous. However, it should be known that Ascension certainly carries its own weight, and in a strange sense makes Coleman's foray a passive adventure -- mostly due to an updated sonic quality (à la Bob Thiele) and also Trane's greater sense of passionate spiritualism. Timed at around 40 minutes, this can be a difficult listen at first, but with a patient ear and an appreciation for the finer things in life, the reward is a greater understanding of the personal path that the artist was on at that particular time in his development. Coltrane was always on an unceasing mission for personal expansion through the mouthpiece of his horn, but by the time of this recording he had begun to reach the level of "elder statesman" and to find other voices (Shepp, Sanders, and Marion Brown) to propel and expand his sounds and emotions. Therefore, Ascension reflects more of an event rather than just a jazz record and should be sought out by either experienced jazz appreciators or other open-minded listeners, but not by unsuspecting bystanders.

 

 (EXCERPT FROM AN ONLINE REVIEW BY JACK L.V. ISLES, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

 

THIS IS A RESERVE AUCTION!

 

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CONDITION:

 

RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)           WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

 

(c)           The record comes in the original stock inner sleeve.

 

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        A minor, barely visible water stain (less than 1 square inch in size) is visible on all three sides of the cover (front, back, gatefold); there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is faintly visible

 

-        Cover has a tiny, barely visible cutout hole in one of the corners

 

-        Cover shows some light yellowing on both sides, apparently from aging. Yellowing is also noted on the INSIDE gatefold

 

-        Cover has a visible wrinkle (crease) in the cardboard base on the inside gatefold

 

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.   Inside gatefold also has some light ring wear

 

-        The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge  (VISIBLE ON BACK SIDE ONLY) ; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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