LED ZEPPELIN - LED ZEPPELIN - LP - PLUM -EX
£
37
$
48
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Description
Title: Led Zeppelin AppropRiot Artist/Band Led Zeppelin Type
LP Stereo
Label Atlantic - PlumCat No. 588171 Year 1969 Sleeve Type Single Laminated Front and rear Inserts + Extras none Grading & Condition
We specialise in Collectable Classics , Punk and New Wave , Rare Cassettes , 8 Track Carts and "cheesecake" Covers and the obscure and esoteric.(what more could you expect with a name taken from a Zappa track :))
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Disc(s) EX Lovely Condition. Very Clean and Bright -There are a few play marks which are light and mostly just paper cuts - There is the occasional crackle and odd pop - But nothing that spoils the quality of the recording . and after all it is a 35 year old Plum copy in EX condition and there arent that many left ! Labels EX+ Very Clean indeed . NO Stickers or Remains NO Tears NO Writing . There is only a Trace of spindlewear on Both Labels Sleeves EX+ Really Clean and Tidy Cover . NO Tears - NO Writing - With just a little Storage and edgewear. Inserts RemarksI f hard rock fans seem more fanatical than other music fans, consider that their icons stand taller than most. As hard rock coalesced in the late ‘60s, artists like Cream and Jimi Hendrix appeared larger than life: their music was devastating, their talent redefined what was possible. This first wave of legends burned brightly but briefly. In their place grew a new wave of heavy rock gods with names that alluded to the dark metallic tones of a young movement: Black Sabbath, Deep Purple, Led Zeppelin. These groups continued the dialogue begun by Cream and Hendrix, using their knowledge and affection of the blues as a launching point for psychedelic exploration and rebellion on an epic scale. It was obvious from the beginning that Led Zeppelin not only knew what they were talking about but had something important to say. “Good Times Bad Times” explodes out of the gate with a remarkable rhythm from John Bonham and a group sound that felt like a tightly wound coil ready to rip loose. Their treatments of traditional songs are equally eye-popping, from Robert Plant’s smoldering performance on “Babe I’m Gonna Leave You” to Jimmy Page’s loquacious licks on “I Can’t Quit You Baby.” Yet the merit of Zeppelin’s music is measured as a single body of work rather than individual songs or albums; praising the Cream-influenced “Dazed And Confused” or “How Many More Times” over the electrifying “Communication Breakdown” misses the point that it’s all good. Likewise, the Eastern-sounding “Black Mountain Side” is as flattering a facet of the band as the relatively straightforward blues of “You Shook Me.” Subsequent albums explored Led Zeppelin’s acoustic side in deeper detail, shedding some of their blues genes along the way, but all are (more or less) albums of classic calibre. In other words, it doesn’t get much better than this.
Credits
JOHN BONHAM -- drums, tympani, backing vocal
JOHN PAUL JONES -- bass, organ, backing vocal
JIMMY PAGE -- electric guitar, acoustic guitar, pedal steel guitar, backing vocal
ROBERT PLANT -- lead vocal, harmonica
Viram Jasani -- tabla drums (6)
Glyn Johns -- director of engineering
Peter Grant -- executive producer
Chris Dreja -- back liner photo
George Hardie -- cover design
BABE I'M GONNA LEAVE YOU (Traditional, arranged by Jimmy Page) 6:40
YOU SHOOK ME (Willie Dixon) 6:30
DAZED AND CONFUSED (Jimmy Page) 6:27
Side 1
YOUR TIME IS GONNA COME (Jimmy Page/John Paul Jones) 4:41BLACK MOUNTAIN SIDE (Jimmy Page) 2:06
COMMUNICATION BREAKDOWN (Jimmy Page/John Paul Jones/John Bonham) 2:26
I CAN'T QUIT YOU BABY (Willie Dixon) 4:42
HOW MANY MORE TIMES (Jimmy Page/John Paul Jones/John Bonham) 3:30
Side 2
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