LP Bobby Hutcherson Components VAN GELDER Microgroove 43 west 61st St. BLUE NOTE
€
64
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Description
LP | Bobby Hutcherson: Components VAN GELDER Microgroove 43 west 61st St. BLUE NOTE | Jazz Vinyl
Ich löse einen Teil meiner privaten Jazz-Sammlung auf, darunter einige Blue Note's und Impulse, meistenteils Bop, Hard Bop, Post Bop und Free Jazz Vinyls. U.a. Charlie Parker, Sonny Rollins, Thelonius Monk, Bobby Hutcherson, Hank Mobley, Lee Morgan, Three Sounds.
Vor drei Wochen bereits eingestellt, hat Spaßbieter 4heros leider nicht gezahlt, deswegen heute wieder im Angebot.
BLUE NOTE BLP 4213 LP Vinyl
Bobby Hutcherson: Components
LP: vg/vg- [VAN GELDER in deep wax]
Cover: vg
Allmusic.com says:
Perhaps the single album that best sums up Bobby Hutcherson's early musical personality, Components is appropriately split into two very distinct halves. The first features four Hutcherson originals in a melodic but still advanced hard bop style, while the latter half has four free-leaning avant-garde pieces by drummer Joe Chambers. Hutcherson allots himself more solo space than on Dialogue, but that's no knock on the excellent supporting cast, which includes Herbie Hancock on piano, James Spaulding on alto sax and flute, Freddie Hubbard on trumpet, and Ron Carter on bass. It's just more Hutcherson's date, and he helps unite the disparate halves with a cool-toned control that's apparent regardless of whether the material is way outside or more conventionally swinging. In the latter case, Hutcherson's originals are fairly diverse, encompassing rhythmically complex hard bop (the title track), pensive balladry ("Tranquillity," which features a lovely solo by Hancock), down-and-dirty swing ("West 22nd Street Theme"), and the gaily innocent "Little B's Poem," which went on to become one of Hutcherson's signature tunes and contains some lyrical flute work from Spaulding. The Chambers pieces tend to be deliberate explorations that emphasize texture and group interaction in the manner of Dialogue, except that there's even more freedom in terms of both structure and tonal center. (The exception is the brief but beautiful closing number, "Pastoral," an accurate title if ever there was one.) Components illustrated that Hutcherson was not only the most adventurous vibes player on the scene, but that he was also capable of playing more straightforward music with intelligence and feeling.
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