NM MONO 1962 impulse McCoy Tyner INCEPTION Debut LP
  $   89

 


$ 89 Sold For
Jan 21, 2010 Sold Date
Jan 14, 2010 Start Date
$   10 Start price
7   Number Of Bids
  USA Country Of Seller
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Description

Rarebro Records

 

McCoy Tyner Trio - Inception

Impulse Records 1962

U.S.A. Original 1st Pressing : Not A Recent Re-Issue
Strict 100% Guaranteed Goldmine Grading Guide NM/VG+/VG
  • Record: NM ABSOLUTELY STONE MINT
  • Cover: VG+ Gorgeous Laminated Gatefold Cover, some staining on inside gatefold along bottom, ink stamp on back, very little wear, no splits
Impulse A-18 - Original 1st pressing 1962 Mono LP with Van Gelder stamp. McCoy's debut LP. - Rarebro Records

Those familiar with the dense, percussive style that pianist McCoy Tyner has cultivated since the 1970s onwards may be surprised by what they hear on Inception. Like Reaching Fourth and Nights of Ballads and Blues, this album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style. The choice of material is fairly evenly split between modal pieces like "Inception" and more harmonically involved tunes like "Speak Low," and the pianist's treatment of both demonstrates the extent to which his early work was rooted in bebop. Tyner had yet to develop the massive orchestral sound and highly distinctive vocabulary of modal licks that would mark his later style, and throughout this album he spins dizzyingly long and singing lines with an exquisitely light touch. The irresistible rush of forward momentum that he maintains on tracks like "Effendi" and "Blues for Gwen" is breathtaking, and there is an exuberant, almost athletic quality to much of his solo work. Bassist Art Davis and drummer Elvin Jones provide superb accompaniment throughout, and they lay a solid rhythmic foundation for Tyner's sparkling melodic flights. The pianist's penchant for drama, which asserts itself more strongly in his later work, is on brief display in the original ballad "Sunset"; his skills as an arranger, though evident on several tracks, are perhaps best illustrated by the intricate contrapuntal treatment of "There Is No Greater Love."-AMG

Impulse was founded by Creed Taylor in 1960. Impulse Lp's are prized for their superior sound (Rudy Van Gelder) and fantastic record covers:

Being almost exclusively an LP album-based label, Impulse! was able to exploit the new format to the fullest and its LP's are noted for their distinctive visual style. The label's trademark black, orange and white livery was devised by original art director Fran Attaway (then known as Fran Scott, clarinetist Tony Scott's wife), whom Taylor also credits with establishing Impulse's tradition of using cutting-edge photographers for its covers. The Impulse color scheme was chosen for its brightness and because no other label used this combination.

The label's striking logo was designed by Attaway's successor Margo Guryan It featured the Impulse name in a heavy sans serif lower-case font, followed by an inverted exclamation mark that mirrors the lower-case "i" at the beginning: impulse!

Like its contemporaries Blue Note and Verve, the front covers of Impulse's LPs often featured stylish large-format photographs or paintings, usually in full color, which were typically 'bled out' to the edges of the cover and printed on glossy laminated stock. Many of the best-known Impulse! covers were by designed by art director Robert Flynn and photographed by a small group that included Pete Turner (who also shot many renowned covers for the Verve, A&M and CTI labels), Charles Stewart, famed portraitist Arnold Newman, Ted Russell and Joe Alper (also known for his early '60s photographs of Bob Dylan). The distinctive, sparse B&W back cover designs bore the slogan "The New Wave of Jazz is on IMPULSE!"; most Impulse! LPs were issued in a gatefold sleeve with photographs and liner notes. - wiki

Check out our other auctions for more original impulse titles from the 1960's!

This item is from a private jazz collection that spans from the 1950's through the early 1970's. MOST of this collection is in NM condition and marked as promotional copies. The collection is from a vocalist who was involved with theater here in NYC in the 1950's & 1960's.

We believe the records in this collection were obtained through the music business as they are either marked as promotional or are mint first pressings. 1st pressings contain the brightest, clearest, best sound as they were the first to be pressed off the master stamper. These records are in stunning shape and are a highly recommended upgrade if you already have this title.

Check our other auctions for more of this collection or add us to your favorite seller list (below) to keep up to date on our auctions.




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