PINK FLOYD DARK SIDE OF THE MOON GENUINE A-3 B-2 RARITY

	£		79
	$		105

An Important Foreword Regarding Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual grading and check that you are satisfied before placing your bid.

Specific notes concerning this album: I have changed the format of my listings slightly in order to highlight specific aspects of the condition of the albums I am offering for sale. These comments will still appear in the dedicated sections but I hope that this ‘headlining’ will prevent bidders from overlooking key points in their evaluation. This particular album has experienced regular use during the last 40 years and, as such, the cover is near excellent and the vinyl very good plus to excellent in visual and audio terms respectively. The distinctive non laminated ‘dark blue’ original Garrod & Lofthouse gatefold cover has narrow edge and corner rub wear, some evidence of surface rub on the front and back, some mini edge creasing and light linear indents most of which can be seen clearly in the ‘zoom & enlarge photo gallery’ – in my opinion these flaws are minor but the photographs show them clearly so you can make your own assessment (I have not included a photograph of the inside right of the centre spread as it is near new condition and there were more informative photos to include within the maximum quantity). The original UK first press vinyl has a few light surface brush lines caused by bag movement and light stylus contact, nothing that can be felt with light fingertip touch and, although there is occasional low level surface sound,  nothing that has any significant audio consequence. Overall there are no substantial blemishes or flaws and, in my opinion, the audio deliver is really delightful.

Album / Record Title: THE DARK SIDE OF THE MOON

Rarity: EXTREMELY RARE AS A COMPLETE UK ‘REAL’ SECOND PRESSING IN THIS HIGHLY PRESENTABLE & THOROUGHLY ENJOYABLE CONDITION – in the normal course of events high profile classic collectables attract myths and anecdotes that become part of the legend and ‘DSOTM’ has more than its fair share of those ‘commentaries’. Indeed so huge is its presence that it has dedicated information ‘sites’ and is a unique subject in its own right. Alongside being a brilliant album and immensely interesting this also breeds an element of confusion and misinformation and I, for one, have been guilty of misunderstandings about certain aspects of its make-up over the years; so on this occasion I’m just going to present the facts about this variant with some observations based on personal experience.

DSOTM is not just one of the most important progressive rock albums ever made and, in many respects, the most successful it is also a phenomenon. Everything about the album, and every component, has come under close scrutiny over the years from both inside the industry and out by legions of enthusiasts. In general terms and across all variants it is not rare at all, in fact on the contrary it is one of the most readily available vinyl albums you are likely to come across. The fact that  worldwide sales in excess of 45 million make it about the third largest selling album of all time is a clear enough indication that there are likely to be a few about. HOWEVER, UK EARLY PRESS EXAMPLES, SPECIFIC VARIANTS, AUTHENTIC COMPLETE ORIGINALS AND VINYL ALBUMS IN EXCELLENT CONDITION THROUGHOUT CAN JUSTIFIABLY CLAIM TO HAVE DIFFERING DEGREES OF SIGNIFICANT RARITY - I WILL EXPLAIN WHERE I THINK THIS ONE SITS IN THE RARITY LEAGUE TABLE:-

The first point to mention is that the early originals had a lot of inserts and while that’s generally a good feature it does present problems when buying used because of the ‘swapping’ or ‘mix and match’ factor; which frequently results in them being ‘mixed and mismatched’ - a potential problem with all albums that have inserts. Two posters and two sticky back postcards were standard issue and contrary to some popular sources of information my findings lead me to believe that there was more than one supplier of inserts for the early issues and they had different characteristics. My experience of having bought my own original on the first release date in 1973 and having seen many other originals since clearly suggests that the posters which accompanied first and early issues were in matt or gloss finish both sides; and the postcards were either ‘Fasson FasPrint Crack-Back’, with those names and brown diagonal break lines on the back, or were just marked with ‘PERMANENT’ in red and a cross card ‘wave’ break line to peel away for use – as per the type included with the album in this listing – please see photographs. Apart from being my own experience and opinion this makes perfect sense as due to quantity required and continuity of supply multi sourcing would have been a logical course of action by the record company.

The album has a number of characteristics which were changed during the course of the various pressings and issues – the main ones are as follows.

The first press, first issue and this second press, first issue both had a dark blue gatefolds with factory sealed front edge – the earliest often had a folded in front flap whilst slightly later variants like this were just straight cross cut and sealed, but this feature is random within the first issue due to production co-ordination and sequencing. All subsequent gatefolds have just a solid black base colour. The colour difference between the first ‘dark blue’ and later ‘black’ gatefolds is not obvious at a glance so I have photographed this one on top of a black one, alongside a corner close-up, to emphasise the difference. Some were issued with circular ‘DSOTM’ stickers but distribution has been fairly random throughout the many variants and it’s difficult to attach any real importance in terms of provenance to this sticker.

The earliest issues all had die cut black paper poly-lined inner sleeves with the usual circular centre windows two patent numbers and ‘Made in Great Britain text. All later issues were plain white or with EMI inners with the exception of a much later anniversary release where there was limited use of black again.

The first pressing had a solid ‘powder’ blue triangle on the record labels which caused difficulty with visibility of the track titles in the silver text so it was changed to a blue ‘outline’ triangle like this one, from the second pressing onwards, so they could be seen clearly on the black background.

The first and second pressing labels feature ‘The Gramophone Co. Ltd.’ text around the top perimeter of the labels and ‘World Copyrights Ltd.’ text under the titles, this was changed to ‘EMI’ and ‘Pink Floyd Music Publ.’ text respectively from the third pressing and thereafter.

The first commercially pressed matrices started with A-2 & B-2, as there were NO commercially released A- & B-1 matrices, and progressed from there with this A-3 & B-2 being next in line and on up to at least A-14 which are the highest I have personally seen.

As usual the vinyl weight decreased with each re-pressing. The first and second pressings typically weighed in between 140 to 150 grammes and this reduced gradually in subsequent pressing down to as low as 100 to 110 grammes.

THIS IS AN EXTREMELY RARE SECOND PRESS FIRST ISSUE probably pressed around mid 1973, one of the rarest ‘outline’ triangle variants, and in some ways rarer than the ‘solid’ blue triangle original – although less iconic. JUST AS IMPORTANT AS THE RARITY OF THE VARIANT IS THE FACT THAT IT IS COMPLETE, HIGHLY PRESENTABLE AND THOROUGHLY ENJOYABLE.

The key features are summarised below: 

• COMPLETE ORIGINAL UK ALBUM SECOND PRESS FIRST ISSUE
• SECOND MATRICES & LATER STAMPERS FROM EARLY MOTHERS
• SUPERB HEAVYWEIGHT VINYL IN NEAR EXCELLENT CONDITION
• STEREO RECORDING FORMAT DELIVERING SENSATIONAL AUDIO
• EMI HARVEST ‘GRAMOPHONE’ LABELS OUTLINE BLUE TRIANGLE
• ORIGINAL UK GARROD & LOFTHOUSE ‘BLUE’ GATEFOLD COVER
• FIRST BLACK DIE CUT POLY-LINED INNER SLEEVE DUAL PATENTS
• TWO ORIGINAL ‘BLUE PYRAMIDS’ & BAND MATT PHOTO POSTERS
• TWO ORIGINAL ‘PERMANENT’ & ‘WAVE-BACK’ ADHESIVE CARDS
• ONE OF THE RAREST VARIANTS OF THIS CLASSIC COLLECTABLE

Artiste(s): PINK FLOYD - Roger Waters, David Gilmour, Rick Wright, Nick Mason

Produced By: Pink Floyd

Disc Format & Playing Speed: 12” LP & 33 1/3 r.p.m.

Recording Format: STEREO

Record label: SINGLE BOXED EMI HARVEST OUTLINE BLUE TRIANGLE ON BLACK LABEL WITH ‘The Gramophone Co. Ltd.…’ text top perimeter and ‘World Copyrights Ltd.’ text under track titles.

Catalogue Number: SHVL 804

Country of origin and first published date: GT. BRITAIN 1973 (this particular one was probably pressed mid 1973)

Vinyl ‘run off’ matrices side 1:     SHVL 804 A-3

Vinyl ‘run off’ matrices side 2:     SHVL 804 B-2

Vinyl ‘run off’ mother / stamper codes side 1:    2 (or 3 – not fully legible)   RAO (stamper 235)

Vinyl ‘run off’ mother / stamper codes side 2:    1 (or :  -  not fully legible)   RDM (stamper 204)

Vinyl ‘run off’ initials / cryptic / other side 1:  none visible

Vinyl ‘run off’ initials / cryptic / other side 2:  none visible

N.B. Please note that all matrices, mothers and stampers quoted in my listings are machine imprinted except where I state an alternative method next to them.

Track Listing as per label: SIDE 1: (a) (I) SPEAK TO ME / (II) BREATHE IN THE AIR / (b) ON THE RUN / (c) TIME / (d) THE GREAT GIG IN THE SKY / SIDE 2: (e) MONEY / (f) US AND THEM / (g) ANY COLOUR YOU LIKE / (h) BRAIN DAMAGE / (i) ECLIPSE

My opinion and summary of condition: My opinion is not required in terms of the artistic and musical content of this great album - most people know it well, have well established opinions and will know what they are looking for; so I will move straight to this particular album. This is a great all round example, a GENUINE UK SECOND PRESSING – which is an extremely early variant in the history of DSOTM. It delivers brilliant audio which is a harder and rarer feature to find than you might expect (on even slightly less well cared for and more commonly available later pressings the audio can be difficult due to the nature of the music). It has all the inserts except the small round circular sticker which I have explained I believe to be a random issue. In summary, it is an AUTHENTIC SECOND PRESSING AND A COMPLETE ALBUM IN NEAR EXCELLENT CONDITION.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: VERY GOOD PLUS, a light scattering of superficial surface lines and bag movement marks, a few minor surface ‘brush’ lines caused by light stylus contact which are just slightly more noticeable, not tangible, no significant audio consequence.

Vinyl Visual side 2: VERY GOOD PLUS, a light scattering of superficial surface lines and bag movement marks, a few minor surface ‘brush’ lines caused by light stylus contact which are just slightly more noticeable, not tangible, no significant audio consequence.

Label Visual side 1: EXCELLENT, some light spindle lines and a little evidence of handling but otherwise no marks, no tears, no scuffs, no visible spindle hole wear.

Label Visual side 2: EXCELLENT, some light spindle lines and a little evidence of handling but otherwise no marks, no tears, no scuffs, no visible spindle hole wear.

N.B. Please note that I make no adjustment or allowance in grading for minor marks, slight shrinkage marks / bubbles or misalignment on labels caused in manufacture; they are benign, quite normal and, in my opinion, original individual characteristics – not defects.

Outer Cover: NEAR EXCELLENT, the first variant ‘blue’ classic gatefold outer cover designed by Hipgnosis printed and made by Garrod & Lofthouse Ltd. of mid-weight card construction with the original manufacturers cross cut and sealed front section. I have explained the minor flaws in the leader paragraph so I will just ask you to review that information in conjunction with the super-sized photographs and make your own assessment as well.

Spine: NEAR EXCELLENT, square shouldered, plain spine, with no printing as was the case with all of original early British made covers, this has a light scattering of mini scuffs towards the ends and the usual light line down the centre caused by opening and closing over time – the photographs show the condition clearly and accurately.

Inner Sleeve: VERY GOOD PLUS, original die cut black paper with centre window and printed with two patent numbers & Made in Great Britain text, fitted with antistatic poly-liner; a fair amount of creasing and a few small nicks but no significant tears or damage.

Posters x 2: EXCELLENT, unused originals with matt finish front and back, a few small marks and minor creases, slight discolouration around the seams but nothing unpleasant. Each poster is size 20” x 30” (50 x 76 centimetres)

Stickers x 2: EXCELLENT minus, unused with just a few small marks on the back and some minor superficial creases. Each postcard is size 4” x 6” (10 x 15 centimetres)

Vinyl Warp: none visible when eye tested on a moving turntable

Vinyl Weight: 143 grammes (an excellent EMI Harvest mid-weight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

For CLARITY the audio from this vinyl grades: EXCELLENT

For CLEANLINESS the audio from this vinyl grades: NEAR EXCELLENT

Audio Performance: DESPITE THE OCCASIONAL PRESENCE OF LOW LEVEL SURFACE SOUND, WHICH WILL ALMOST CERTAINLY DIMINISH WITH USE, THIS WAS A GREAT SOUND CHECK FOR ME – A REALLY DYNAMIC AUDIO PERFORMANCE. THE LITTLE LIGHT CRACKLE IN THE BACKGROUND IS NOTICEABLE PRIMARILY ON THE ‘LEAD INS, RUN OFFS’ AND QUIETER SECTIONS AND DID NOT SPOIL THE OVERALL AUDIO EXPERIENCE FOR ME IN ANY WAY. I ALWAYS SAY PLEASE BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL THERE IS ALWAYS SOME LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE LIGHT CRACKLE WHICH IS OFTEN STATIC, OR EVEN A RANDOM SOFT TICK - BUT THIS IS A POWERFUL AUDIO DELIVERY OF OUTSTANDING CLARITY FROM AN IMPRESSIVE VINYL.

Other: This is a remarkably excellent example of this album all round. It is a genuine complete second pressing and it would be difficult to find better – THOROUGHLY RECOMMENDED.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

GENERAL NOTES

Thank you for visiting my listing. The section immediately above sets out information specific to the particular album / record offered in this listing. Below are some of my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and early ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; the label and / or cover may have very slight changes, if they were made within the first production run or, if the album was issued with an ‘in run’ label change or choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: In many cases inexperienced sellers claim first pressing status without knowledge or evidence in the hope of achieving high prices – experienced buyers will know better and avoid those offers. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings. Also, in cases where demand was sustained or emerging the first press run was maintained over an extended release period; in other cases the first press run was specific. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test, promo or industry pressings so the commercial releases started at ‘2’ or even higher, and there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. Sometimes different symbols were used in the matrices; these may indicate an earlier pressing, a contract pressing or just simply a change of format. For example some records have A61 & B61 others A // 1 & B // 1 others A-1 & B-1 and so on. In these cases the mother and stamper references can help with establishing the proximity of an individual record to the original recording – each different record company had their own coding system, some using letters from words to indicate numbers, others just using numbers. Better known examples include GRAMOPHLTD & BUCKINGHAM – used by EMI and DECCA respectively. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable – hopefully the sellers will also include the ‘zoom’ and ‘enlarge’ photograph facility which only costs pennies to include and it remains a mystery to me as to why many avoid this service?). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Please Note: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play a ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. I will only dispatch using a fully insured Signed-for delivery service; if this is not acceptable please do not bid on any of my listings.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. As stated in the previous paragraph for overseas deliveries I will also only dispatch to UK destinations using a fully insured Signed-for delivery service; if this is not acceptable please do not bid on any of my listings.

Postal insurance is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance such as premiums to cover non-standard risks or consequential losses are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs above to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Zoom or Enlarge’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.